A Motor City, Berlin, London hybrid, Ryan Crosson is a complex artistic creature. Equal parts energetic, down to earth Detroit native and ultra-refined, musical aesthete, Ryan has one ear to the club and one ear far, far beyond. Known the world over for shape shifting, shoulder shaking tracks on groundbreaking labels including M_nus, Supplement Facts, Spectral, Wagon Repair, and his own Visionquest, Ryan’s production and sampling practices depart from the worlds of house or techno by referencing musique concrète, Downtown New York funk, and East African jazz. Born and raised on a steady diet of post-apocalyptic landscapes, dark warehouses, and the sounds of Plastikman, Matthew Dear, Magda, and Villalobos, Ryan’s DJ sets aim to expand the horizon of possibility without sacrificing dance music’s core element of sweaty, hedonistic fun. His unique musical vocabulary and tireless dedication insure him a place in the dynasty of forward-thinking techno transplants.

Alongside Lee Curtiss and Shaun Reeves, Ryan is responsible for the day-to-day running of Visionquest, one of dance music’s most cherished and eclectic imprints. Ryan and his partners in Visionquest have honed a whole new landscape of lush, organic techno and esoteric leftfield electronica. In 2014, Ryan oversaw the construction of Visionquest’s newest venture—their digital arm and sub-label Brachtune. Full of off-kilter, loopy and positively circus vibes, the tracks showcased on Brachtune will remind long-time friends and fans of Ryan’s early morning sets in the notorious “Tesh Club” basement.

In addition to his work with Visionquest, 2014 was Ryan’s most prolific production career yet, with a staggering number of releases on labels such as Darkroom Dubs, Mobilee, and . Highlights include Bricolage, Ryan’s hotly anticipated first EP for Visionquest, especially the labyrinthine, twisted “Club Chimes,” a heady collaboration with long-time friend and fellow Visionquest artist Cesar Merveille. The year also saw Don’t Be Left Out, a mix CD with another fellow traveler Matt Tolfrey, which has been described as “deep, diverse, and exciting all the way through.”

Booking Agents 
NA/SA: jen@listedbookings.com 
ROW: joanna@nge-booking.com

You know their songs the moment they come on — the lyrics, the vibe, the feeling — like you’ve known them forever or maybe even snuck a peek into their closets.

But PillowTalk isn’t just a hushed conversation before bed — it’s a genre-blurring, soul-stirring band that’s been crafting heartfelt, groove-laden music since 2011. Born one electric summer in San Francisco’s Lower Haight District, PillowTalk — comprised of Sammy Doyle, Michael Tello, Ryan Williams, and Shane Duryea — fuses classic R&B, boogie, disco, rock, and house into something uniquely their own.

Now, 2025 is set to turn up the volume. With a fresh lineup and their third full-length album on the horizon, Body of Work is poised to take over your speakers, energize your dance floors, and light up your festivals. This new LP sees the band evolve again, introducing new members Hannah Noelle (background vocals), Tate Masimore (guitar/bass), Collin Brown (keys/ synths), and the ever-magnetic Greg Paulus (trumpet). The sound? Think jackin’ gospel house meets urban funk, electronica, indie rock, and future R&B — a full-bodied musical experience that lives up to the album’s name.

Rooted in passion and fearless experimentation, PillowTalk refuses to be boxed in. Their motto, “D.A.G.” (Destroy All Genres), borrowed from a legendary underground SF DJ, says it all. With sonic influences as wide-ranging as the Talking Heads, The Police, Kraftwerk, Sam Cooke, Freddie Hubbard, Larry Heard, and Theo Parrish, their music is always surprising, always emotive, always real.

From the studio to the stage, they’ve put in the work, with releases on Bar 25 Music, Crew Love, Visionquest, Life & Death, Dirtybird, Wolf + Lamb, Circus Company, Kompakt, and D-Edge, along with remixes for icons like Groove Armada, Kasper Bjork, HVOB, Soul Clap, and more. Their collaborations read like a who’s who of the underground: DJ Tennis, D.O.P., Ruede Hagelstein, Thugfucker, Deniz Kurtel, Tone of Arc, Soul Clap... and that’s just the beginning.

PillowTalk’s music isn’t just made to be heard — it’s made to be felt. Soundtracking your wildest nights, your slowest Sundays, and every intimate moment in between. This is music for life’s full spectrum — for the lovers, the dancers, the dreamers, and the curious.

https://move-d.bandcamp.com
http://www.discogs.com/artist/Move+D

Beats In Space Radio 

BIS Hotline: 646-481-8189

For Tim Sweeney DJ Bookings: bookings@beatsinspace.net

Running Rush Hour Music Amsterdam
Sharing DJ mixes here!

GALAXIID runs as a sister label of трип, illuminating the listening side of Nina Kraviz’s musical taste with a focus on experimental, ambient and psychedelia. GALAXIID has a strong connection to art through its visual identity, with all the cover artworks drawn by psychedelic artists.

The Silence at sea is OUT NOW:
https://lnk.to/SilenceatSea

Daniel-ohlin is following