Artist: Adrian Younge & Ali Shaheed Muhammad
Song: Feel Alive feat Karolina and Loren Oden
Label: www.Linearlabsmusic.com

03 Feel Alive feat Karolina and Loren Oden

Now That I Know

Wild World

Say Something

Main Ingredient - Summer Breeze

RESAVOIR is a diverse collective of young Chicago artists & improvisers who perform songs written and directed by trumpeter Will Miller. Best-known for his work with the indie band Whitney — and for his brass cameos on tracks by Chance the Rapper, Lil Wayne, Mac Miller, Saba, Eryn Allen Kane, and more - Will is, at his core, a jazz cat who trained at the Oberlin Conservatory. All the while, the Chicago native has been slowly and privately developing the music he jokingly refers to as his “bedroom jazz” sound. RESAVOIR is the manifestation of this development, with Miller often harmonizing his trumpet through synths and samplers, giving his leads an expansive, orchestral sound which can recall Soulquarian Roy Hargrove or Jon Hassell. RESAVOIR's debut album is due in 2019, on International Anthem. Tonight, RESAVOIR will feature Miller (trumpet, MIDI keyboard), Akenya Seymour (keyboards, vocals), Irvin Pierce (tenor sax), Lane Beckstrom (bass), Peter Manheim (drums) and Jeremy Cunningham (drums).

RESAVOIR - "Escalator (Live at Co-Prosperity Sphere)"

The blues roots grow surprisingly deep in the Finnish music scene. From this fertile ground rises singer Emilia Sisco, who debuts on Timmion with her phenomenal single "Don't Believe You Like That". With her strong background in fusing blues, r&b and jazz, Emilia apparently slips also nicely into the dark soulful grooves of Cold Diamond & Mink.

In "Don't Believe You Like That" Emilia sets herself into the role of a mistreated lover, who still tries to see a speck of hope in the doomed relationship. By dubbing herself, and accompanying the lyric with graceful harmonies, she succeeds in building a powerful beat ballad, that should appeal to the darker end of the dance floor.

There's a special lane in history for soul music this understated. It's cool and intimate at the same time, like there's something dangerous lurking under the surface. So roll up something nice, if that's your thing, and hop along for the ride.

Don't Believe You Like That

Don't Belive You Like That - Emilia Sisco And Cold Diamond & Mink

So Long

Then We’ll Wave (So Long)

Off the back of their Meredith Music Festival 2019 lineup announcement, Melbourne wonky soul four-piece Karate Boogaloo have shared the second piece from their upcoming ‘KB’s Mixtape No. 2’.

This time KB gives us their flip on Mtume’s disco/R&B slow-jam “Juicy Fruit”. It’s a mid-tempo bounce, mellow and light to the touch with sprinkles of oozy synth and slide-guitar throughout.

Composed around a Linn LM-1 drum machine and recorded in under two hours, Mtume’s “Juicy Fruit” has had a lasting impact on the R&B and hip-hop scene with over 100 listed sample uses of the track. Most famously used in Notorious B.I.G’s 1994 hit “Juicy”, Keyshia Cole’s “Let It Go”,  Warren G’s “This D.J” & in Grand Theft Auto’s radio shows.

Following on from the cult success of ‘KB’s Mixtape No. 1’ - songs that were sampled into your favourite hits -, ‘Mixtape No. 2’ expands this theme with songs from the 80s that were sampled into your favourite hits! Out September 27 via Hopestreet Recordings.

Making up the rhythm section of long-time Melbourne soul favourites The Cactus Channel, KB consistently sit in their own lane – the combination of raw musicianship and sheer time on the clock in the studio and on stage gives them a glowing connection rarely seen. Making records, they follow their own rules; recording and mixing on tape with no plugins and no edits, releasing exclusively in mono. It’s not about anachronism, it’s about the KB manifesto: a chosen set of limitations forcing a specific outcome, an outcome best appreciated through their “KB’s Mixtape” series of LPs.

KB's Mixtape No. 2

Pre-Order LP

Karate Boogaloo - Juicy Fruit

iTunes: http://apple.co/1iZBfCe
Buy on Amazon: http://amzn.to/1LMtXds
Spotify: http://spoti.fi/1LeV68o

NOMO and Shawn Lee collaborate for this one-off 7'' single which will be sold exclusively at upcoming NOMO gigs w/ Iron &amp; Wine (www.myspace.com/nomomusic for dates). This 7” tour exclusive is limited to 300 copies, it also features NOMO’s “Nocturne” on the B-Side.

This collaboration came about almost by accident. NOMO’s Elliot Bergman had spent the better part of the summer building and recording electric kalimbas in Brooklyn, when label-mate Shawn Lee asked him to send over a kalimba track for his new album. Lee, based in London, added some funky drums, bass and a smattering of steel drums, and sent it back to Bergman. When Bergman’s sister, Natalie, heard the instrumental track destined for Shawn's album, she decided that she had to add some vocals. She stayed up all night writing the tune and recorded the vocals in garage band. The happy result is a great groove, and NOMO's first vocal tune in ages.


NOMO and Shawn Lee - Upside Down

LaRose Jackson, who you may remember from "Luv Jones" - the 2014 party-certified smash duet with the incomparable Charles Bradley - steps into the spotlight with her funky solo debut, "How Did We Get Here". Born and raised in Coney Island, LaRose's rich timbre and assertive vocal delivery caught the attention of producer Tommy "TNT" Brenneck one night when he was in attendance at Charles Bradley's legendary "Black Velvet" show at Club Essence - where Jackson was also a regular performer. The two hit it off and began collaborating on several sides, the fruit of which we humbly offer up here. LaRose's tough-as-nails delivery coupled with the infallible groove and sure-shot horn arrangement courtesy of the Menahan Street Band distills the track down to Soul in its purest form, without sacrificing any of the rawness one comes to expect from a TNT production. Expect much more on the horizon from LaRose and Co.. This is just the tip of the iceberg!

DL/Stream: https://daptone.ffm.to/larose

#getmoreplays

How Did We Get Here b/w How Did We Get Here (Instrumental)

LaRose Jackson - How Did We Get Here?

https://stpanther.lnk.to/thesedays 
Written by Daniela Bojorges-Giraldo
Published by Big Deal Beats / Gold Room Special Music / St. Panther Publishing (BMI) (Administered by Words & Music)
Produced by St. Panther and Nate Mercereau
Drums, Percussion, Bass, Vocals by St. Panther
Synth by Nate Mercereau
Drum Programming, Effects Programming by St. Panther and Nate Mercereau
Recorded at Elysian Park and Lower Peter's Canyon
Engineered by St. Panther and Nate Mercereau
Mixed by David Nakaji at Slick Suze Sound in Los Angeles, California. 
Assisted by John Bruington.
Mastered by Daddy Kev at Cosmic Zoo

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)
HA HA HA
HA HA HA, HA HA

IT’S UNBELIEVABLE
THIS SHIT IS PHYSICAL
AND I AIN’T TALKIN’ ‘BOUT SMOKING ON SOME SHIT

I’M BLASTING FROM MY HEAD TO MY BONES
NEVER THINK I’VE DONE THIS BEFORE
AND WHEN YOU LEAVE ME AT THE DOOR
TELL ME WHY YOU ALWAYS HANG BACK FOR MORE

IF YOU FUCK WITH ME, I’LL PUT MY HEART ON A PLATE
IN A VAN WHILE WE’RE TRAVELLING STATE TO STATE
SHOW LOVEON A MIC ALL AROUND THE WORLD
THAT’S RIGHT, THAT’S RIGHT, I’M YOUR GOLDEN GIRL

IF YOU FUCK WITH MY I’LL PROBABLY TAKE YOU TO THE TOP
CONVERSATIONS WITH THE CLOCK, NAH, THEY NEVER STOP
NO TIME LEFT TO SLEEP SO I RELAPSE, JUST NEED FEEDBACK
HEY, CAN YOU RUN MY BEAT BACK?

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)HA HA HA
HA HA HA, HA HA

LIKE A CHRYSLER, BABY
I HOPPED IN YOUR SOUL, HELLO COROLLA
SEE THAT MOTOROLA DRIFTING ON SILENT A WHILE
LET’S TURN IT OVER

WISHING ON A FOUR LEAF CLOVER
THAT THEY NEVER KNOCK ME DOWN WHEN MY FEET LET UP
THEY ALWAYS TRY TO KNOCK YOU DOWN WHEN YOUR FEET LET UP
BUT I SAID NO, PLEASE DON’T LEAVE ME ON MY DRIVEWAY

I’VE BEEN BLEEDING THE TIME
WHY YOU THINK I’M SO GOOD WITH MY HANDS MOTHERFUCKER?
I CAN’T COME DOWN
EVEN WHEN I TRY, I’M FLOATING
SO YOU CAN’T EVEN PRETEND
THAT YOU CAN’T SEE ME COMING
BABY, THIS LIKE A HIGHWAY
SO MANY MILES I’M DRIVING, HEY

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)
HA HA HA
HA HA HA, HA HA

LaRose Jackson - How Did We Get Here?

Daptone Records

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