This song belongs in a movie. It’s about a young sailor who meets a girl from a world far from his. This was the relationship that formed me artistically. It is meeting the right person at the right time to get you to where you are today.

I Need to Know If You're Happy Now

I Need to Know If You're Happy Now By Dave Hanrahan 🌎 Music

"Yo, mis heridas, me las curo con limón”.

VIDEO OFICIAL: https://youtu.be/9-bxtKw9g-E

LIMÓN

Recargo mi hombro y observo de lado,
todo se crecía, extremos el cielo, mi espalda, el espacio.
Mi izquierda, su todo que se iba y volvía,
aprieta y libera justo en el momento
que viene y se aleja de un golpe tan brusco
que mueve la tierra cuando me volteo,
lo siento, lo siento limón.

CREDITOS:
Sojue Stradac - Símbolos, signos y presentimientos.
Paulino Robles: Fotografía, portada CD, dirección y producción de video. #FotoBazarTulancingo 
Grabado en Enero 2019 y producido en 100 Hertz Home Studio por Sojue Stradac Abril 2021.

¡Gracias amigos, es que su poder impulsa!

SEMILLAS

Limón

This is a song about forgiveness. 

Years ago a friend's father had died. He was deeply upset because he couldn't bring himself to respect his father saying that he'd failed as a father. It was clear that he did not believe that his father had done his best. I said 'maybe not, but he probably did the best he knew how". That phrase made a difference to my friend and, perhaps, allowed him to look at his father in a different way. It stuck with me ever since.

This is also my story and possibly every parent's story. We all fail to some extent. We all could have done better and wish we had. But we all did what we knew to do. We can only hope that it was enough.

Verse 1:
We started talking about nothing at all
we shared a bit of something and I started to fall
A little bit in love I guess I answered a call
Made her more than a friend

So we got married in a rush of youth
Feeling so free, playing fast and loose
I always meant well you know that's the truth
But I stuffed it up in the end

Chorus:
Wish I could say that I did my best
But it's simply not true
I could have done a whole lot better
If I'd known what to do
I did as much as who I was at the time would allow
I'd like to think that whatever I did I did the best that I knew how

Verse 2:
We brought you home your mum and me
You entered our house turned two into three
So I went to work thought my job was to be
Bringing home big buckets of security

Who knew back then what a father should be
Who knew what a little boy or girl might need
I learned too late what I needed to see
More than anything you needed more of me.

Chorus:
Wish I could say that I did my best
But it's simply not true
I could have done a whole lot better
If I'd known what to do
I did as much as who I was at the time would allow
I'd like to think that whatever I did I did the best that I knew how

Bridge (omitted from this version):
That's not to say that I didn't try
That's all I ever did and that's no lie
If I didn't live up to the standards I had
I never thought that I was doing all that bad
The only life I've known has been in my own skin
I've never been the man I wish I'd been

Chorus:
Wish I could say that I did my best
But it's simply not true
I could have done a whole lot better
If I'd known what to do
I did as much as who I was at the time would allow
I'd like to think that whatever I did I did the best that I knew how
credits

The Best

HAY SOL EN EL DESIERTO 

https://youtu.be/VNR5wlM59q4

"Vea que yo soy de Tlanchinol,
ahí yo me amarrarro, me sacarro, 
ellos, ellos, 
vea que yo voy a cambiar así na'
con mis zapatos de México, na'má". 

Es ayer, era hoy,
alumbrasteme, acuérdate:
polen, flores, hay sol en el desierto.

Será ayer, fue mañana,
arrancasteme, acuérdate:
polen, flores, cactus en el desierto.

No es ayer, no era hoy,
ausentasteme, acuérdate:
polen, flores, hay sol en el desierto.


Composición, producción, mezcla y master: Sojue Stradac Portada: Mis dibujos + Leonardo AI

SILUETAS

Hay sol en el desierto

Tango Insuperable(Remastered)

Latest original psychedelic music. Take one away from challenges of this strange physical world. Seventeen gems.

Hope everyone enjoys the musical magical ride.

All instruments: Daniel Lars
Written, mixed, produced, mastered: Daniel Lars


℗ 2025 Daniel A. Larsen

Psychedelic Cats

7 Feb 2025

Robin's Garden

Love me Blender

'Gustos', una canción que se adentra en el mundo lleno de matices de las preferencias y elecciones personales.El concepto de 'gusto' aquí no solo se refiere a lo que nos gusta comer o vestir, sino también a cómo nuestras elecciones, por pequeñas que sean, pueden afectar nuestro bienestar.

GUSTOS

So, the concept of this song is something a lot of people may go through including myself in the past and many others in the present.  Falling hopelessly in love with the wrong person.

  As for the music I believe this is much closer to being a better blend of instruments and writing. as well as the mix and mastering I have been learning over these last two years.  If you go back to when I started and listen to my tracks off of Controlled released back in March 2024 see if you hear the difference as I have been writing, playing the instruments and mixing and mastering.  Still have a lot to learn on everything even the guitar that I have been playing since I was at a young age. Thanks for listening.

Cruel

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

getting on with life and missing a loved one

Never Never Mind

Daniel Lars: Multi-Instrumentalist, vocalist, songwriter, producer. Born, initially grew up in the heart of San Francisco. Music deeply rooted...young age of four. Psychedelic music scene was electrifying. Nevertheless, Daniel Lars was deeply influenced from extensive variety of music. Rock, Hard Rock, Psychedelic, Glam Rock, R&B, Funk, Soul, Motown, late '60s pop music, Progressive Rock, Gothic, Eastern music, Blues, Disco, Bossa nova, Folk, Jazz Fusion, Jazz, Classical, World Music, Techno, Psychedelic Trance, Hip-hop. 

Daniel Lars: "My father would play stacks of vinyl from extensive record collection. Especially, during weekends. Late, through the night. Recall in record collection...early Beatles, Big Band, classical, jazz, Elvis, Frank Sinatra, MC5, Dusty Springfield, Motown. Various country artists in record collection. While my oldest brothers were playing '60s rock, Southern Rock, English psychedelic bands, from vinyl collection. During late '60s psychedelic era, early '70s." 

Young age of twenty, Daniel decided to seriously pursue music career. First band, younger brother on bass. Jammed with various musicians, friends, bands. San Francisco Bay Area, during the eighties. Formed power trio, "Third Eye." Performed various popular clubs in San Francisco. Relocated in the East Bay Area. Small town in Pleasanton. Shortly, after Third Eye disbanded. Joined popular local East Bay Area hard rock band, Most Wanted. Final gig, major benefit concert. Billed with several other popular Bay Area local bands. Such as Black Tiger (former members of Y&T). To support "October 17th, 1989 Loma Prieta" earthquake victims. During late '90s, hired as a professional session guitarist for two years. Major recording studio in Oakland, CA. Where he learned extensive skills in studio production. Left California in 2008. Always creating gems in musical moments of time. His two lovely rescue cats Syd & Ziggy, daily magical hikes in the forest...are current "musical" inspirations. Cheers.