Dan! Where can Ibgo to buy this album?!?! It's so beautifully written

Later

Outrun the Sunlight live is
Austin Peters - Guitar
Cody McCarty - Guitar
Connor Grant - Bass
Pedro Villegas - Drums
Adrian Perez - Keys

Terrapin was written between 2011 and 2014 in Chicago, IL.
Produced, recorded, arranged, and mixed by Austin Peters.
Co-produced by Dean Martinetti.
Mastered by Jordan Nelson • jordan.nelson.film@gmail.com

Tracks 1, 3, 4, 7 and 9 written by Austin Peters.
Tracks 2, 5, 6, and 8 written by Austin Peters & Cody McCarty.
Drums written by Austin Peters.
Additional writing / workshopping by Connor Grant & Pedro Villegas.

Album artwork and layout by Austin Peters.
Turtle design by Sydnee Peters.

Distributed through Rogue Records America.
© 2014 Outrun the Sunlight.


Spirit

Panelists: UW-Madison political science professor Barry Burden, state Rep. LaTonya Johnson, conservative political strategist Brian Fraley, One Wisconsin Now research director Jenni Dye, former state Rep. Michelle Litjens. Moderator: Cap Times political reporter Jessie Opoien.

Bernie vs. Hillary, GOP vs. itself, where Wisconsin stands

Stoned Jesus - Seven Thunders Roar - 01 Bright Like The Morning

Talking in my sleep, cursing through my teeth, sweating in the heat 
Stuck inside this dream of darkening frustration
Liars in my dream, I’m frightened and I’m weak, there’s nothing left for me
And the visions I endure are simply entertainment
Dark figures chasing me, I hear the wolf that cries, see them multiply
You’re ablaze behind the eyes; they burn into a memory
A sudden sense of hope, the virtue of my ghost, you’re another ugly host
And I can’t believe that you would just deny everything
I choose to live free
It took a second warning then I said goodbye
With tainted eyes I need to believe 
It took a little longer to sympathise
And you were hoping I would give in to you
I won't dance because you want me to
No romance; deep down I only want to be the same
Now there’s nowhere left to hide 
Game of chance; I roll the dice for you
Hopeless glance; deep down I only want to be the same
Now there’s nowhere left to hide 
The greatest thing you’ll ever learn 
Is just to love and be loved in return
I’m living such a life; therein lies your problem 
Imperfect, circular, entropy the fatal conclusion 
With a little sympathy it’ll burn inside, let the fires decide
Imperfect and circular
I won’t comfort you; no it won’t be the same
There’s nowhere left to hide 
And I won’t comfort you; no it won’t be the same
There’s nowhere left to hide 
And I won’t comfort you; no it won’t be the same
There’s nowhere left to hide 
And I won’t comfort you; no it won’t be the same
There’s nowhere left to hide

Polaris

Dystopia

Here I can breathe again 
I left it all behind to watch the days go by
Now I can breathe again 
I choose to never let go
So take your time, concentrate
Know the clock is ticking - don’t be late
Stand your ground, do your worst
Fragile frame, minor world
Take your time, prove your worth 
Don’t look behind, you’ll make it worse 
Why won’t you forgive me?
I was so alone, soaking to the bone
How could you forgive me?
Was I pitiful, unforgivable?
Unholiest, irreverent, immoral son. 
Ungodly one

Errai

Seven Names

Seven Names (ERRAI)

Somewhere Along The Highway

Back To Chapel Town

Life Line (Harry Nilsson Cover)

Core

Only Dying (Demo)

My complete interview with Shawn Streeter of Haliwel. We talk distribution issues, lead-singer syndrome and their new single "Crack in the Frame"!

Shawn Streeter of Haliwel

Buy the album here - https://zetamusicuk.bandcamp.com

Introducing ZETA: the collective mind of Paul Ortiz (Chimp Spanner), Daniel 
Tompkins (TesseracT) and Katie Jackson. What is set to be a multi-sensory experience, The UK artists seek to push their own creative boundaries by exploring epic soundscapes that intertwine with stunning visuals. 

This unique project fuses the retro synth heavy decade of the 80s with futuristic and breathtaking imagery, bringing past and future together in a Cyberpunk-esque package. With a huge span of influences ranging from metal, future garage, retrowave, prog, classical and various game and film soundtracks, their music embraces the sounds of electronica, but with textures and layers inspired by the whole musical spectrum.

Buy the album here - https://zetamusicuk.bandcamp.com

Zeta

Lock and Key

Nine Inch Nails - Ghosts 19 (Step Between Shadows Mix)

The reference points for Patrick Walker's emotionally searing, purely melodic brand of doom metal are Justin Broadrick's Jesu project, Bob Mould's bleak rock (à la Black Sheets of Rain), and Michael Stipe's singing at his most nakedly confessional -- though he sounds like no one but himself. Walker's former band, Warning, released one of doom metal's classics in 2006's Watching from a Distance, which created high expectations for any subsequent project. The Inside Room doesn't disappoint. A trio fronted by Walker and featuring engineer William Spong on bass and former Warning drummer Christian Leitch, 40 Watt Sun deliver five songs (ranging from just under seven minutes to nearly 11) that draw on all of his strengths. His protagonists are tortured people; they're literally ripped apart by love, desire, the wish for deliverance, loneliness, and regret. He's unafraid to give them a clear voice, allowing their pain and vulnerability to give them dimension. The pace here is slow to very slow and the guitar is as pronounced as anything in the doom or metal genre, without all the jive, "evil for it's own sake" or faux gothic clichés for lyrics. "I can't see my way when shame is covering my eyes" are the opening words in the album's first track, "Restless." As Leitch's drums plod, accenting each sung line, Spong's bassline adds an element of danger to the clarity in Walker's voice. His guitar lines, from one snail-like chord to the next, reveal the coiled power of chaos that lies just under the surface of his character's frailty. The riff in "Open My Eyes" is spun out one layered, distorted string at a time, with well-placed rim shots and a steady thrumming bassline. The protagonist seeks to express his gratitude to his beloved, all the while seeking to pull her from sinking under the same emotional depths she's pulled him from previously. A subtle second melody creates another series of tensions as the singer finds himself powerless to help affect this change. "Between Times" is the most representative doom tune here, with its words "Carry me over between times/In your red room on quilted blankets/Laying awake in this low light." The gorgeous lyrics (printed in the booklet) are murkier on "Carry Me Home," wrapped in a blanket of fuzz and melancholic menace. "This Alone" is seemingly pastoral in contrast to the rest, but its twinned guitars and basslines underscore the funereal pace of Leitch's drums. It rings, on and on, seemingly forever, even as Walker's voice expends itself, professing love even as it expresses terrible loss and projects total loneliness. The Inside Room is almost monstrously great even as it pushes doom metal to its margins and over them. (via allmusic.com) 


40 Watt Sun - Restless

Intronaut "Cubensis" from the album "Fluid Existential Inversions"

Fluid Existential Inversions

Intronaut "Cubensis"

From the new album "Existential Reckoning". Click this link to buy and/or stream! 
https://puscifer.lnk.to/ExistentialReckoningID

The Underwhelming

AWARDS and HONOURS:

Prog Award - Male Vocalist Of The Year 2015 - Nomination
Rolling Stone - Best Album 2015 (Critics Choice) Skyharbor
Rolling Stone - Best Song 2015 ‘Evolution’ (Critics Choice) Skyharbor
Prog Award (2014) – Artist of the year Nomination – TesseracT
Prog Award (2014) – Breakthrough Nomination – Skyharbor
Prog Award (2014) – Limelight Nomination – White Moth Black Butterfly
Metal Hammer (2014) – Golden God Nomination ‘Global Metal Band’ Skyharbor 
Jack Daniel’s (2013) - Band of the year – Skyharbor
Rolling Stone (2013) - Band Of The Year (Critics Choice) – Skyharbor
Rolling Stone (2013) - Best Album (Critics Choice) – Skyharbor
Rolling Stone (2013) - Best Song ‘Dots’ (Critics Choice) – Skyharbor
Rolling Stone (2013) - Band Of The Year (Popular Vote) – Skyharbor
Rolling Stone (2013) - Best Album (Popular Vote) – Skyharbor
Rolling Stone (2013) - Best Song ‘Dots’ (Popular Vote) – Skyharbor
Rolling Stone (2012) - Best Song ‘Maeva’ – Skyharbor
Rolling Stone (2012) - Best Emerging Artist – Skyharbor
Prog Award (2012) - New Blood Award – TesseracT (One)
Kerrang! (2011) –  5K Live Review @Sonisphere Festival – TesseracT
Metal Hammer (2011) - Golden God Nomination – Best New Band – TesseracT

BIOGRAPHY:

Daniel Tompkins is an award winning and innovative British singer / songwriter from Nottinghamshire in The East Midlands. More widely recognised as the singer for TesseracT with his unique live performances and unmistakable dramatic soundscapes on the highly acclaimed albums ‘One’ and 'Polaris'. Since 2009 Daniel has established himself as a highly respected vocalist with a dedicated worldwide fan base. Arguably one of the busiest collaborative vocalists, Daniel’s voice has been celebrated as one of the best in modern progressive rock and metal.
 
Daniel has released a diverse catalogue of records to date and in doing so demonstrated a natural ability to marry his distinct voice to various genres and yet remain in mesmerising control of his audience. However, much more than a recording artist, he is an accomplished performer who has earned a host of awards and honours having toured the world, sharing the stage with artists such as Iron Maiden, Gojira, Lamb of God, Devin Townsend, Meshuggah, Senses Fail, Animals As Leaders, No Use For A Name, Periphery and Protest The Hero
 
Looking to the future Daniel now balances his time between TesseracT and White Moth Black Butterfly and his various collaborations continuing to create a strong impression within the music industry. 
 
PEER AND PRESS QUOTES:

“Dan has a hell of a voice!!!” – DEVIN TOWNSEND 
 
“Check out the awesome vocals of Dan Tompkins, the man can sing YEAH!!’ – JON GOMM
 
“The dramatic soundscapes Dan Tompkins creates really are on another level, standing above the current crop of vocalists out there. Tesseract are destined for great things with a frontman leading the charge like this…one of the best vocals in modern metal” – SCUZZ TV (UK)
 
“An exceptional album from (White Moth Black Butterfly) Dan Tompkins. An absolutely essential work. Experimental, accessible and quite brilliant. This ranks high amongst this year’s progressive releases.” – Classic Rock Presents Prog Magazine
 
“There are so many musicians out there who jump from genre to genre and experiment with different kinds of sound but not all of them are able to pull it off. Out there, a bunch of them have the ability to make things so awkward, you’d just want to question what they were thinking. But then again, there are the special ones, the ones who shine in the dark and shine even brighter against the sun. The One’s who fully understand and are able to control their capabilities and of course the ones who actually know how to take things to the next level. They have this gift in whatever they do, it just works. One man who’s got this gift is UK-based vocalist, Daniel Tompkins – PULP MAGAZINE (MANILA)

Original handpan drum songs with percussive and keyboard backing sounds. "Electronic" is my second handpan album featuring original handpan songs with backing keyboards and percussion with a more electronic/techno feel to it. There are 10 original songs as well as additional mixes featuring just the handpan and just the backing tracks. I also play drums in a band called Golden Joining based out of Madison, WI, USA...go to https://linktr.ee/golden.joining for more!

Lock and Key

Daniel Tompkins

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