I've received a number of messages in recent weeks regarding fellow SoundCloud users having their remixes of Somebody That I Used To Know removed from SoundCloud due to copyright infringement. My personal position is that I don't try to block unofficial remixes posted for online streaming providing they're posted for purely creative reasons and are not exploited commercially (eg: monetized on YouTube).

Under current laws the formal consent of the label and publisher/s is required for any use along these lines however, and as much as I would like to help everyone out to attain this consent, there are simply too many requests relating to remixes of this particular song and too many rights holders involved for me or my reps to assist with Soundcloud keeping them up.

Thanks for your understanding

Wally

𝘼𝘿𝙐𝙇𝙏 𝘾𝙊𝙉𝙏𝙀𝙈𝙋𝙊𝙍𝘼𝙍𝙔 - Feb 16, 2024. Pre-order now. ⁣ 
https://shop.chromeo.net/

𝗙𝗨𝗡𝗞 𝗬𝗢𝗨𝗥𝗦𝗘𝗟𝗙 Tour in North America. Get your tix.
https://chromeo.net/tour

Independent Hip Hop Record Label
Artist Roster:
Abstract Rude
Aesop Rock
Atmosphere
BK-One
Blueprint
Brother Ali
deM atlaS
Dilated Peoples
Dj Abilities
Evidence
Eyedea & Abilities
Face Candy
Felt
Freeway
Grayskul
Grieves
Hail Mary Mallon
I Self Devine
Jake One
Los Nativos
MF DOOM
Micranots
Mr. Dibbs
Musab
Nikki Jean
P.O.S
Prof
Psalm One
Sa-Roc
Semi.Official
Soul Position
Step Brothers (Alchemist x Evidence)
Toki Wright
The Uncluded (Aesop Rock & Kimya Dawson)

We're an all First Nation (Mohawk and Cayuga) DJ crew from Ottawa, Canada.  We remix traditional Pow Wow music with contemporary club sounds. Stay up to date with us at www.thehallucination.com

BOOKINGS
Adam Countryman - acountryman@independentartistgroup.com 

MANAGEMENT
Matt Mudde- management@thehallucination.com

Shibastik, Moose Cree for "underground flow," is an accomplished rapper, music producer, public speaker, artist, athlete and a proud member of the Moose Cree First Nation (Môsonîwililiw). He was born and raised on the Moose River and was inspired by life as a Cree hunter on the Mushkegowuk (James Bay) Lowlands. His music and art have always promoted awareness and appreciation for both the land and First Nation culture, past and present.
At the forefront of Canada's Native hip hop movement, Shibastik began producing music independently in 1998. Then in 2002, he landed a spot on a tv series called First Music and Arts, making him one of the first Native hip hop artists to appear on national television in Canada.
Shibastik has well over a decade of extensive training and experience working with youth, including youth in foster care and in detention centers. He has always promoted holistic development through sports and arts based programming . Employed as an IRCS (Intensive Rehabilitation in Custody Supervision) Worker at a secure custody detention center, Shibastik acquired intensive grief and loss training, cognitive training, and dialectical and behavioural therapy education. He also organized cultural programming and events for youth as a member of the center's cultural committee, even helping to build and run a sweat lodge on the facility grounds.
It was while working at the youth detention center that Shibastik developed his 'Healing Through Hip Hop' workshop. He has since presented his workshop at conferences, in schools (elementary, secondary and post- secondary), and at various events nationwide. His distinctive brand of music and thought-provoking lyrics have continued to move and empower audiences of all ages and backgrounds.
Currently nominated in 2 categories at the 2024 Native American Music Awards as well as for "Best Male Hip Hop Artist" at the 2024 International Indigenous Hip Hop Awards Show, Shibastik’s music is as relevant and powerful today as ever.

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.

DARKSIDE is the collaborative duo of Dave Harrington and Nicolas Jaar.

Courtney Skye and Hayden King: two NDN's stuck in car

Daniel Gladu Kanu is following