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RELEASES DANIEL SANCHEZ 2008 , 2009 , 2010 , 2011 , 2012 , 2013 , 2014,2015,2016,2017,2018,2019,2020,2021,2022

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Bandje hoor

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Keinemusik Workparty Four
Release: 20.11.2013

A1: David Mayer - Machinedrum Calypso
A2: &ME - Think
B1: Adam Port - Burana
B2: Rampa - AY

So there we are. Teenage years are over, the wild times are still ahead, though. Keinemusik turns twenty – all hands in the air! In celebration of this biographical moment of glory the whole crew is circling up in brotherly and sisterly embrace. Make an high-angle shot, what does it look like? Like a ring of course. So therefore youʼll find the signet ring on this picture discʼs A-side. 

The flip is tagged with what this symbol of companionship is leaving, once itʼs used properly. So thereʼs a signed and sealed big up to everyone who has supported keinemusik so far. No. 20 prettied itself up a bit and commends itself as a nice little collectorʼs item. Still as a decent spinning item as well, containing these pumping features: 

On A1 (aka the ring side) David Mayer opens up with “Machinedrum Calypso”, a relentless Tech-monster with classy percussive decoration, lurking single notes, malicious synths and a roller coaster ride of breaks and full tilt. Perfect opener! 

Next in line is “Think”, falling out of &MEʼs never failing machines. Initially, the kick tends to hide behind some cryptically cut vocal-scraps, but once itʼs grooving at full level, thereʼll be no dry corner left on the floor. Add some sub-bassy guts massage and some highly effective break-stuffing and you have a picture of this guyʼs current sure shot. 

The seal side contains another surprising new Adam Port-cut. “Burana” starts out as a funked out, crackling Disco-beat-skeleton, incorporates a tongue in cheek bassline and some offset hi-hats and once in a while is raising up to cloud nine of synth-paradise. Devoid of any vocal trace there is a potential secret favourite grooving from second row. 

Rampa is aiming for an unlike feisty spot landing for the grand finale. His “AY” offers microscopic fiddling on his percussive tribal rataplan and some decent feverish shaman dance. As a counterpart, he inserts an übercool bass into the background and if needed, an übercool bass into the foreground as well. One glimpse should show that ʻpeaktimeʼ is written all over this bitch. 

Enjoy!

&ME - Think (Keinemusik KM020)

"Boogie Boy" is a new outing by Daniel Sanchez, who is presenting two fresh tracks for Avotre. With the track "Boogie Boy" he is laying down perfect spring vibes featuring warm sub frequencies, snappy drums and swinging, delay drenched chords. "Leaving Earth" on the flip side is a heady, eyes closed, late night, slow burner. Energetic and mesmerising. De La Swing's Remix of "Leaving Earth" takes things even deeper. Added echo effects and experimental Jazz elements make this an exciting dancefloor adventure.

Daniel Sanchez - Boogie Boy [AVOTRE]

Daniel Sanchez - Leaving Earth [AVOTRE]

Daniel Sanchez - Leaving Earth - De La Swing Remix [AVOTRE]

Beatport

Nic Fanciulli vs &ME - Feel It

GIMIKK AKA DANIEL SANCHEZ & ECONTACT - LOVE ME [100% PURE]

DANIEL SANCHEZ & ECONTACT AS BAD BOYS - VOL.1A [BB001]

GIMIKK AKA DANIEL SANCHEZ & ECONTACT - SHE LUFF [REMOTE AREA]

GIMIKK AKA DANIEL SANCHEZ & ECONTACT - MIDNIGHT SHUFFLE [REMOTE AREA]

Catalognumber 23 – what else is to say? While we’re feeling the spirit of William S. Burroughs blessing this very vinyl-enigma, &ME went particularly mysterious ways to transcend the category ‘dance track’ for this one.
The meditation through bass had been the major discipline of some of his latest cuts, but what you’ll find on this A-side, one could certainly call the perfection of somnambulistic peaktime-fever. The way he’s kneading the lower frequencies, how he’s channeling the expansion and decay of bass must inevitably lead to some aroused moaning. Good vocal-selection, for that matter! Then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season.
“Locust” on B comes in with some smoothly looped E-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. But then again: rolling bass barrels like a signature and a defence breaking build up that’s ensued by liberating pressure compensation in mighty breaks. Two demonstrations of understated and sophisticated peaktime-emphasis, so to say. Or differently put: a flawless double-A-side.

&ME - After Dark (Preview)

Rusted Records proud to showcase you the best of Techno and Tech house artists on the planet. First episode with our label boss - Roy RosenfelD.

Find Rusted on Facebook:
https://www.facebook.com/rustedrecords

Find Roy RosenfelD on Facebook:
https://www.facebook.com/rosenfeldroy

Tracklist:

01. Sander Ellerman - Little Helper 132-5 [Little Helpers]
02. Wade & Artslaves - Syntheziser [Moan]
03. Roman Lindau - Now [Fatchwerk Digital]
04. Fractious & Devid Dega - Strung Out [Rusted]
05. Ron Costa - Yurs [Potobolo]
06. Matt Sassari - Twink Sound [Tronic]
07. Nuria Ghia - H.A.L.F. - Miguel Bastida Remix [Be One]
08. Roy RosenfelD - Fire [promo]
09. Kaiserdisco - Suva [KD Music]
10. Carlo Ruetz - Controlled By Robots [Minus]
11. Elay Lazutkin - Away [Groovant]
12. Saso Recyd - Napolitanka [Sci+Tec]
13. Itamar Sagi - Incognito [Intacto]
14. Jan van Lier - Motegi [Rusted]
15. Julian Jeweil - Rainbow [Minus]
16. Roy RosenfelD - Hearts [promo]


Rusted Podcast 001 with Roy RosenfelD

Kiev's Yan Cook here steps up from sister label Ann Aimee to big daddy Delsin, as the two imprints have been fused into one going forward. Earlier in the year, the techno man released Morse with the Dutch outfit, and has also impressed on labels like On Records, Planet Rhythm and Dynamic Reflection with his ravey, heavily textured sounds. 

Gravity EP

Gravity

Buy @ Delsin Shop

Keinemusik Workparty Five / Nov. 17. 2014

A1 - Rampa - Mod
B1 - David Mayer - Smoke
C1 - &ME - Birdland
D1 - Adam Port & Stereo Mc's - Place


&ME - Birdland (Keinemusik / KM025)

#1 Beatport Top 100 for 3 weeks
He who lives in harmony with himself, lives in harmony with the universe.
With over 12 million plays in all music platforms ....here is HARMONY.

Harmony

HI PROFILE - Harmony (Original mix) ★ #No.1 Beatport Top 100

Jay Lumen - LondON [PURE099]

Known foremost as Vampire Weekend's bass player, Baio has been filling his desire to form his own individual voice outside of his Grammy-winning band. This September marks Baio's latest self-exploration, with his first full-length solo album out via Glassnote, The Names.

Now, it's prominent producer and Life & Death label founder, DJ Tennis' turn to breathe new life into Baio's established sound. Tennis serves up a techno-focused take on "All the Idiots". For 8.5 minutes, we let Tennis take us on a journey, dominated by inverted chord progressions and squelchy acid sounds, all placed alongside the glitter-like qualities that Tennis' own music is well known for.

Baio "All the Idiots (DJ Tennis Remix)" - Boiler Room Debuts

NASA presents here his magical ambient album, out on Iboga Records. Contact Alexander@iboga.dk for Bookings & more info.

NASA Liveset

"! 5/5" - Adam Beyer
"Bass heavy spaced out techno? Superb - full support for crude! 5/5" - Len Faki
"Crude is a BOMB!!!! Have been playing it in almost every set since I got it. 5/5" - Ida Engberg
"Wow amazing EP, really love "Crude" but i will play both tracks for sure! Bomb again on Drumcode! 5/5" - Joseph Capriati
"Finally some good techno!" -  Butch
"I love Crude. Patrick has the Funk!! Been playing it since i got it from Patrick in Malmö. Give me more!! :D 5/5" - Joel Mull
"Firing!!! will blast the fuck out of this! 5/5" - Pig &amp; Dan
"Again good stuff from sweden! 5/5" - Stephan Bodzin
"Big tracks from Patrick, will play a lot!" - Gregor Tresher
"Dancefloor killer! Max support! 5/5" - Jesper Dahlbäck
"Again a great Drumcode release. Both tracks are perfect for me." - Karotte
"Another superb release from Drumcode. Bad Carnival is the top one for me. Full support 5/5" - Mistress Barbara
"2 Special tracks for me!! really loving the work on the percussion in this shot! many thanks! Flavio 5/5" - Flavio Diaz
"Very impressed with Patrick Siechs EP. Have been playing these a lot! Bad Carnival is my fav! 5/5" - KIMONO
"PHAT! Love both mixes, will play and chart! 5/5" - Sasha Carassi
"Cool one thanks!! 5/5" - Dubfire
"Ohhh yesss - I like that a lot - Full support from me on both tracks" - Laurent Garnier
"Fucking A - love them both - "Crude" just edges it - full support" - Slam
"Loving Bad Carnival! Will play at the Brazilian carnival soon indeed…" - Andre Sobota
"Really liking this!" - Kyle Geiger
"Great cuts from Patrick!" - Nihad Tule
"Very good one !! Loving Crude !! :) Thanks !!" - Tom Hades
"This release is off the hook! Full support!" - Nima Khak
"Crude is my fav, support" - Technasia
"100% Support!!" - Alexi Delano
"Definitely will play Crude, nice groove!" - John Selway
"Nice one thanks!" - Kaiserdisco
"Bad Carnival = Baaaaaadddd! Great techno!" - Michel de Hay
"Good stuff!" - John Digweed
"Excellent!" - Christian Varela
"Love this. Top release and great start for new producer!" - Alan Fitzpatrick


Patrick Siech - Bad Carnival [DRUMCODE 72]

Daniel Sanchez is one of best artists in European electronic music scene of last 15 years. He has released in big labels like Remote Area, Plus8, Saved, Fuse, 100%% Pure and he owns some great labels like Bla Bla among others. Now we have his debut EP on the label with two great tunes and a remix by our buddy Fer BR.

'Distro Hopping' is a powerful classic tech-house track, where the percussion and the low-end bassline works in perfection. 'Dutch Sniper' is about a heavy and relentless beat sounding in the crossroad of deep, tech-house and techno. He took the best of each genre and used it for deliver a great track. Fer BR, usual suspect in Mindshake, Paco Osuna's label, made the remix with a new bouncy bassline and giving a twist to the original track.

Daniel Sanchez - Dutch Sniper

Daniel Sanchez - Distro Hopping

ᴛʜᴇ sᴛᴏʀʏ
ᴛʜᴇ ᴅᴜᴛᴄʜ-sᴘᴀɴɪsʜ ᴅᴀɴɪᴇʟ sᴀɴᴄʜᴇᴢ ɪs ᴅᴊ/ᴘʀᴏᴅᴜᴄᴇʀ, ʟᴀʙᴇʟ ʙᴏss ᴀɴᴅ ᴘʀᴏᴍᴏᴛᴇʀ ɪɴ ᴏɴᴇ. ɪғ ᴛʜᴇ ᴅᴀɴᴄᴇ, ᴏʀ ʙᴇᴛᴛᴇʀ, ᴛᴇᴄʜɴᴏ sᴄᴇɴᴇ ᴄᴀɴ ʙᴇ ᴄᴏᴍᴘᴀʀᴇᴅ ᴡɪᴛʜ ᴀ ᴍᴀɴ’s ʟɪғᴇ, sᴀɴᴄʜᴇᴢ sᴀᴡ ᴛʜɪs ғᴏʀᴍᴇʀ ᴄʜɪʟᴅ ʀɪsɪɴɢ ᴜᴘ. ʜᴇ sᴛᴀʀᴛᴇᴅ ᴄʀᴇᴀᴛɪɴɢ sᴏᴜɴᴅs sɪɴᴄᴇ ʜᴇ ᴡᴀs ᴛʜɪʀᴛᴇᴇɴ ᴀɴᴅ ᴄᴏɴᴛʀɪʙᴜᴛᴇᴅ ᴛᴏ ᴛʜᴇ ᴅᴇᴠᴇʟᴏᴘᴍᴇɴᴛ ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ ᴀs ᴛʜᴇ ᴅᴀɴᴄᴇ ᴄᴀᴘɪᴛᴀʟ ᴏғ ᴛʜᴇ ᴡᴏʀʟᴅ. ɴᴏᴡᴀᴅᴀʏs ʜᴇ ʜᴀs ᴀɴ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴄᴀʀᴇᴇʀ, ᴀɴ ᴏᴡɴ ʟᴀʙᴇʟ ᴀɴᴅ ᴀɴ ᴀᴍʙɪᴛɪᴏɴ ᴛᴏ ʙʀɪɴɢ ᴍᴜsɪᴄ ᴛᴏ ᴇᴠᴇʀʏ ᴘʟᴀᴄᴇ ɪɴ ᴛʜᴇ ᴡᴏʀʟᴅ. ғʀᴏᴍ ᴛʜᴇ ʏᴇᴀʀ ???? ᴍɪɴɪᴍᴀʟ ᴛᴇᴄʜɴᴏ ᴍᴜsɪᴄ ᴡᴀs ᴄᴏɴǫᴜᴇʀɪɴɢ ᴛʜᴇ ᴄʟᴜʙs ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ. ᴛʜᴇ ʏᴏᴜɴɢ sᴀɴᴄʜᴇᴢ sᴀᴡ ᴛʜɪs ᴛʀᴇɴᴅ ᴀɴᴅ sᴛᴀʀᴛᴇᴅ ᴛᴏ ᴛʜʀᴏᴡ ʟᴇɢᴀʟ ᴀɴᴅ ɪʟʟᴇɢᴀʟ ᴘᴀʀᴛɪᴇs. ᴇsᴘᴇᴄɪᴀʟʟʏ ᴛʜᴇ ɪʟʟᴇɢᴀʟ ᴏɴᴇs ɪɴ ᴛʜᴇ ʀᴀᴡ, ɴᴏʀᴛʜ ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ ᴀɴᴅ ɪɴ ᴀ sʜɪᴘ ᴄᴀʟʟᴇᴅ sᴛᴜʙɴɪᴛᴢ ᴀʀᴇ sᴛɪʟʟ ʀᴇɴᴏᴡɴ ɪɴ ᴛʜᴇ ᴅᴜᴛᴄʜ sᴄᴇɴᴇ. ᴛʜɪs ᴡᴀs ᴀʟsᴏ ᴛʜᴇ ʏᴇᴀʀ ᴍᴀʀᴄᴏ ᴄᴀʀᴏʟᴀ ᴀɴᴅ ʟᴏᴄᴏ ᴅɪᴄᴇ ᴍᴀᴅᴇ ᴀ ʀᴇᴍɪx ᴏғ ʜɪs ᴛʀᴀᴄᴋ ‘ᴍᴜᴍʙʟɪɴɢ ʏᴇᴀʜ’, ᴡʜɪᴄʜ ʙᴇᴄᴀᴍᴇ ᴀɴ ᴜɴᴅᴇʀɢʀᴏᴜɴᴅ ᴡᴏʀʟᴅ ʜɪᴛ. ᴛʜᴇsᴇ sᴜᴄᴄᴇssᴇs ᴡᴇʀᴇ ᴏɴᴇ ᴏғ ᴛʜᴇ ʀᴇᴀsᴏɴs sᴀɴᴄʜᴇᴢ sᴛᴀʀᴛᴇᴅ ʜɪs ᴏᴡɴ ᴍᴏɴᴛʜʟʏ ᴄʟᴜʙ ɴɪɢʜᴛ ᴄᴀʟʟᴇᴅ ʙʟᴀ ʙʟᴀ ɪɴ ???? ᴀᴛ sᴛᴜᴅɪᴏ ?? ᴀᴍsᴛᴇʀᴅᴀᴍ. ʜᴇ ɪɴᴠɪᴛᴇᴅ ᴀ ʟᴏᴛ ᴏғ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴅᴊ’s ғᴏʀ ᴛʜᴇ ғɪʀsᴛ ᴛɪᴍᴇ ɪɴ ᴀᴍsᴛᴇʀᴅᴀᴍ, ғᴏʀ ᴇxᴀᴍᴘʟᴇ ʙᴀʀᴇᴍ, ᴀɴᴅʀᴇ ᴏʟɪᴠᴀ ᴀɴᴅ ᴍᴀᴛʜɪᴀs ᴋᴀᴅᴇɴ. ʙᴇᴄᴀᴜsᴇ ᴛʜᴇsᴇ ɴɪɢʜᴛs ᴡᴇʀᴇ sᴜᴄᴄᴇssғᴜʟ ʜᴇ sᴇᴛ ᴜᴘ ᴛʜᴇ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ ɪɴ ????. ᴛʜɪs ʟᴀʙᴇʟ ᴛᴇᴀᴍᴇᴅ ᴜᴘ ᴡɪᴛʜ ᴇʟ ᴍᴜɴᴅᴏ & sᴀᴛᴏʀɪ, ᴍᴜʟᴅᴇʀ, ᴀɴᴅ ʙᴀs ᴀᴍʀᴏ ᴀɴᴅ ʜᴀᴅ ᴀ ɢʀᴇᴀᴛ ɪɴғʟᴜᴇɴᴄᴇ ɪɴ ᴛʜᴇ sᴄᴇɴᴇ. ɪɴᴅɪᴠɪᴅᴜᴀʟʟʏ ʜᴇ ᴡᴀs ᴀʟsᴏ ᴅᴇᴠᴇʟᴏᴘɪɴɢ ᴀɴᴅ ʀᴇʟᴇᴀsᴇᴅ ʜɪs ғɪʀsᴛ ᴀʟʙᴜᴍ ᴏɴ ᴛʜᴇ ʀᴇᴍᴏᴛᴇ ᴀʀᴇᴀ ʟᴀʙᴇʟ ᴄᴀʟʟᴇᴅ ᴜɴᴛɪᴛʟᴇᴅ ᴄᴏɴᴄᴇᴘᴛ. ???? ᴡᴀs ᴀɴ ᴇᴠᴇɴ ʙᴜsɪᴇʀ ʏᴇᴀʀ ᴡɪᴛʜ ᴍᴀɴʏ ɴᴀᴛɪᴏɴᴀʟ ʙᴜᴛ ᴀʟsᴏ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ɢɪɢs. ᴍɪɴɪᴍᴀʟ ᴛᴇᴄʜɴᴏ ᴡᴀs ᴍᴏʀᴇ ᴘᴏᴘᴜʟᴀʀ ᴛʜᴀɴ ᴇᴠᴇʀ ᴀɴᴅ sᴏ ᴡᴇʀᴇ ᴛʜᴇ ᴅᴊ’s. ʙʏ ɴᴏᴡ ʜᴇ ʀᴇʟᴇᴀsᴇᴅ ᴛʀᴀᴄᴋs ᴏɴ ᴛʜᴇ ʟᴀʙᴇʟs ʀᴇᴍᴏᴛᴇ ᴀʀᴇᴀ, ᴘʟᴜs?(ʀɪᴄʜɪᴇ ʜᴀᴡᴛɪɴ) sᴀᴠᴇᴅ ʀᴇᴄᴏʀᴅs ʙʏ ɴɪᴄ ғᴀɴᴄᴜɪʟʟɪ , sᴜᴀʀᴀ ᴀɴᴅ ᴍᴏʀᴇ. ᴀᴘᴀʀᴛ ғʀᴏᴍ ᴍᴜsɪᴄ ɪᴛsᴇʟғ ʜᴇ ʜᴀᴅ (ᴀɴᴅ sᴛɪʟʟ ʜᴀs) ᴀ ɢʀᴇᴀᴛ ɪɴᴛᴇʀᴇsᴛ ɪɴ ᴛʜᴇ ᴛᴇᴄʜɴɪᴄᴀʟ ᴅᴇᴠᴇʟᴏᴘᴍᴇɴᴛs ᴏғ ᴛʜᴇ ғɪᴇʟᴅ, ᴀɴᴅ ᴄʜᴀɴɢᴇᴅ ʜɪs ɢᴇᴀʀ ᴇᴠᴇʀʏ ʏᴇᴀʀ. ᴀʟᴡᴀʏs ᴜᴘ ғᴏʀ ɴᴇᴡ ᴍᴜsɪᴄᴀʟ ᴀᴅᴠᴇɴᴛᴜʀᴇs ɪɴ ???? ʜᴇ ʟᴀᴜɴᴄʜᴇᴅ ᴛʜᴇ ᴇʟᴇᴄᴛʀᴏɴɪᴄ-ᴅᴜʙ sᴜʙ ʟᴀʙᴇʟ ᴏғ ʙʟᴀ ʙʟᴀ: ʙᴇ ʀᴇᴀʟ. ᴀᴛ ᴛʜᴇ ᴇɴᴅ ᴏғ ᴛʜᴇ ʏᴇᴀʀ ʜᴇ ᴄʀᴇᴀᴛᴇᴅ ᴀ ᴍɪɴɪᴍᴀʟɪsᴛɪᴄ- ᴅᴜʙ ᴀʟʙᴜᴍ ᴄᴀʟʟᴇᴅ ᴄɪʀᴋᴇʟ, ᴡʜɪᴄʜ ʜᴇ ʀᴇʟᴇᴀsᴇᴅ, ᴏғ ᴄᴏᴜʀsᴇ, ᴏɴ ʜɪs ᴏᴡɴ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ. ɪɴ ???? ʜᴇ sɪɢɴᴇᴅ ᴀ ᴛʜʀᴇᴇ-ʏᴇᴀʀ ᴄᴏɴᴛʀᴀᴄᴛ ᴡɪᴛʜ sᴇɴsᴀᴛɪᴏɴ ғᴏʀ ᴛʜᴇ sᴇɴsᴀᴛɪᴏɴ ? ʏᴇᴀʀ ᴡᴏʀʟᴅ ᴛᴏᴜʀ, ᴡʜᴇʀᴇ ʜɪs ғᴏᴄᴜs ʟᴀʏ ᴏɴ ᴛᴇᴄʜɴᴏ. ᴡɪᴛʜ ᴛʜᴇᴍ ʜᴇ ᴛʀᴀᴠᴇʟʟᴇᴅ ғʀᴏᴍ ɴᴏʀᴛʜ- ᴛᴏ sᴏᴜᴛʜ- ᴀᴍᴇʀɪᴄᴀ, ᴀsɪᴀ ᴀɴᴅ ᴇᴜʀᴏᴘᴇ ᴡʜᴇʀᴇ ʜᴇ ᴄʀᴇᴀᴛᴇᴅ ᴛᴡᴇʟᴠᴇ sᴜᴄᴄᴇssғᴜʟ sʜᴏᴡs. ᴍᴇᴇᴛɪɴɢ ᴍᴀɴʏ ɴᴇᴡ, ɪɴsᴘɪʀɪɴɢ ᴘᴇᴏᴘʟᴇ ʜᴇ ғᴏᴄᴜsᴇs ᴇᴠᴇɴ ᴍᴏʀᴇ ᴏɴ ʜɪs ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴀsᴘɪʀᴀᴛɪᴏɴs. sɪɴᴄᴇ sᴀɴᴄʜᴇᴢ sᴛᴀʀᴛᴇᴅ ʜᴇ ᴘʟᴀʏᴇᴅ sᴇᴠᴇɴ ᴛɪᴍᴇs ғᴏʀ ᴀᴡᴀᴋᴇɴɪɴɢs, ᴀʟsᴏ sᴇᴠᴇɴ ᴛɪᴍᴇs ғᴏʀ ᴡᴇʟᴄᴏᴍᴇ ᴛᴏ ᴛʜᴇ ғᴜᴛᴜʀᴇ ғᴇsᴛɪᴠᴀʟ, ᴀ ᴅᴀʏ ᴀᴛ ᴛʜᴇ ᴘᴀʀᴋ ғᴇsᴛɪᴠᴀʟ ᴀɴᴅ ᴛᴡᴏ ᴛɪᴍᴇs ғᴏʀ ᴛɪᴍᴇ ᴡᴀʀᴘ. ɪɴ ???? ᴛʜᴇ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ ᴄᴇʟᴇʙʀᴀᴛᴇs ɪᴛs ғɪғᴛʜ ʙɪʀᴛʜᴅᴀʏ. ᴏɴᴇ ᴏғ ɪᴛs ᴘʀᴇsᴇɴᴛs ɪs ᴛʜᴀᴛ ᴀғᴛᴇʀ ᴛᴡᴏ ʏᴇᴀʀs sᴀɴᴄʜᴇᴢ ɪs ʀᴇʟᴇᴀsɪɴɢ ᴏɴ ᴠɪɴʏʟ ᴀɢᴀɪɴ. ʜᴇ ᴇsᴛᴀʙʟɪsʜᴇᴅ ᴀ ɴᴇᴡ ʟᴀʙᴇʟ ᴄᴀʟʟᴇᴅ ᴄᴀᴄʜᴀɪ ᴡɪᴛʜ ʜɪs sᴏᴜᴛʜ ᴀᴍᴇʀɪᴄᴀɴ ᴘᴀʀᴛɴᴇʀ. ᴊᴜsᴛ ʟɪᴋᴇ ᴛʜᴇ ᴍᴜsɪᴄ sᴄᴇɴᴇ, sᴀɴᴄʜᴇᴢ ɪs ᴀʟᴡᴀʏs ᴇᴠᴏʟᴠɪɴɢ.