AKA HEX - Do The Rite Thing / Hex On Fire
Cat. Nr: DN033
Format: Digital
Release Date: November 22, 2024
Buy / stream: dansenoire.ffm.to/AkaHex

AKA HEX is a brand new collaboration between Aïsha Devi and Slikback.

Devi has always used her music to look outward, beyond the confines of club music and the avant garde towards a space that's less predictable and far more mysterious. She was born in Switzerland with Nepali Indigenous heritage, and her transversal identity has helped her navigate the underground as not just a producer and vocalist, but as a curator. Co-founding the Danse Noire imprint in 2013, she used that platform to launch her breakout EP 'Hakken Dub / Throat Dub', following it up with the labyrinthine 'Of Matter and Spirit' album in 2015. Devi's interest in sonic alchemy and multi-dimensional expression was further developed on 2018's 'DNA Feelings', coming to an overflowing head with last year's enigmatic 'Death Is Home', which featured a collaboration with none other than Slikback.

Born and raised in Nairobi, Slikback is one of the world's most adventurous producers, taking elements from the wide spectrum of club, noise, ambient and rap musics and forming them into a psychedelic lattice of high intensity sounds and emotions. He's spent
the last few years prolifically contributing to his canon via his Bandcamp stream, this year compiling the highlights into the frenetic double-LP 'SLIKBACK' – 22 tracks of future-facing, soundsystem-ready experimental club sounds that define his journey so far.

Together, they synthesize their artistry as AKA HEX, welding kinetic, bass-heavy rhythms to zig-zagging, sci-fi tinged soundscapes and mutant vocals. It's Devi's most dancefloor-focused material in years, and Slikback's most alien to date, bridging the chasm between avant-pop, experimental club and hallucinogenic ambience.

Mastered by Raphael Valensi
Artwork by nmr.cc

AKA HEX - Hex On Fire (Psychic Version)

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Sharing/Remixing Tracks That Move Me 
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