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Sascia Pellegrini was born a piano player, grew into a pianist/composer and is now maturing as a
percussionist and performer/composer.
He researches improvised and written music with a special interest in the perception of the act of
performance and the deeper implications of musical thinking. He often leads workshops on these
themes in universities and music schools for composers, instrumentalists and performers.
In his musical research, Sascia combines compositions for, among others, live electronics,
visuals and percussion. He has written music for various ensembles and has developed
choreography and visual works often in collaboration with dancers and other media artists.
As a percussionist/composer he has performed extensively in Italy, France, Germany, China,
Japan, Hong Kong and in his place of residence, Singapore. He has performed in Concert Halls, Theaters,
Art Galleries and Art Spaces, primarily as soloist and composer.
He was trained in percussion and composition at the Italian Conservatory “Puccini” of La Spezia
and he joined percussion, composition and conducting classes at IRCAM in Paris. In the course
of these studies he has met, learned from and shared ideas with a variety of stimulating
composers and performers.

Danny is a Singapore-based Filipino composer whose music blends contemporary techniques with inspiration from Filipino traditional materials. His works have been featured at festivals including the Cheltenham Music Festival (UK), Impuls Academy (Austria), Donaueschinger Musiktage (Germany), and the Synthetis International Summer Music Course (Poland). He was recognized among the top winners by the Goethe-Institut at the Young Composers in Southeast Asia Competition and Festival.

Trained in composition at the Yong Siew Toh Conservatory of Music, National University of Singapore, Danny is currently pursuing MA/PhD research at the University of Birmingham. In Singapore, he performs with the Sari-Sari Philippine Kulintang Ensemble and conducts the award-winning Psalmideo Chorale, bringing Filipino traditional and choral music into contemporary contexts.

Temporal architect
zeit hexe
contact: Alyssa.aska@gmail.com
https://zeitschleife.bandcamp.com/follow_me

Archive of electronic musician Moon Fear Moon.

Joe Galuszka is a British composer, conductor, and performer who began his musical journey as a self-taught pianist from a young age before joining a brass band at 14. As a tuba player, timpanist, and percussionist, he has performed with some of the UK’s finest brass bands including Tredegar, Flowers, Aldbourne, Filton Concert Brass, and Rothwell Temperance, and was timpanist with the Bristol Symphony Orchestra for a number of years. He has performed at some of the leading concert halls in England, including the Royal Albert Hall, Canterbury Cathedral, Symphony Hall Birmingham, and Leeds Town Hall. He conducts seven ensembles, including the Bristol Military Wives Choir, Bristol Hippodrome Community Choir, and Westbury Park Orchestra, and has worked as an arranger and tutor for the National Children’s Orchestra of Great Britain. He recently became Musical Director for the Gloucestershire Music Service and Youth Orchestras, and is training with the Association of Brass Band Adjudicators.

His compositions span brass, wind, chamber, and media music, scoring over 15 films and documentaries. He won Bronze at the Global Music Awards and Gold at the London Independent Film Awards for his debut wildlife documentary soundtrack, Firekeepers of Kakadu, which was broadcast on SBS Australia. His works have been shortlisted for the European Brass Band Composition Championship (2020) and the A4 Brass Quartet Competition (2022), with his tuba quartet Pandemic being awarded 1st place in the When Tuba Come One International Composition Competition. In Nov 2025 his first commission for orchestra, A Symphony of Centuries, will receive its world premiere by the Longwell Green Orchestra , with his debut album 'Fractures', recorded by the Bristol Ensemble being released in Dec 2025.

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