mine

95g78h

Blackest Ever Black - Regis - Blood Witness (Original 12" Mix)

YURI KUMA ARASHI

RELEASES DANIEL SANCHEZ 2008 , 2009 , 2010 , 2011 , 2012 , 2013 , 2014,2015,2016,2017,2018,2019,2020,2021,2022

ʀᴇʟᴇᴀsᴇs

danm02

Nice7 - Point (original mix)

Keinemusik Workparty Four
Release: 20.11.2013

A1: David Mayer - Machinedrum Calypso
A2: &ME - Think
B1: Adam Port - Burana
B2: Rampa - AY

So there we are. Teenage years are over, the wild times are still ahead, though. Keinemusik turns twenty – all hands in the air! In celebration of this biographical moment of glory the whole crew is circling up in brotherly and sisterly embrace. Make an high-angle shot, what does it look like? Like a ring of course. So therefore youʼll find the signet ring on this picture discʼs A-side. 

The flip is tagged with what this symbol of companionship is leaving, once itʼs used properly. So thereʼs a signed and sealed big up to everyone who has supported keinemusik so far. No. 20 prettied itself up a bit and commends itself as a nice little collectorʼs item. Still as a decent spinning item as well, containing these pumping features: 

On A1 (aka the ring side) David Mayer opens up with “Machinedrum Calypso”, a relentless Tech-monster with classy percussive decoration, lurking single notes, malicious synths and a roller coaster ride of breaks and full tilt. Perfect opener! 

Next in line is “Think”, falling out of &MEʼs never failing machines. Initially, the kick tends to hide behind some cryptically cut vocal-scraps, but once itʼs grooving at full level, thereʼll be no dry corner left on the floor. Add some sub-bassy guts massage and some highly effective break-stuffing and you have a picture of this guyʼs current sure shot. 

The seal side contains another surprising new Adam Port-cut. “Burana” starts out as a funked out, crackling Disco-beat-skeleton, incorporates a tongue in cheek bassline and some offset hi-hats and once in a while is raising up to cloud nine of synth-paradise. Devoid of any vocal trace there is a potential secret favourite grooving from second row. 

Rampa is aiming for an unlike feisty spot landing for the grand finale. His “AY” offers microscopic fiddling on his percussive tribal rataplan and some decent feverish shaman dance. As a counterpart, he inserts an übercool bass into the background and if needed, an übercool bass into the foreground as well. One glimpse should show that ʻpeaktimeʼ is written all over this bitch. 

Enjoy!

&ME - Think (Keinemusik KM020)

Siwell @ Soul Tech Festival (Mexico City) - 02.11.2013 
*This set has been optimized in studio for a good sound quality, Enjoy!

Watch the video here: http://www.youtube.com/watch?v=SRGK3YqntlU

Tracklist:

1. Jeremy Bass - Disco
2. Victor Calderone - Pleasure Grip (+ Green Velvet - Robots)
3. Rio Dela Luna & Pablo D'Rey - Mi Vida Loca
4. Collective Maschine & Spencer K - El Rocho (Metodi Hristov Rmx)
5. Guille Placencia - Boozy
6. Dj Fronter - Zaitsev
7. Ivan Pica - Feel Da Pain 
8. Leonardo Gonnelli - Crash Me
9. Costantino Nappi & Micky Da Funk - Weed For Life
10. Dj Chus & David Penn - Esperanza (Siwell Rmx)
11. Sebastien Leger & Siwell - Opale
12. Siwell - Get Back
13. Juan DDD & Angel Santos - Disco Weed
14. Siwell - Sinnerman
15. Simone Tavazzi - Run
16. Alex Tepper - Delerium
17. Fran Lk - My Generation 
18. Jaceo - So Fly
19. Katrin Fabieu - Paradox
20. Mijail - Repicando
21. Siwell - What about
22. Ozgur Uzar - They Like It
23. F. Sonik - Aaaa



Siwell @ Soul Tech Festival (Mexico City) - 02.11.2013

"Boogie Boy" is a new outing by Daniel Sanchez, who is presenting two fresh tracks for Avotre. With the track "Boogie Boy" he is laying down perfect spring vibes featuring warm sub frequencies, snappy drums and swinging, delay drenched chords. "Leaving Earth" on the flip side is a heady, eyes closed, late night, slow burner. Energetic and mesmerising. De La Swing's Remix of "Leaving Earth" takes things even deeper. Added echo effects and experimental Jazz elements make this an exciting dancefloor adventure.

Daniel Sanchez - Boogie Boy [AVOTRE]

Daniel Sanchez - Leaving Earth [AVOTRE]

Daniel Sanchez - Leaving Earth - De La Swing Remix [AVOTRE]

PODCAST - JULIAN JEWEIL - LIVE - January 2014

"IT'S MY SOUND" my new track for "Toolroom Miami 2014"  OUT NOW on Beatport - Get Your copy: http://www.beatport.com/track/its-my-sound-original-club-mix/5123907

Siwell - It's My Sound (Toolroom Miami 2014) - Out Now!

My new track "Face To Face" included in The Seven Fluxes - Get your copy: http://www.beatport.com/release/the-seven-fluxes/1234313

Siwell - Face To Face

Beatport

Nic Fanciulli vs &ME - Feel It

GIMIKK AKA DANIEL SANCHEZ & ECONTACT - MIDNIGHT SHUFFLE [REMOTE AREA]

Landmark - Noir (Original Mix New Edit 2011)

Catalognumber 23 – what else is to say? While we’re feeling the spirit of William S. Burroughs blessing this very vinyl-enigma, &ME went particularly mysterious ways to transcend the category ‘dance track’ for this one.
The meditation through bass had been the major discipline of some of his latest cuts, but what you’ll find on this A-side, one could certainly call the perfection of somnambulistic peaktime-fever. The way he’s kneading the lower frequencies, how he’s channeling the expansion and decay of bass must inevitably lead to some aroused moaning. Good vocal-selection, for that matter! Then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season.
“Locust” on B comes in with some smoothly looped E-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. But then again: rolling bass barrels like a signature and a defence breaking build up that’s ensued by liberating pressure compensation in mighty breaks. Two demonstrations of understated and sophisticated peaktime-emphasis, so to say. Or differently put: a flawless double-A-side.

&ME - After Dark (Preview)

Richie Hawtin b2b Marco Carola Amnesia Closing Party / Ibiza 2009

OTP - Close To The Edge (Kreon Remix)

06.10.2014 Vinyl record at MTN Shop and digital at Beatport - www.mutingthenoise.com
20.10.2014 Record store & digital release date worldwide

Mastering by Bo Kondren at Calyx 
Design by Innervisions

Produced by:
Culoe De Song

Released by Innervisions
Release/catalogue number: IV54

Digital

Distributed by MutingTheNoise

IV54 - Culoe De Song - Y.O.U.D. - Y.O.U.D. EP

Keinemusik Workparty Five / Nov. 17. 2014

A1 - Rampa - Mod
B1 - David Mayer - Smoke
C1 - &ME - Birdland
D1 - Adam Port & Stereo Mc's - Place


&ME - Birdland (Keinemusik / KM025)

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🎶💾💎YIELD

meeting Spiral, greets Daler & Preet feat. Dil Wayne, midi'ing Bach JS - Yaarey

Osom Ritual

Download available here: https://boilerroom.tv/recording/james-murphy/

James Murphy Boiler Room NYC DJ set

Henry Saiz - Eliksyr

Kindzadza @ Facebook:
https://www.facebook.com/OsomKdd/?fref=ts

Kindzadza @ Soundcloud:
https://soundcloud.com/kindza

Kindzadza - Live @ O.Z.O.R.A. 2015 Main Stage

Vessels' original incarnation for "Elliptic" was quite something. Not normally known for their forays into electronica, the rock band's new direction could have sent them down the one way street to oblivion. Instead, the outcome was 8mins of true hypnotic bliss; sounds that were custom-built for that eyes-shut, euphoric passage on the dance floor.

The band’s 3rd album Dilate was recently signed to Different Records and gets re-released in 2016 with a caboodle of extra edits and remixes. One of those remixes happens to be by Ross Tones aka Throwing Snow. Grounded, or should we say lifted by that same somniferous feel, the makeover is amped by a puffier drum and low-end backbone. The movement is transformed from starry-eyed rapture to head-nodding beatitude — music for the mid-night rush and beautifully done at that.

Vessels "Elliptic (Throwing Snow Remix)" - Boiler Room Debuts

CloZee
https://soundcloud.com/clozee
https://www.facebook.com/CloZee/
https://twitter.com/CloZeeMusic

Released by OTODAYO Sūpa
https://soundcloud.com/otodayosupa
https://www.facebook.com/otodayo
https://twitter.com/otodayorecords

Artwork by Goran Kulas
http://fav.me/d2qc828

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download

CloZee - Red Forest

A strange and lovely bricolage.

Nicolas Jaar, Dixon, Steffi, Ben UFO and Omar-S mark our 500th podcast.

Read more: http://www.residentadvisor.net/podcast-episode.aspx?id=500

RA Podcast: @nicolas-jaar

RA.500 Nicolas Jaar

Available on 12" soon from all good record shops.

Champion + Four Tet - Disparate (TEXT039B)

Low Manuel - Crazy Idiot Man (Muzarco remix) - excerpt

Instinct Mostly (excerpt)

F**kin' Problems (ft. Drake, 2 Chainz & Kendrick Lamar) Available Now: http://smarturl.it/fkinproblems?iqID=sc

Listen to the full track here: http://youtu.be/frhiMVQV_tw

F**kin' Problems (ft. Drake, 2 Chainz & Kendrick Lamar)

Robag Wruhme - Ruptur Oing (Original mix)

Nir Shoshani - Sinai (Muzarco Remix) - excerpt

Daniel Sanchez is one of best artists in European electronic music scene of last 15 years. He has released in big labels like Remote Area, Plus8, Saved, Fuse, 100%% Pure and he owns some great labels like Bla Bla among others. Now we have his debut EP on the label with two great tunes and a remix by our buddy Fer BR.

'Distro Hopping' is a powerful classic tech-house track, where the percussion and the low-end bassline works in perfection. 'Dutch Sniper' is about a heavy and relentless beat sounding in the crossroad of deep, tech-house and techno. He took the best of each genre and used it for deliver a great track. Fer BR, usual suspect in Mindshake, Paco Osuna's label, made the remix with a new bouncy bassline and giving a twist to the original track.

Daniel Sanchez - Dutch Sniper

Daniel Sanchez - Distro Hopping

ᴛʜᴇ sᴛᴏʀʏ
ᴛʜᴇ ᴅᴜᴛᴄʜ-sᴘᴀɴɪsʜ ᴅᴀɴɪᴇʟ sᴀɴᴄʜᴇᴢ ɪs ᴅᴊ/ᴘʀᴏᴅᴜᴄᴇʀ, ʟᴀʙᴇʟ ʙᴏss ᴀɴᴅ ᴘʀᴏᴍᴏᴛᴇʀ ɪɴ ᴏɴᴇ. ɪғ ᴛʜᴇ ᴅᴀɴᴄᴇ, ᴏʀ ʙᴇᴛᴛᴇʀ, ᴛᴇᴄʜɴᴏ sᴄᴇɴᴇ ᴄᴀɴ ʙᴇ ᴄᴏᴍᴘᴀʀᴇᴅ ᴡɪᴛʜ ᴀ ᴍᴀɴ’s ʟɪғᴇ, sᴀɴᴄʜᴇᴢ sᴀᴡ ᴛʜɪs ғᴏʀᴍᴇʀ ᴄʜɪʟᴅ ʀɪsɪɴɢ ᴜᴘ. ʜᴇ sᴛᴀʀᴛᴇᴅ ᴄʀᴇᴀᴛɪɴɢ sᴏᴜɴᴅs sɪɴᴄᴇ ʜᴇ ᴡᴀs ᴛʜɪʀᴛᴇᴇɴ ᴀɴᴅ ᴄᴏɴᴛʀɪʙᴜᴛᴇᴅ ᴛᴏ ᴛʜᴇ ᴅᴇᴠᴇʟᴏᴘᴍᴇɴᴛ ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ ᴀs ᴛʜᴇ ᴅᴀɴᴄᴇ ᴄᴀᴘɪᴛᴀʟ ᴏғ ᴛʜᴇ ᴡᴏʀʟᴅ. ɴᴏᴡᴀᴅᴀʏs ʜᴇ ʜᴀs ᴀɴ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴄᴀʀᴇᴇʀ, ᴀɴ ᴏᴡɴ ʟᴀʙᴇʟ ᴀɴᴅ ᴀɴ ᴀᴍʙɪᴛɪᴏɴ ᴛᴏ ʙʀɪɴɢ ᴍᴜsɪᴄ ᴛᴏ ᴇᴠᴇʀʏ ᴘʟᴀᴄᴇ ɪɴ ᴛʜᴇ ᴡᴏʀʟᴅ. ғʀᴏᴍ ᴛʜᴇ ʏᴇᴀʀ ???? ᴍɪɴɪᴍᴀʟ ᴛᴇᴄʜɴᴏ ᴍᴜsɪᴄ ᴡᴀs ᴄᴏɴǫᴜᴇʀɪɴɢ ᴛʜᴇ ᴄʟᴜʙs ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ. ᴛʜᴇ ʏᴏᴜɴɢ sᴀɴᴄʜᴇᴢ sᴀᴡ ᴛʜɪs ᴛʀᴇɴᴅ ᴀɴᴅ sᴛᴀʀᴛᴇᴅ ᴛᴏ ᴛʜʀᴏᴡ ʟᴇɢᴀʟ ᴀɴᴅ ɪʟʟᴇɢᴀʟ ᴘᴀʀᴛɪᴇs. ᴇsᴘᴇᴄɪᴀʟʟʏ ᴛʜᴇ ɪʟʟᴇɢᴀʟ ᴏɴᴇs ɪɴ ᴛʜᴇ ʀᴀᴡ, ɴᴏʀᴛʜ ᴏғ ᴀᴍsᴛᴇʀᴅᴀᴍ ᴀɴᴅ ɪɴ ᴀ sʜɪᴘ ᴄᴀʟʟᴇᴅ sᴛᴜʙɴɪᴛᴢ ᴀʀᴇ sᴛɪʟʟ ʀᴇɴᴏᴡɴ ɪɴ ᴛʜᴇ ᴅᴜᴛᴄʜ sᴄᴇɴᴇ. ᴛʜɪs ᴡᴀs ᴀʟsᴏ ᴛʜᴇ ʏᴇᴀʀ ᴍᴀʀᴄᴏ ᴄᴀʀᴏʟᴀ ᴀɴᴅ ʟᴏᴄᴏ ᴅɪᴄᴇ ᴍᴀᴅᴇ ᴀ ʀᴇᴍɪx ᴏғ ʜɪs ᴛʀᴀᴄᴋ ‘ᴍᴜᴍʙʟɪɴɢ ʏᴇᴀʜ’, ᴡʜɪᴄʜ ʙᴇᴄᴀᴍᴇ ᴀɴ ᴜɴᴅᴇʀɢʀᴏᴜɴᴅ ᴡᴏʀʟᴅ ʜɪᴛ. ᴛʜᴇsᴇ sᴜᴄᴄᴇssᴇs ᴡᴇʀᴇ ᴏɴᴇ ᴏғ ᴛʜᴇ ʀᴇᴀsᴏɴs sᴀɴᴄʜᴇᴢ sᴛᴀʀᴛᴇᴅ ʜɪs ᴏᴡɴ ᴍᴏɴᴛʜʟʏ ᴄʟᴜʙ ɴɪɢʜᴛ ᴄᴀʟʟᴇᴅ ʙʟᴀ ʙʟᴀ ɪɴ ???? ᴀᴛ sᴛᴜᴅɪᴏ ?? ᴀᴍsᴛᴇʀᴅᴀᴍ. ʜᴇ ɪɴᴠɪᴛᴇᴅ ᴀ ʟᴏᴛ ᴏғ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴅᴊ’s ғᴏʀ ᴛʜᴇ ғɪʀsᴛ ᴛɪᴍᴇ ɪɴ ᴀᴍsᴛᴇʀᴅᴀᴍ, ғᴏʀ ᴇxᴀᴍᴘʟᴇ ʙᴀʀᴇᴍ, ᴀɴᴅʀᴇ ᴏʟɪᴠᴀ ᴀɴᴅ ᴍᴀᴛʜɪᴀs ᴋᴀᴅᴇɴ. ʙᴇᴄᴀᴜsᴇ ᴛʜᴇsᴇ ɴɪɢʜᴛs ᴡᴇʀᴇ sᴜᴄᴄᴇssғᴜʟ ʜᴇ sᴇᴛ ᴜᴘ ᴛʜᴇ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ ɪɴ ????. ᴛʜɪs ʟᴀʙᴇʟ ᴛᴇᴀᴍᴇᴅ ᴜᴘ ᴡɪᴛʜ ᴇʟ ᴍᴜɴᴅᴏ & sᴀᴛᴏʀɪ, ᴍᴜʟᴅᴇʀ, ᴀɴᴅ ʙᴀs ᴀᴍʀᴏ ᴀɴᴅ ʜᴀᴅ ᴀ ɢʀᴇᴀᴛ ɪɴғʟᴜᴇɴᴄᴇ ɪɴ ᴛʜᴇ sᴄᴇɴᴇ. ɪɴᴅɪᴠɪᴅᴜᴀʟʟʏ ʜᴇ ᴡᴀs ᴀʟsᴏ ᴅᴇᴠᴇʟᴏᴘɪɴɢ ᴀɴᴅ ʀᴇʟᴇᴀsᴇᴅ ʜɪs ғɪʀsᴛ ᴀʟʙᴜᴍ ᴏɴ ᴛʜᴇ ʀᴇᴍᴏᴛᴇ ᴀʀᴇᴀ ʟᴀʙᴇʟ ᴄᴀʟʟᴇᴅ ᴜɴᴛɪᴛʟᴇᴅ ᴄᴏɴᴄᴇᴘᴛ. ???? ᴡᴀs ᴀɴ ᴇᴠᴇɴ ʙᴜsɪᴇʀ ʏᴇᴀʀ ᴡɪᴛʜ ᴍᴀɴʏ ɴᴀᴛɪᴏɴᴀʟ ʙᴜᴛ ᴀʟsᴏ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ɢɪɢs. ᴍɪɴɪᴍᴀʟ ᴛᴇᴄʜɴᴏ ᴡᴀs ᴍᴏʀᴇ ᴘᴏᴘᴜʟᴀʀ ᴛʜᴀɴ ᴇᴠᴇʀ ᴀɴᴅ sᴏ ᴡᴇʀᴇ ᴛʜᴇ ᴅᴊ’s. ʙʏ ɴᴏᴡ ʜᴇ ʀᴇʟᴇᴀsᴇᴅ ᴛʀᴀᴄᴋs ᴏɴ ᴛʜᴇ ʟᴀʙᴇʟs ʀᴇᴍᴏᴛᴇ ᴀʀᴇᴀ, ᴘʟᴜs?(ʀɪᴄʜɪᴇ ʜᴀᴡᴛɪɴ) sᴀᴠᴇᴅ ʀᴇᴄᴏʀᴅs ʙʏ ɴɪᴄ ғᴀɴᴄᴜɪʟʟɪ , sᴜᴀʀᴀ ᴀɴᴅ ᴍᴏʀᴇ. ᴀᴘᴀʀᴛ ғʀᴏᴍ ᴍᴜsɪᴄ ɪᴛsᴇʟғ ʜᴇ ʜᴀᴅ (ᴀɴᴅ sᴛɪʟʟ ʜᴀs) ᴀ ɢʀᴇᴀᴛ ɪɴᴛᴇʀᴇsᴛ ɪɴ ᴛʜᴇ ᴛᴇᴄʜɴɪᴄᴀʟ ᴅᴇᴠᴇʟᴏᴘᴍᴇɴᴛs ᴏғ ᴛʜᴇ ғɪᴇʟᴅ, ᴀɴᴅ ᴄʜᴀɴɢᴇᴅ ʜɪs ɢᴇᴀʀ ᴇᴠᴇʀʏ ʏᴇᴀʀ. ᴀʟᴡᴀʏs ᴜᴘ ғᴏʀ ɴᴇᴡ ᴍᴜsɪᴄᴀʟ ᴀᴅᴠᴇɴᴛᴜʀᴇs ɪɴ ???? ʜᴇ ʟᴀᴜɴᴄʜᴇᴅ ᴛʜᴇ ᴇʟᴇᴄᴛʀᴏɴɪᴄ-ᴅᴜʙ sᴜʙ ʟᴀʙᴇʟ ᴏғ ʙʟᴀ ʙʟᴀ: ʙᴇ ʀᴇᴀʟ. ᴀᴛ ᴛʜᴇ ᴇɴᴅ ᴏғ ᴛʜᴇ ʏᴇᴀʀ ʜᴇ ᴄʀᴇᴀᴛᴇᴅ ᴀ ᴍɪɴɪᴍᴀʟɪsᴛɪᴄ- ᴅᴜʙ ᴀʟʙᴜᴍ ᴄᴀʟʟᴇᴅ ᴄɪʀᴋᴇʟ, ᴡʜɪᴄʜ ʜᴇ ʀᴇʟᴇᴀsᴇᴅ, ᴏғ ᴄᴏᴜʀsᴇ, ᴏɴ ʜɪs ᴏᴡɴ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ. ɪɴ ???? ʜᴇ sɪɢɴᴇᴅ ᴀ ᴛʜʀᴇᴇ-ʏᴇᴀʀ ᴄᴏɴᴛʀᴀᴄᴛ ᴡɪᴛʜ sᴇɴsᴀᴛɪᴏɴ ғᴏʀ ᴛʜᴇ sᴇɴsᴀᴛɪᴏɴ ? ʏᴇᴀʀ ᴡᴏʀʟᴅ ᴛᴏᴜʀ, ᴡʜᴇʀᴇ ʜɪs ғᴏᴄᴜs ʟᴀʏ ᴏɴ ᴛᴇᴄʜɴᴏ. ᴡɪᴛʜ ᴛʜᴇᴍ ʜᴇ ᴛʀᴀᴠᴇʟʟᴇᴅ ғʀᴏᴍ ɴᴏʀᴛʜ- ᴛᴏ sᴏᴜᴛʜ- ᴀᴍᴇʀɪᴄᴀ, ᴀsɪᴀ ᴀɴᴅ ᴇᴜʀᴏᴘᴇ ᴡʜᴇʀᴇ ʜᴇ ᴄʀᴇᴀᴛᴇᴅ ᴛᴡᴇʟᴠᴇ sᴜᴄᴄᴇssғᴜʟ sʜᴏᴡs. ᴍᴇᴇᴛɪɴɢ ᴍᴀɴʏ ɴᴇᴡ, ɪɴsᴘɪʀɪɴɢ ᴘᴇᴏᴘʟᴇ ʜᴇ ғᴏᴄᴜsᴇs ᴇᴠᴇɴ ᴍᴏʀᴇ ᴏɴ ʜɪs ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴀsᴘɪʀᴀᴛɪᴏɴs. sɪɴᴄᴇ sᴀɴᴄʜᴇᴢ sᴛᴀʀᴛᴇᴅ ʜᴇ ᴘʟᴀʏᴇᴅ sᴇᴠᴇɴ ᴛɪᴍᴇs ғᴏʀ ᴀᴡᴀᴋᴇɴɪɴɢs, ᴀʟsᴏ sᴇᴠᴇɴ ᴛɪᴍᴇs ғᴏʀ ᴡᴇʟᴄᴏᴍᴇ ᴛᴏ ᴛʜᴇ ғᴜᴛᴜʀᴇ ғᴇsᴛɪᴠᴀʟ, ᴀ ᴅᴀʏ ᴀᴛ ᴛʜᴇ ᴘᴀʀᴋ ғᴇsᴛɪᴠᴀʟ ᴀɴᴅ ᴛᴡᴏ ᴛɪᴍᴇs ғᴏʀ ᴛɪᴍᴇ ᴡᴀʀᴘ. ɪɴ ???? ᴛʜᴇ ʟᴀʙᴇʟ ʙʟᴀ ʙʟᴀ ᴄᴇʟᴇʙʀᴀᴛᴇs ɪᴛs ғɪғᴛʜ ʙɪʀᴛʜᴅᴀʏ. ᴏɴᴇ ᴏғ ɪᴛs ᴘʀᴇsᴇɴᴛs ɪs ᴛʜᴀᴛ ᴀғᴛᴇʀ ᴛᴡᴏ ʏᴇᴀʀs sᴀɴᴄʜᴇᴢ ɪs ʀᴇʟᴇᴀsɪɴɢ ᴏɴ ᴠɪɴʏʟ ᴀɢᴀɪɴ. ʜᴇ ᴇsᴛᴀʙʟɪsʜᴇᴅ ᴀ ɴᴇᴡ ʟᴀʙᴇʟ ᴄᴀʟʟᴇᴅ ᴄᴀᴄʜᴀɪ ᴡɪᴛʜ ʜɪs sᴏᴜᴛʜ ᴀᴍᴇʀɪᴄᴀɴ ᴘᴀʀᴛɴᴇʀ. ᴊᴜsᴛ ʟɪᴋᴇ ᴛʜᴇ ᴍᴜsɪᴄ sᴄᴇɴᴇ, sᴀɴᴄʜᴇᴢ ɪs ᴀʟᴡᴀʏs ᴇᴠᴏʟᴠɪɴɢ.