Forró Do Piano Ao Vivo no Titanic Sur Mer 15/12/2021

Forró Do Piano Ao Vivo.

oh my love

performed by Maciej Skrzeczkowski on 21.06.22, Royal Conservatory of the Hague (NL)
mixed & mastered by Lilita Dunska

for blandine & maciej

#9 of new works in collaboration with Sarah Saviet and Joseph Houston, created during Fall 2022

piano harmonically aligned with the open violin tuning

this is a piece that culminated after 9 studies, realized by Sarah and Joe

recording is taken from the live concert recording, December 2nd, 2022, KM28, Berlin

violin/piano study #9 for Sarah and Joe (by Catherine Lamb)

Recording of the recital by Samuel Vriezen (Erard piano) at the Amsterdam Wandelweiserfestival 2022, Orgelpark, Amsterdam.

Five pieces, played attacca:

0'00":
Chop. (Samuel Vriezen, 2019)

ca. 5'30":
2. Stück 2004-1 (Manfred Werder, 2004)

ca. 13'55":
3. Ballade nr. 4 in f minor (Frédéric Chopin, 1842)

ca. 25'50"
4. Stück 2004-2 (Manfred Werder, 2004)

32'22":
5. Frédéric Chopin (Samuel Vriezen, 2019. First performance)

Recital 30 Oktober 11.00

Excerpt from Rebecca Lane & Clara de Asís "Distances Bending", live at Oscillation festival, Brussels (BE), 29 April 2023.

A collaborative composition by Clara de Asís and Rebecca Lane deriving from a series of encounters and explorations throughout different times, spaces and forms.

Distances Bending is an ever-expand­ing pro­cess — a build­ing up, dis­tilling, and mir­ror­ing of mater­i­als par­tic­u­lar to each artist, respond­ing to and inhab­it­ing a space over mul­tiple hours or days. A repeated time struc­ture, a tem­por­al loop that is altered through upwardly evolving ration­ally-tuned fre­quen­cies, vari­ous flutes (whose size, timbre and shape cor­res­pond to these fre­quen­cies), elec­tron­ics, and chan­ging light, the piece cre­ates a subtle space where per­cep­tion is transformed.

Rebecca Lane: flutes, organ pipes, whistles
Clara de Asís: synthesizer

Rebecca Lane & Clara de Asís / Distances Bending (Excerpt) – Live at Oscillation 2023

"In our performance, we are exploring the sonic and visual properties of resonating materials in their relashionship.
Two transducers and two hydrophones are interconnected creating a no-input feedback loop between two water bowls of water"
Performance w/ Danya Pilchen
@ CASS,  Institute of Sonology Amare, Den Haag,
25.02.2022

between two water bowls

Was written for Orkest De Ereprijs, performed at Young Composers Meeting 2019 in Apeldoorn. 


This piece is a tribute to the late great Mark E Smith and 'Nettlebast' is a reference to 'Bombast' by The Fall.

Performed by Orkest De Ereprijs, Francisca Branco, Ana Maria Lopes, Carolina Luís, Georgi Ognjanov Sztojanov & Einar Þór Guðmundsson,

Conducted by Rob Vermeulen

Nettlebast

Moscow contemporary music ensemble:
Ivan Bushuev / flute
Oleg Tantsov / clarinet
Yulia Migunova / cello
Mikhail Dubov / piano
and
Vasilisa Filatova / music box

Tchaikovsky City Music School, 12/09/19
recorded by Colin Frank

two songs

▼Background

Clubasia is a historic club in Shibuya Tokyo but it faces a financial crisis caused by COVID-19. 
For donation, https://soundcloud.com/kabanagu raised the plan of compilation album and 30 volunteer artists responded to his address. 
Hercelot also joined it with a new song "Dreamscat".
Thus the album titled "sound leakage 2020" was released 3rd July.
Check it and please support our home ground, Clubasia!

https://clubasia.bandcamp.com/album/sound-leakage-2020
↑the public period ended in three months

▼Featured Artists

Amps (w/ Iori Kimura), Batsu, DJ WILDPARTY, EmoCosine+GUANA, Hercelot, hirihiri, imai, isagen,  Kabanagu, kamome sano, kissmenerdygirl, kyo, Masayoshi Iimori, Mikeneko Homeless, monolith slip, pavilion xool, PSYQUI, Ryuki Miyamoto (w/ Mr.Q from ラッパ我リヤ), Tomggg, Tsubusare BOZZ, upusen, WATARU, XYLÖZ, yuigot+長谷川白紙, Zekk, ウ山あまね, ハレトキドキ, 栄免建設, 星宮とと+KOTONOHOUSE+TEMPLIME, 柴田 (from Pasocom Music Club)


▼Artwork

GraphersRock
http://graphersrock.com/

two songs

Danya Pilchen

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Sergej Newski

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