i like how you stretched that out Dariusz and made it talk :D and breath :::

love this.. so many lovely sounds/changes nice flow

@user-229269915: Thank you, also I've been checking your stuff and I like it a lot

The COUNTeraction

The Love Scene

guitar, drums, keyboards and fx performed by Sparky Bonehead

untitled 2 in A major

Death 0f Three

My passion for music reaches its peak when I'm overcome with loneliness. My brain and emotions seem insignificant in the world. After a few days of feeling this way, I discover fragments of music. Over the course of two or three days, these fragments begin to form the whole picture of a song. When life is fulfilling, I can't even find the first fragments of a song.

If You Want to Make Music, Run Alone(328)

Live @ Zaboböny XIII / Ostatnia Wieczerza / 1.11.2024 /

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

I used a phrase from a comment I received from Stars Mighty Fine as the title.
First, I see a chaotic array of tones, and then I try to create some kind of structure from that chaos. I think the process of composing is simply trying to control the song and sound with all my might.

We Control with All My Might (357)

Another snippet from Caligo Paean - beware of gifts when chasing gods : ) 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.



Caligo Paean (A gift, a choice)

Blue Neophyte

A remix of https://soundcloud.com/countchadwick/blue-neophyte by https://soundcloud.com/countchadwick/tracks
All sounds are made from original track

Blue Neophyte (remix, original track by The Count)

Seer Sage & Wine Dub

Drone remix of the wonderful Terrestrial Million Pose
https://soundcloud.com/countchadwick/terrestrial-million-pose by The Count https://soundcloud.com/countchadwick

I absolutely loved the raw, intense energy of the original track, and was inspired to explore those textures, and to see what would happen if given space to unfold and expand, while still keeping some of the original energy (and I hope I achieved that!)

All parts of this remix are made from portions of the original track

Terrestrial Million Pose [The Count butchered by rabbitsquirrel]

Bruit?  Quel bruit?

remix of Myrh and The Count's Don't Want No Cake
(https://soundcloud.com/myrhyum/dont-want-no-cake-the-count-myrh)
music . The Count @countchadwick
vocals / lyrics. Mariam Zohra D : @myrhyum
Remix / Artwork. Çois Agver

MYRH: - this - in part - is also an old chant i created to sing to myself
"I don't want no piece of cake, i just want to break away"

lyrics: -DONT WANT NO CAKE-

I don’t want no piece of no cake
i just want to break away

i had enough, i waited so to -

i don’t want no piece of no cake

i don’t want no piece of cake

desperation is not a good sign
you gotta feel like you got the divine on your side
the divine on your side

don’t let anyone define
your hi’s and lows
don’t let nobody define

i don’t want no piece of cake
i just want to break away

but it never gets old
that gold!
it never gets old, that gold!
it never gets old that glow oh, that glow, oh, that glow

i don’t want no piece of no mother fuckin cake
i don’t want no piece of no mother fuckin cake mother fuckin mother fuckin

i don’t want no piece of cake
i just want to break away

i don’t want no piece of no cake, no cake, no cake.

Don't Want No Cake ~ Myrh and The Count (Çois Agver Remix)

Improvisation On Double Zhalnik. Live. Riga, NOASS. 6.08.2020

<>>>>>>
the empty shells surrounding the deep love
END EMPIRE

taRka: a process, a place
a collaborative project
by Myrh : Mariam Zohra D
poetry/song/visual arts
@myrhyum @myrhyummy @tariqa-kali
> https://tarka1.bandcamp.com/
> https://mariam-zohra-d.my.canva.site/portfolio#home

great appreciation to a
network of enchanted,
conscious music,
enabling me to weave
a poetry of resilience.
journeying to mystic places,
reflection, projected in waves of rhythm.
feeling home in melodies
made of new and old.
paintings to spark the soul.

This space is proudly shared with
VIA DE ACCESO
@viadeacceso
& NEUROLOGICK THUNDER RKDZ. 
@user-685450274

Composer, multi-instrumentalist, improviser. Woodwind player in Monument Zero. Open for collaboration

Blue Neophyte (remix, original track by The Count)

Dariusz Jackowski

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Dariusz Jackowski

Çois Agver

Dariusz Jackowski

Dariusz Jackowski

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