Forró Do Piano Ao Vivo no Titanic Sur Mer 15/12/2021

Forró Do Piano Ao Vivo.

Anne La Berge, flute
Germaine Sijstermans, clarinet
Seamus Cater, harmonica
Koen Nutters, double bass
Danya Pilchen, piano

April 7, 2022 at Splendor, Amsterdam

two songs. anne, germaine, seamus, koen, danya

oh my love

performed by Maciej Skrzeczkowski on 21.06.22, Royal Conservatory of the Hague (NL)
mixed & mastered by Lilita Dunska

for blandine & maciej

#9 of new works in collaboration with Sarah Saviet and Joseph Houston, created during Fall 2022

piano harmonically aligned with the open violin tuning

this is a piece that culminated after 9 studies, realized by Sarah and Joe

recording is taken from the live concert recording, December 2nd, 2022, KM28, Berlin

violin/piano study #9 for Sarah and Joe (by Catherine Lamb)

Recording of the recital by Samuel Vriezen (Erard piano) at the Amsterdam Wandelweiserfestival 2022, Orgelpark, Amsterdam.

Five pieces, played attacca:

0'00":
Chop. (Samuel Vriezen, 2019)

ca. 5'30":
2. Stück 2004-1 (Manfred Werder, 2004)

ca. 13'55":
3. Ballade nr. 4 in f minor (Frédéric Chopin, 1842)

ca. 25'50"
4. Stück 2004-2 (Manfred Werder, 2004)

32'22":
5. Frédéric Chopin (Samuel Vriezen, 2019. First performance)

Recital 30 Oktober 11.00

Excerpt from Rebecca Lane & Clara de Asís "Distances Bending", live at Oscillation festival, Brussels (BE), 29 April 2023.

A collaborative composition by Clara de Asís and Rebecca Lane deriving from a series of encounters and explorations throughout different times, spaces and forms.

Distances Bending is an ever-expand­ing pro­cess — a build­ing up, dis­tilling, and mir­ror­ing of mater­i­als par­tic­u­lar to each artist, respond­ing to and inhab­it­ing a space over mul­tiple hours or days. A repeated time struc­ture, a tem­por­al loop that is altered through upwardly evolving ration­ally-tuned fre­quen­cies, vari­ous flutes (whose size, timbre and shape cor­res­pond to these fre­quen­cies), elec­tron­ics, and chan­ging light, the piece cre­ates a subtle space where per­cep­tion is transformed.

Rebecca Lane: flutes, organ pipes, whistles
Clara de Asís: synthesizer

Rebecca Lane & Clara de Asís / Distances Bending (Excerpt) – Live at Oscillation 2023

"In our performance, we are exploring the sonic and visual properties of resonating materials in their relashionship.
Two transducers and two hydrophones are interconnected creating a no-input feedback loop between two water bowls of water"
Performance w/ Danya Pilchen
@ CASS,  Institute of Sonology Amare, Den Haag,
25.02.2022

between two water bowls

Was written for Orkest De Ereprijs, performed at Young Composers Meeting 2019 in Apeldoorn. 


This piece is a tribute to the late great Mark E Smith and 'Nettlebast' is a reference to 'Bombast' by The Fall.

Performed by Orkest De Ereprijs, Francisca Branco, Ana Maria Lopes, Carolina Luís, Georgi Ognjanov Sztojanov & Einar Þór Guðmundsson,

Conducted by Rob Vermeulen

Nettlebast

▼Background

Clubasia is a historic club in Shibuya Tokyo but it faces a financial crisis caused by COVID-19. 
For donation, https://soundcloud.com/kabanagu raised the plan of compilation album and 30 volunteer artists responded to his address. 
Hercelot also joined it with a new song "Dreamscat".
Thus the album titled "sound leakage 2020" was released 3rd July.
Check it and please support our home ground, Clubasia!

https://clubasia.bandcamp.com/album/sound-leakage-2020
↑the public period ended in three months

▼Featured Artists

Amps (w/ Iori Kimura), Batsu, DJ WILDPARTY, EmoCosine+GUANA, Hercelot, hirihiri, imai, isagen,  Kabanagu, kamome sano, kissmenerdygirl, kyo, Masayoshi Iimori, Mikeneko Homeless, monolith slip, pavilion xool, PSYQUI, Ryuki Miyamoto (w/ Mr.Q from ラッパ我リヤ), Tomggg, Tsubusare BOZZ, upusen, WATARU, XYLÖZ, yuigot+長谷川白紙, Zekk, ウ山あまね, ハレトキドキ, 栄免建設, 星宮とと+KOTONOHOUSE+TEMPLIME, 柴田 (from Pasocom Music Club)


▼Artwork

GraphersRock
http://graphersrock.com/

two songs. anne, germaine, seamus, koen, danya

Danya Pilchen

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