The silence of the Sahara mirrors the shadows of Roswell. Different soil, same secret history.

Echoes of Roswell

The Bartenders is a band founded in Toronto, Canada, by two passionate musicians: Johnny D. and Stephaan Rayes. This dynamic duo has mastered the art of modern blues, infusing it with soulful grooves and a touch of rock. Their signature track, Hey Bartender!, quickly struck a chord with music lovers thanks to its infectious energy and catchy riffs. Known for their captivating live performances, The Bartenders turn every stage into a vibrant mix of rhythms, blending classic influences with a refreshing modern twist.

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Lotus Pastel is one of those rare artists who seem to exist slightly outside of time. Her origins remain undefined, with brief chapters spent in Tokyo, Seoul, and Tangier before finally settling in Paris. This rootless journey shapes her music: delicate, ethereal, and quietly fearless.

With a voice both fragile and luminous, she creates songs that feel like secret confessions, half-whispered and half-sung. Her sound drifts between dreampop, poetic electronica, and intimate pop, always tinted with surreal imagery and a sense of soft resistance.

In 2025, Lotus Pastel unveiled not one but two striking albums. "Ma Vie, L’Univers" opens like a diary scattered in the wind: playful and dreamlike on tracks such as "La Machine à Café a Pété", tenderly reflective on Je suis là…, and cosmic in its collaborations with Dark Earl (L’Univers) and OldNEO (Echoes of a Myth). Later that year, "Ici, Daba et Ima" expanded her palette, weaving Franco-Japanese moods (Yuki no Shita), Moroccan shades (Daba, Sous le bleu de Chefchaouen), and fragile nocturnes (Que la nuit m’oublie).

Lotus Pastel does not chase anthems, she builds atmospheres. Each release is less an album than a landscape, pastel skies, blurred edges, words floating like fragments of a dream. And in that liminal space, she is already carving her own place in tomorrow’s music scene.

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.

A Man On Acid is a Finnish DJ and producer shaped by the underground rave culture of the 90s. Known for his hypnotic 140 BPM acid techno, he blends rolling basslines, piercing rave sirens, and industrial percussion into a raw and addictive sound. His sets and productions capture the atmosphere of abandoned warehouses, neon-green lasers, and the iconic acid smiley sprayed on cracked concrete walls.
While rooted in acid techno, his music reaches further: certain tracks carry the melodic touch of Russian influences, others echo the cold mysticism of Finnish folklore, or the restless energy of industrial warzones. Still, the heart of his sound is uncompromising acid, fast, heavy, and meant for sweat-drenched nights where the crowd loses itself in repetition.

Latest Updates: 
Please checkout my vast collection of playlists. All my best music is on there in one place. Is free to listen to or sleep with.
From 1st June 2025, celebrating 10 years of KORG KRONOS music with lots of brand new music showcasing the wonders of this iconic workstation in all it's glory. Also as a nod to the release of the KRONOS 3, which will take KORG into the next generation.
All my albums in full quality are available on Bandcamp, please check out the link below.
Have recently taken a short holiday to recharge my batteries and top up my creative juices. Thank you to all my followers for your continued support and encouragement, means the world to me.
Over 10K minutes uploaded, over 1500 tracks - am sure there is something in there for everybody to enjoy. I love making music. Hope it matters to you.
Am posting some Jarre sounding pieces as homage to my lifelong hero of electronic music, using some of the sounds and instruments he has used along the way. Jar of Jarre is my collection of memorable sounds which have changed the way we appreciate modern electro.
Keep an eye out for my new collection of 2024 Remastered best of tracks, coming soon.
New year, new start. Back on the search for good music and inspiration. Will be featuring a lot of my older work remastered this year, seems like a long time since I began my composing journey back in 2000.
Happy New Year to all my followers, May 2025 be filled with musical magic. 
Thank you for all your kind comments and support throughout 2024 I do appreciate it. Stay safe and love each other.
All my remastered best tunes from 2015 to 2023 are now available to buy on Bandcamp.
Am back to making regular music now but sorry no Christmas songs this year. This time of year is very hard for me as it is when my father became very ill and died in the new year 2010. I still miss him very much but hope he would be proud of my musical journey, he is my number one inspiration.
Just a quick personal note on AI and music. I think it is not a good thing for the creative side of music and a lot of it comes without feelings or soul. Creativity is a gift, and should be greatly valued, cherished and nurtured. Music is what makes us human and can never be replaced by a computer.
Finished remastering up to and including 2023 now. Has been a mammoth task but well worth the effort. Next year I shall be working on a remastered series of my pre KORG days 2000 to 2008, in 8 volumes, as well as celebrating in style my 10 years of KRONOS magic, can't wait for 2025.
Have now amassed over 1000 tracks on SC (that's over 8000 minutes of music) and it has been a blast sharing them with you all. Next year 2025, marks the 10th anniversary of the start of my KORG journey.
Am currently putting together a remastered Anthology collection of all my best tracks from 2015 onwards. 2015 consists of a 3 volume set (Now available on Bandcamp). 2016 consists of a 4 volume set. (Also available on Bandcamp). 2017 consists of a 4 volume set. (Available on Bandcamp) 2018 consists of a 4 volume set. (Also available on Bandcamp). 2019 consists of a 4 volume set. (Now available on Bandcamp). 2020 consists of a 3 volume set (now available on Bandcamp).
If you would like to listen to more of Magician, especially retro older tracks please checkout Bandcamp (see link below).
Have recently been rediscovering some of my older music pre KORG days and remastering for uploading to my cloud. Hope you like. Seems such a long time ago now.
I have been lucky to have music in my life, and now the time to explore how it can affect other people. I have discovered many new talented artists on SC and am happy to encourage and support their work; from small beginnings come great things. Please be inspired to be your best, inspire others too, encourage those who lack the inner courage to move forward, and together we can make music make a difference in all our lives.
Am spending a lot more time on my music now since retiring from work in July 2020. Always learning new techniques and honing my craft. Am comfortable now with all chord sequences throughout the scales and loving improvising with the help of my mighty KORG still. Am still trying to give my full support and encouragement to all SC users and some latest (you know who you are), are developing nicely. Be good to one another, be gracious to others, leave your ego out of your life and above all else remember there is always someone worse off than yourself. 
Please be kind to each other, to be happy with our lot without jealousy or greed; to give without asking the cost; to love as if there is no tomorrow; to share and inspire others who may be less fortunate than us; most of all to enjoy life for the joy of living, for we know not what the morning brings - stay safe my friends, be strong and always stay positive; remember life changes - DON'T let it change you!!  
Music is my life - has helped me through many dark places, is a big part of who I am. I put my heart and soul into every single piece of music I produce. I have found many wonderful friends on SC and many exciting talented people.  Been writing and producing music now for 40 years plus. Specialised in electronic based orchestral compositions. I have created my own genre which I call 'electrorchestration'.
Favourite artists/bands include Gary Numan, Little Boots, Jools Holland, Eno, Edgar Froese (1944-2015), Jordan Rudess, Kebu, Madis, Keith Emerson (1944-2016), Rick Wakeman, Richard Wright (1943-2008), Pink Floyd, Tangerine Dream, Vangelis, Jean Michel Jarre, M83, Public Service Broadcasting, Dream Theater, ELP, Yes and Mystery to name but a few.
Click on link below to Bandcamp for more music from my collection