— Composer —

Matthias Krüger is a composer of contemporary classical and experimental music. He has studied music composition at Cologne’s Hochschule für Musik und Tanz and at Columbia University in New York City, as well as French language in Cologne and Sorbonne University in Paris. He spent the 2021/22 year following the postgraduate Cursus in electronic and computer music at IRCAM, Paris. His principal composition teachers include Krzysztof Meyer, Fabien Lévy and Johannes Schöllhorn. Aside from his activity as a freelance composer, he is currently a doctoral candidate at Hamburg's University of Music and Theatre, researching on hybrid composition between music, dance and theatre. Between September 2023 and April 2024 he is composer in residence at Goethe-Institut of Montreal/Le Vivier as well as a Graduate Researcher at McGill University Montreal.
He has received numerous awards (including DAAD, Berlin’s Mendelssohn competition in 2013, Cologne's Zimmermann award in 2015 and Prix Chevillion-Bonnaud of Orléans 2016) as well as commissions and has had his music performed in Austria, France, Germany, Israel, Italy, the Netherlands, Poland, Spain, Sweden, Switzerland, the US and Canada as well as China and Japan, including festivals such as ECLAT Stuttgart, Donaueschinger Musiktage, Warsaw Autumn Festival, Gaudeamus Muziekweek, Festival de Royaumont, Northwestern University New Music Conference 2014, Shanghai New Music Week and Mallorca Saxophone Festival, and venues such as Konzerthaus Berlin, Palau de la Música Catalana Barcelona, Centre Pompidou and Carnegie Hall New York.

His first portrayed disc "ain't nuthin' but fairy dust" was released in the fall of 2021 and has been longlisted for the German Record Critics' Award 01/2022.

Hello!  I am a performer, composer, and writer interested in the slippery continuums of intelligibility, expressivity, and sense.

Described by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway,” composer-pianist VIJAY IYER has carved out a unique path as an influential, prolific, shape-shifting presence in twenty-first-century music. He received a MacArthur Fellowship, a United States Artist Fellowship, and a Grammy nomination.

I write and perform music. I live in Los Angeles.

Described by The New Yorker as “an arrestingly gifted young American composer,” and by The New York Times as “consistently stimulating,” The Boston Globe portrays Keeril Makan as a composer “whose music deserves to be more widely heard.” Recipient of a Guggenheim Fellowship and the Luciano Berio Rome Prize from the American Academy in Rome, he has also received awards from the American Academy of Arts and Letters, the Fromm Foundation, Meet the Composer, the Aaron Copland House, the Utah Arts Festival, the Fulbright Program, and ASCAP. His work has been commissioned by the Bang on a Can All-Stars, American Composers Orchestra, Harvard Musical Association, and Carnegie Hall, among others. His CDs, In Sound (Tzadik), Target (Starkland), and Afterglow (Mode) include performances by the Kronos Quartet, Either/Or, and the International Contemporary Ensemble. Persona, his opera, written for Alarm Will Sound and produced by Beth Morrison, is an adaptation of Ingmar Bergman’s classic film, with a libretto by Jay Scheib. Schott is publishing his compositions.

Makan was raised in New Jersey by parents of South African Indian and Russian Jewish descent. After training as a violinist, he received degrees in composition and religion from Oberlin and completed his PhD in composition at the University of California–Berkeley, with additional studies in Helsinki and Paris. Makan makes his home in Cambridge, Massachusetts, where he is Associate Professor of Music at MIT. For more information, visit www.keerilmakan.com

Ethnomusicologist // media artist 

University of Michigan
PhD Candidate in Ethnomusicology
MA Program in South Asian Studies

Northwestern University '15
BM Music Composition + Ethnomusicology; BA South Asian Studies

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