DANIEL SANCHEZ & SINC - NEW DAY [SUMMER SAMPLER VOL.2]

Available now on Digital and Vinyl.

On Beatport - http://bit.ly/SL-HR-BP
On Juno - http://bit.ly/SL-HR-Juno

Steve LAWLER - City Nights /// Hot Creations

Get it: https://camelriders.bandcamp.com/album/tribaltronica-vol-2-berber-currents
The second chapter in Funkamel’s Tribaltronica series is here. Vol.2 – Berber Currents flows with the pulse of Afro House, blending deep tribal grooves, desert rhythms, and soulful Berber vocals into one hypnotic journey. Each track captures the raw energy of ancestral traditions reimagined through Funkamel’s unique electronic vision.
A celebration of unity, rhythm, and the timeless dialogue between machines and humanity — this album continues the Tribaltronica legacy, where ancient cultures meet futuristic soundscapes.

Follow FunKamel:
Spotify: open.spotify.com/artist/0ig0Ph53wdsr8HvQjIx2y3
Instagram: www.instagram.com/funkamel/
Soundcloud: soundcloud.com/funkamel1/
YouTube: bit.ly/SubscribeFunKamel
Facebook: www.facebook.com/Funkamel/

FunKamel is the musical project of Moti Landesman who mix a wide selection of ethnic music flavours layered on a variety of electronic styles.
From the vast deserts of Dubai to the jungles of Tulum, the crowded venues of Berlin and much more, Moti ride on his magic Kamel to display his Funky approach towards multi-cultural music around the world.
At the Beginning of 2019, Funkamel founded his record label 'Camel Riders Records' with Laorz. Together they have built a big family that showcases constantly a cutting-edge catalogue of multiple delightful electronic genres, fused with traditional folk and organic music.

Tribaltronica vol.2

Funkamel - Aha-Ron [Camel Riders]

V Romanza is a deeply minimal track built around a beautiful Spanish guitar lead that becomes the emotional core of the piece. The guitar flows gently over a stripped-back, dub-leaning groove, creating a warm and intimate atmosphere. Subtle textures, space and restraint give the track a timeless feel, where melody and minimalism coexist naturally. A contemplative cut that invites close listening as much as it does late-night movement.

Atmoodsphere - V Romanza (Original Mix) [Hermit Wax]

Buy on Bandcamp

Stereoimagery - Adventure

Get Out (Kerri Chandler remix)

Cro Magnon

Cro Magnon (Marco Lys Remix)

Following a big EP from Richy Ahmed, Play It Say It returns with a talented collaboration in the form of Mark Fanciulli and Rob Cockerton, with Honey Dijon on the remix.

Mark Fanciulli has carved out his own sound that takes the best of House and Techno, turning in his own infectious releases on the likes of Joris Voorn's Rejected, as well as the legendary Planet E and Intec. Long time friend and collaborator Rob Cockerton joins Fanciulli, who's own credits lead to labels including Suara and Snatch!, and together the duo cook up a storm here.

'Slave To The Rave' is the fantastic opening cut and is a real party starter with an old school feel. Acid stabs bring raw energy alongside chattery claps straight from Chicago in the 80's, whilst the whole production is bolstered by slick drum programming that won't fail to work crowds into a frenzy.

The excellent '10 Channels of Bliss' is equally massive, with robust kick drums down low and huge incendiary hi-hats up top. Swaying claps and rolling bass all help lure you in and shapeshifting synths bring all that important looseness and colour.

Next up, Classic Music Company artist and New York tastemaker Honey Dijon steps up to remix 'Slave To The Rave'. Her version is dark and intense, with an unbridled sense of frantic raves bottled up in the train-track grooves and the cleverly filtered vocals, whilst the digital release also features a dub version that is stripped back to the bare essentials.

This is a powerful EP of high class, high impact dance music.

Slave To the Rave

A1 Mark Fanciulli & Rob Cockerton - Slave To The Rave

State Of Emergecy EP

State of Emergency

Taken from "24/7 Love Affair Part 2" EP released on Local Talk.

24/7 Love Affair Part 2

24/7 Love Affair

Soulphiction - The Mood (12'' - LTLP011, Side A) 2019

ᴛʜᴇ sᴛᴏʀʏ
ᴛʜᴇ ᴅᴜᴛᴄʜ-sᴘᴀɴɪsʜ ᴅᴀɴɪᴇʟ sᴀɴᴄʜᴇᴢ ɪs ᴅᴊ/ᴘʀᴏᴅᴜᴄᴇʀ, ʟᴀʙᴇʟ ʙᴏss ᴀɴᴅ ᴘʀᴏᴍᴏᴛᴇʀ ɪɴ ᴏɴᴇ. ɪғ ᴛʜᴇ ᴅᴀɴᴄᴇ, ᴏʀ ʙᴇᴛᴛᴇʀ, ᴛᴇᴄʜɴᴏ sᴄᴇɴᴇ ᴄᴀɴ ʙᴇ ᴄᴏᴍᴘᴀʀᴇᴅ ᴡɪᴛʜ ᴀ ᴍᴀɴ’s ʟɪғᴇ, sᴀɴᴄʜᴇᴢ sᴀᴡ ᴛʜɪs ғᴏʀᴍᴇʀ ᴄʜɪʟᴅ ʀɪsɪɴɢ ᴜᴘ. ʜᴇ sᴛᴀʀᴛᴇᴅ ᴄʀᴇᴀᴛɪɴɢ sᴏᴜɴᴅs sɪɴᴄᴇ ʜᴇ ᴡᴀs ᴛʜɪʀᴛᴇᴇɴ ᴀɴᴅ ᴄᴏɴᴛʀɪʙᴜᴛᴇᴅ ᴛᴏ ᴛʜᴇ ᴅᴇᴠᴇʟᴏᴘᴍᴇɴᴛ ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ ᴀs ᴛʜᴇ ᴅᴀɴᴄᴇ ᴄᴀᴘɪᴛᴀʟ ᴏғ ᴛʜᴇ ᴡᴏʀʟᴅ. ɴᴏᴡᴀᴅᴀʏs ʜᴇ ʜᴀs ᴀɴ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴄᴀʀᴇᴇʀ, ᴀɴ ᴏᴡɴ ʟᴀʙᴇʟ ᴀɴᴅ ᴀɴ ᴀᴍʙɪᴛɪᴏɴ ᴛᴏ ʙʀɪɴɢ ᴍᴜsɪᴄ ᴛᴏ ᴇᴠᴇʀʏ ᴘʟᴀᴄᴇ ɪɴ ᴛʜᴇ ᴡᴏʀʟᴅ. ғʀᴏᴍ ᴛʜᴇ ʏᴇᴀʀ ???? ᴍɪɴɪᴍᴀʟ ᴛᴇᴄʜɴᴏ ᴍᴜsɪᴄ ᴡᴀs ᴄᴏɴǫᴜᴇʀɪɴɢ ᴛʜᴇ ᴄʟᴜʙs ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ. ᴛʜᴇ ʏᴏᴜɴɢ sᴀɴᴄʜᴇᴢ sᴀᴡ ᴛʜɪs ᴛʀᴇɴᴅ ᴀɴᴅ sᴛᴀʀᴛᴇᴅ ᴛᴏ ᴛʜʀᴏᴡ ʟᴇɢᴀʟ ᴀɴᴅ ɪʟʟᴇɢᴀʟ ᴘᴀʀᴛɪᴇs. ᴇsᴘᴇᴄɪᴀʟʟʏ ᴛʜᴇ ɪʟʟᴇɢᴀʟ ᴏɴᴇs ɪɴ ᴛʜᴇ ʀᴀᴡ, ɴᴏʀᴛʜ ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ ᴀɴᴅ ɪɴ ᴀ sʜɪᴘ ᴄᴀʟʟᴇᴅ sᴛᴜʙɴɪᴛᴢ ᴀʀᴇ sᴛɪʟʟ ʀᴇɴᴏᴡɴ ɪɴ ᴛʜᴇ ᴅᴜᴛᴄʜ sᴄᴇɴᴇ. ᴛʜɪs ᴡᴀs ᴀʟsᴏ ᴛʜᴇ ʏᴇᴀʀ ᴍᴀʀᴄᴏ ᴄᴀʀᴏʟᴀ ᴀɴᴅ ʟᴏᴄᴏ ᴅɪᴄᴇ ᴍᴀᴅᴇ ᴀ ʀᴇᴍɪx ᴏғ ʜɪs ᴛʀᴀᴄᴋ ‘ᴍᴜᴍʙʟɪɴɢ ʏᴇᴀʜ’, ᴡʜɪᴄʜ ʙᴇᴄᴀᴍᴇ ᴀɴ ᴜɴᴅᴇʀɢʀᴏᴜɴᴅ ᴡᴏʀʟᴅ ʜɪᴛ. ᴛʜᴇsᴇ sᴜᴄᴄᴇssᴇs ᴡᴇʀᴇ ᴏɴᴇ ᴏғ ᴛʜᴇ ʀᴇᴀsᴏɴs sᴀɴᴄʜᴇᴢ sᴛᴀʀᴛᴇᴅ ʜɪs ᴏᴡɴ ᴍᴏɴᴛʜʟʏ ᴄʟᴜʙ ɴɪɢʜᴛ ᴄᴀʟʟᴇᴅ ʙʟᴀ ʙʟᴀ ɪɴ ???? ᴀᴛ sᴛᴜᴅɪᴏ ?? ᴀᴍsᴛᴇʀᴅᴀᴍ. ʜᴇ ɪɴᴠɪᴛᴇᴅ ᴀ ʟᴏᴛ ᴏғ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴅᴊ’s ғᴏʀ ᴛʜᴇ ғɪʀsᴛ ᴛɪᴍᴇ ɪɴ ᴀᴍsᴛᴇʀᴅᴀᴍ, ғᴏʀ ᴇxᴀᴍᴘʟᴇ ʙᴀʀᴇᴍ, ᴀɴᴅʀᴇ ᴏʟɪᴠᴀ ᴀɴᴅ ᴍᴀᴛʜɪᴀs ᴋᴀᴅᴇɴ. ʙᴇᴄᴀᴜsᴇ ᴛʜᴇsᴇ ɴɪɢʜᴛs ᴡᴇʀᴇ sᴜᴄᴄᴇssғᴜʟ ʜᴇ sᴇᴛ ᴜᴘ ᴛʜᴇ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ ɪɴ ????. ᴛʜɪs ʟᴀʙᴇʟ ᴛᴇᴀᴍᴇᴅ ᴜᴘ ᴡɪᴛʜ ᴇʟ ᴍᴜɴᴅᴏ & sᴀᴛᴏʀɪ, ᴍᴜʟᴅᴇʀ, ᴀɴᴅ ʙᴀs ᴀᴍʀᴏ ᴀɴᴅ ʜᴀᴅ ᴀ ɢʀᴇᴀᴛ ɪɴғʟᴜᴇɴᴄᴇ ɪɴ ᴛʜᴇ sᴄᴇɴᴇ. ɪɴᴅɪᴠɪᴅᴜᴀʟʟʏ ʜᴇ ᴡᴀs ᴀʟsᴏ ᴅᴇᴠᴇʟᴏᴘɪɴɢ ᴀɴᴅ ʀᴇʟᴇᴀsᴇᴅ ʜɪs ғɪʀsᴛ ᴀʟʙᴜᴍ ᴏɴ ᴛʜᴇ ʀᴇᴍᴏᴛᴇ ᴀʀᴇᴀ ʟᴀʙᴇʟ ᴄᴀʟʟᴇᴅ ᴜɴᴛɪᴛʟᴇᴅ ᴄᴏɴᴄᴇᴘᴛ. ???? ᴡᴀs ᴀɴ ᴇᴠᴇɴ ʙᴜsɪᴇʀ ʏᴇᴀʀ ᴡɪᴛʜ ᴍᴀɴʏ ɴᴀᴛɪᴏɴᴀʟ ʙᴜᴛ ᴀʟsᴏ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ɢɪɢs. ᴍɪɴɪᴍᴀʟ ᴛᴇᴄʜɴᴏ ᴡᴀs ᴍᴏʀᴇ ᴘᴏᴘᴜʟᴀʀ ᴛʜᴀɴ ᴇᴠᴇʀ ᴀɴᴅ sᴏ ᴡᴇʀᴇ ᴛʜᴇ ᴅᴊ’s. ʙʏ ɴᴏᴡ ʜᴇ ʀᴇʟᴇᴀsᴇᴅ ᴛʀᴀᴄᴋs ᴏɴ ᴛʜᴇ ʟᴀʙᴇʟs ʀᴇᴍᴏᴛᴇ ᴀʀᴇᴀ, ᴘʟᴜs?(ʀɪᴄʜɪᴇ ʜᴀᴡᴛɪɴ) sᴀᴠᴇᴅ ʀᴇᴄᴏʀᴅs ʙʏ ɴɪᴄ ғᴀɴᴄᴜɪʟʟɪ , sᴜᴀʀᴀ ᴀɴᴅ ᴍᴏʀᴇ. ᴀᴘᴀʀᴛ ғʀᴏᴍ ᴍᴜsɪᴄ ɪᴛsᴇʟғ ʜᴇ ʜᴀᴅ (ᴀɴᴅ sᴛɪʟʟ ʜᴀs) ᴀ ɢʀᴇᴀᴛ ɪɴᴛᴇʀᴇsᴛ ɪɴ ᴛʜᴇ ᴛᴇᴄʜɴɪᴄᴀʟ ᴅᴇᴠᴇʟᴏᴘᴍᴇɴᴛs ᴏғ ᴛʜᴇ ғɪᴇʟᴅ, ᴀɴᴅ ᴄʜᴀɴɢᴇᴅ ʜɪs ɢᴇᴀʀ ᴇᴠᴇʀʏ ʏᴇᴀʀ. ᴀʟᴡᴀʏs ᴜᴘ ғᴏʀ ɴᴇᴡ ᴍᴜsɪᴄᴀʟ ᴀᴅᴠᴇɴᴛᴜʀᴇs ɪɴ ???? ʜᴇ ʟᴀᴜɴᴄʜᴇᴅ ᴛʜᴇ ᴇʟᴇᴄᴛʀᴏɴɪᴄ-ᴅᴜʙ sᴜʙ ʟᴀʙᴇʟ ᴏғ ʙʟᴀ ʙʟᴀ: ʙᴇ ʀᴇᴀʟ. ᴀᴛ ᴛʜᴇ ᴇɴᴅ ᴏғ ᴛʜᴇ ʏᴇᴀʀ ʜᴇ ᴄʀᴇᴀᴛᴇᴅ ᴀ ᴍɪɴɪᴍᴀʟɪsᴛɪᴄ- ᴅᴜʙ ᴀʟʙᴜᴍ ᴄᴀʟʟᴇᴅ ᴄɪʀᴋᴇʟ, ᴡʜɪᴄʜ ʜᴇ ʀᴇʟᴇᴀsᴇᴅ, ᴏғ ᴄᴏᴜʀsᴇ, ᴏɴ ʜɪs ᴏᴡɴ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ. ɪɴ ???? ʜᴇ sɪɢɴᴇᴅ ᴀ ᴛʜʀᴇᴇ-ʏᴇᴀʀ ᴄᴏɴᴛʀᴀᴄᴛ ᴡɪᴛʜ sᴇɴsᴀᴛɪᴏɴ ғᴏʀ ᴛʜᴇ sᴇɴsᴀᴛɪᴏɴ ? ʏᴇᴀʀ ᴡᴏʀʟᴅ ᴛᴏᴜʀ, ᴡʜᴇʀᴇ ʜɪs ғᴏᴄᴜs ʟᴀʏ ᴏɴ ᴛᴇᴄʜɴᴏ. ᴡɪᴛʜ ᴛʜᴇᴍ ʜᴇ ᴛʀᴀᴠᴇʟʟᴇᴅ ғʀᴏᴍ ɴᴏʀᴛʜ- ᴛᴏ sᴏᴜᴛʜ- ᴀᴍᴇʀɪᴄᴀ, ᴀsɪᴀ ᴀɴᴅ ᴇᴜʀᴏᴘᴇ ᴡʜᴇʀᴇ ʜᴇ ᴄʀᴇᴀᴛᴇᴅ ᴛᴡᴇʟᴠᴇ sᴜᴄᴄᴇssғᴜʟ sʜᴏᴡs. ᴍᴇᴇᴛɪɴɢ ᴍᴀɴʏ ɴᴇᴡ, ɪɴsᴘɪʀɪɴɢ ᴘᴇᴏᴘʟᴇ ʜᴇ ғᴏᴄᴜsᴇs ᴇᴠᴇɴ ᴍᴏʀᴇ ᴏɴ ʜɪs ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴀsᴘɪʀᴀᴛɪᴏɴs. sɪɴᴄᴇ sᴀɴᴄʜᴇᴢ sᴛᴀʀᴛᴇᴅ ʜᴇ ᴘʟᴀʏᴇᴅ sᴇᴠᴇɴ ᴛɪᴍᴇs ғᴏʀ ᴀᴡᴀᴋᴇɴɪɴɢs, ᴀʟsᴏ sᴇᴠᴇɴ ᴛɪᴍᴇs ғᴏʀ ᴡᴇʟᴄᴏᴍᴇ ᴛᴏ ᴛʜᴇ ғᴜᴛᴜʀᴇ ғᴇsᴛɪᴠᴀʟ, ᴀ ᴅᴀʏ ᴀᴛ ᴛʜᴇ ᴘᴀʀᴋ ғᴇsᴛɪᴠᴀʟ ᴀɴᴅ ᴛᴡᴏ ᴛɪᴍᴇs ғᴏʀ ᴛɪᴍᴇ ᴡᴀʀᴘ. ɪɴ ???? ᴛʜᴇ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ ᴄᴇʟᴇʙʀᴀᴛᴇs ɪᴛs ғɪғᴛʜ ʙɪʀᴛʜᴅᴀʏ. ᴏɴᴇ ᴏғ ɪᴛs ᴘʀᴇsᴇɴᴛs ɪs ᴛʜᴀᴛ ᴀғᴛᴇʀ ᴛᴡᴏ ʏᴇᴀʀs sᴀɴᴄʜᴇᴢ ɪs ʀᴇʟᴇᴀsɪɴɢ ᴏɴ ᴠɪɴʏʟ ᴀɢᴀɪɴ. ʜᴇ ᴇsᴛᴀʙʟɪsʜᴇᴅ ᴀ ɴᴇᴡ ʟᴀʙᴇʟ ᴄᴀʟʟᴇᴅ ᴄᴀᴄʜᴀɪ ᴡɪᴛʜ ʜɪs sᴏᴜᴛʜ ᴀᴍᴇʀɪᴄᴀɴ ᴘᴀʀᴛɴᴇʀ. ᴊᴜsᴛ ʟɪᴋᴇ ᴛʜᴇ ᴍᴜsɪᴄ sᴄᴇɴᴇ, sᴀɴᴄʜᴇᴢ ɪs ᴀʟᴡᴀʏs ᴇᴠᴏʟᴠɪɴɢ.