This is the twelfth piece in a series of Concrete Music pieces. The sounds are shadows of the sound in the eleventh piece, Points in isolation. The music is generative. The source-code can be found at github.com/danielstahl/concrete-music-11.

Shadows from points

Producer and Composer Score Film, Movie Soundtrack, Epic Cinematic TV Games...
Germany Born, Pavia based, Rino is a multi-instrumentalist, composer, songwriter, producer and sound engineer from Italy.
Specialized in hard rock, psychedelic rock, rock blues, pop, ambient guitar.
Experience with years of studio and live work as a musician and songwriter.

Bandcamp https://futuregenocide22.bandcamp.com/music
YT https://www.youtube.com/channel/UC-c19NYzotiLDI6v8d6mJ-Q

My name is Julian Maramieri. Better known as Nostromo. I produce the genres: New Beat, Techno, EBM, Industrial and Minimal Electro. Between 2004 and 2007 I built my own recording studio called "Oalanka Studios". So a lot of projects were created with musician colleagues. You can hear me on my site 
under my stage name Nostromo and other projects.

By the way, before I forget. The music style “New Beat” that I produce was a created music style in Belgium from 1986 to 1992. 
Maybe my "New Beat" isn't the original from Belgium. But then I developed my own “New Beat” style. 

Nevertheless, thanks to all Belgian "New Beat" producers and the inventor of this brilliant genre. Marc Grouls, Olivier Abeloos, DJ Dikke Ronny and In-D. Unfortunately I wasn't able to get to know you personally. Have fun listening...

Julian Maramieri (aka Nostromo)

DISCOGRAPHY Nostromo: Singles 2013 to present

2016: I Look To The Other Peoples
2017: Rebel Robots (Move Your Body Mix)
2017: Walking
2018: El Ritmo Oscuro
2018: Caravan
2018: Professor Snape
2019: Markarian 231
2019: Impulse To The Groove
2024: On Command
2025: Mechanic In The Seventh Hall
2025: We Dance In Belgium
2025: Again
2025: NA-I-MI-NA
2026: I Do What I Want (!!!CD and vinyl release on January 5, 2026!!!)

DISCOGRAPHY Nostromo: Album 2018 to present

2017: Mystery
2018: Beat It Up
2019: Boccaccio
2025: Move Your Body

My other projects are:
The Osman B
Klangfokal
Circuit C
RD61
Sequenz Frequenz
AD&JO
Staircase Child
Vitamin F
Area Street Eight
Raum 203

Chill out, Dub techno, Electro, Trance, Dark ambient, Space ambient, Techno, Experimental, Sound worlds and more

thomas martini 

chitarrista bon fa el pan

electric guitars, overdubs, loops, live electronics, amplifiers, microphones, analogue synth and drum machine for an experimental ambient project 

All here, in reality, are works in progress and are therefore apt to change at any time. All those except XIII Sisters and RAW which, as many of you may have done, I literally gave away in return for their placement in a library. Something I won't be doing again any time soon. If you have a use for something you hear here please just ask.

 .ooO -------------------------------------- Ooo.

ChatGTP said of AI Music...
'Creative AI tools can be seen as sophisticated plagiarism software, as they do not produce genuinely original content but rather emulate and modify existing works by artists subtly enough to circumvent copyright laws'

Sometimes it takes a dispassionate, independent view to actually see the truth of it ...

 .ooO -------------------------------------- Ooo.

There are links to XiiixxiQ below. Your mileage may vary as to whether it decides to work on your system or not. It only runs on a Mac because I really don't have time to do all the necessary work to make it compatible with anything other than my 2015 MacBook Pro :-(. It is still being developed (for my own use) and improved, and I may yet get round to doing another release if I can find the time to tidy it all up.

Soundmining makes dark, generative ambient music. It is based both on pure electronic sounds and on recorded natural sounds.

He is a Swedish composer named Daniel Ståhl. Born in Stockholm, Sweden 1967 and is currently based in Stockholm. Studied composition at the Royal College of Music in Stockholm between 1992 and 1995.

T. Naaman
Loypoles/ member of System Juhasz/ member of Computers are Cops ( houston,tx). extemporal gatherings

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Shadows from points

soundmining