Beautiful landscape ambient. Hypnotic, dreamy, trance-inducing. I love this sort of ambient, when the pads are not dominated by the guitar picking, and here is an example of such. I can easily imagine sitting on a hill and observing valley below me complemented with thin mist, through which I can see rays of sunset. Great work, thank you!

very cool ambient guitar.  great melody and feel throughout the piece.  cant wait to hear more!

Monumental Times was inspired by my dear cat, Ziggy. Evolving from past mistakes, isolation from society, current crazy worldly affairs.

All songs written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments: Daniel Lars

Monumental Times

Good Guy Remix feat. Alston Webb (Produced By King D Mr. Perfect)

آهنگ من عاشق تو بودم - خواننده سوفیا

Man Asheghe To Boodam

Monumental Times was inspired by my dear cat, Ziggy. Evolving from past mistakes, isolation from society, current crazy worldly affairs.

Written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments: Daniel Lars

Place of Limbo

Place Of Limbo

Grand Hall of Heavenly Gates

Going Silent

Monumental Times was inspired by my dear cat, Ziggy. Evolving from past mistakes, isolation from society, current crazy worldly affairs.

Written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments and vocals: Daniel Lars

God, if You're Out There

God If You're Out There

This latest release was inspired by overcoming unexpected challenges, past two years. My dear cat, evolving from past mistakes, isolation, current crazy world affairs.
Written, arranged, produced, mixed, mastered: Daniel Lars 
All instruments: Daniel Lars

Crazy Cats

A Small Prayer

Love is simple

About a guy who takes in the city's vibe to uplift him after having a stressful time.


Lyrics:

The City's Vibe           
(c) 2024   Gary Randman

[Verse 1]
Called my girl at five
Babe get ready for the night
Have this need to cruise the town
Find them bars with the cool sounds
Leave my work behind
Meet her at the subway line
Waiting for the downtown train
Dancing as some music plays

[Verse 2]
When we find our way
Get a table near the stage
Find some comfort drinking wine
Let the music soothe our minds
When it's time to go
We hit the streets and roam
City lights help guide the way
Looking up above amazed


[Bridge]
The city's alive
I'm feeling its vibe
Like some kind of high
Helps me clear my mind
Cause lately
Going crazy
In my mind
The city breathes me life
Makes me feel alive
The sights
The sounds
They supply
An energy that thrives
Reaching deep inside

The City's Vibe [Demo]

Death's Awake – The Jeremias Langsämmer Ensemble
A four-part classical chamber music piece, Death's Awake explores the profound journey from darkness to light, weaving elements of sorrow, contemplation, and ultimate transcendence. Each movement unfolds like a passage through the cycles of mourning and renewal, blending rich, evocative textures with hauntingly beautiful melodies.

Part I – Awakening in Dissonance
The piece begins in a state of unrest. A mournful cello cries out over a backdrop of discordant strings, evoking an eerie tension. A lo-fi, distant piano echoes in the background, its fragmented notes like fading memories. The harmonies are jagged and unresolved, shifting unpredictably, as if death itself is stirring. The movement is haunting and immersive, leading the listener into the abyss of uncertainty.

Part II – Shadows and Light
As the darkness settles, a hushed stillness takes over. The cellos, now subdued, breathe deeply in somber unison, their tones carrying a quiet yet growing warmth. The piano emerges from the mist, no longer distant but more melodic, its notes like glimmers of light breaking through the gloom. The harmonies, though restrained, begin to suggest the first traces of hope, as if dawn is approaching but not yet fully realized.

Part III – Echoes of Memory
A shift occurs as the piano takes center stage, unfolding a mellow, introspective solo. A lo-fi harp enters, its delicate plucked tones shimmering like raindrops on glass. Pizzicato strings dance around them, creating intricate movement and rhythm, as if life itself is beginning to weave back together. The interplay between instruments is intricate yet restrained, capturing a sense of quiet contemplation and acceptance.

Part IV – Ascension and Light
The final movement is a cathartic release, as the strings swell with newfound strength. The piano, no longer hesitant, soars with uplifting melodies, harmonizing with the ensemble in a triumphant yet tender resolution. Hope surges through the music as dissonance dissolves into radiant harmonies, evoking the warmth of sunrise after a long, restless night. The journey is complete—death has awakened, not as an end, but as a transformation into something luminous and eternal.

Death's Awake [Classical | Chamber Music]

michael

untitled #4


Early morning light feelin’ fresh as a breeze
Walkin’ down the streets no one else but me
Loser tag on my back but I’m free
Got nothin’ to lose just bein’ me


Coffee shop whistle hear the hustle and flow
Strangers passin’ by got no place to go
They might think I’m down they don’t even know
I’m writin’ my own way lettin’ everything show


Girl you want some of me we can go all day
Lost in the crowd findin' our own way
I rise with the sun don’t care what they say
I might be a loser but I’m here to stay


No suit no tie just a heart and a rhyme
Goin' through the city yeah I’m takin’ my time
Makin’ my music one street at a time
Life might be messy but it’s my kind of crime


You see me as I am raw edges and scars
Catch me in the moment reaching for stars
People can talk but I’m breakin’ the bars
Loser maybe but this life is ours


Girl you want some of me we can go all day
Lost in the crowd findin' our own way
I rise with the sun don’t care what they say
I might be a loser but I’m here to stay

Loser tag

evolution

Central to the practice of remixing and collaborative creation is the principle of relinquishing individual control in favour of collective immersion. Both the remixer and collaborators must adopt a responsive and adaptive approach, prioritizing dialogic engagement with the material and the creative contributions of others. This relinquishment fosters an environment conducive to discovery, wherein the emergent work transcends the limitations of individual vision.

Bandcamp

Twilight glow of the sky (Autistici Suspended remix) - Tomo-Nakaguchi

Silent Flame es el fuego que no quema, pero transforma.
En lo profundo de la oscuridad interior, esta pieza evoca una llama sagrada que arde en silencio, guiando cada paso con su calidez invisible.
Percusiones orgánicas, texturas oscuras y destellos de luz tejen una atmósfera introspectiva y liberadora.
Una invitación a confiar en la chispa que nunca se apaga.

SILENT FLAME

Daniel Lars: Multi-Instrumentalist, vocalist, songwriter, producer. Born, initially grew up in the heart of San Francisco. Music deeply rooted...young age of four. Psychedelic music scene was electrifying. Nevertheless, Daniel Lars was deeply influenced from extensive variety of music. Rock, Hard Rock, Psychedelic, Glam Rock, Progressive Rock, Gothic, Motown, '60s pop music, Eastern, Funk, Soul, Blues, Disco, Bossa nova, Folk, Jazz Fusion, Jazz, Classical, World Music, Techno, Psychedelic Trance. 

Daniel Lars: "My father would play stacks of vinyl from extensive record collection. Especially, during weekends. Late, through the night. Recall in record collection...early Beatles, Big Band, classical, jazz, Elvis, Frank Sinatra, MC5, Dusty Springfield, Motown. Various country artists in record collection. While my oldest brothers were playing '60s rock, Southern Rock, English psychedelic bands, from vinyl collection. During late '60s psychedelic era, early '70s." 

Young age of twenty, Daniel decided to seriously pursue music career. First band, younger brother on bass. Jammed with various musicians, friends, bands. San Francisco Bay Area, during the eighties. Formed power trio, "Third Eye." Performed various popular clubs in San Francisco. Relocated in the East Bay Area. Small town in Pleasanton. Shortly, after Third Eye disbanded. Joined popular local East Bay Area hard rock band, Most Wanted. Final gig, major benefit concert. Billed with several other popular Bay Area local bands. Such as Black Tiger (former members of Y&T). To support "October 17th, 1989 Loma Prieta" earthquake victims. During late '90s, hired as a professional session guitarist for two years. Major recording studio in Oakland, CA. Where he learned extensive skills in studio production. Left California in 2008. Always creating gems in musical moments of time. His two lovely rescue cats Syd & Ziggy, daily magical hikes in the forest...are current "musical" inspirations. Cheers.

Grand Hall of Heavenly Gates

Daniel Lars

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