On the 30th Anniversary of its debut, Nate from Freak Out! takes a deep dive into Gza's classic Liquid Swords album.

An Hour For Gza Liquid Swords 30 Year Anniversary w/ Freak Out: 7th November '25

Nothing in Moderation with DJ Voices @ The Lot Radio 11-05-2025

VLADIMIR IVKOVIC - Wednesday 5th November 2025

L'artiste: DJ Richard (@ioiooioooiooioi)
Le mixtape: Stock 100
L'esthétique: sickly shades of icy acid

La sélection:
Sneaker - Voices in E minor (Choir)
Black Meteoric Star - Symbols Drawn in Marker
Tambien - Drogato
D’Marc Cantu - Another Number
Decius - Taste Like Leathers
Echo 106 - Wretched Souls
J.T.C. - The Controller (Mick Wills Remix)
Kid Machine - Space Saga II
Roger 23 - Die Phantomspeisung
Gay Marvine - Im Yr Money
Saturn V feat. Mysterio - Pulsecode Modulation
Disco Nihilist - SH101 Acid
Coil - The Snow (Answers Come in Dreams I)
Millimetric - Suffoque (Equitant Remix)
Betek - Replica

Recorded in Cranston, RI in October 2025.

Stock 100 par DJ Richard

Lena Willikens: 28th November '25

This was a mix I made for a series called 'Music for Theatre Lobbies' in December 2020. It appears the original recording is no longer online, so I am sharing it here. I really like the energy of this mix, it has a lot of beautiful music I keep returning to.  The accompanying photo is of a genkan at a temple, taken in the same month the mix was made.

Fader From Borneo - Cold Sore Adonis
Imaginary Softwoods - Almond Branch
Ulla Straus - Figgy
TALsounds - Opening
Fadi Tabbal - Cheap Triptych Photography
Hoodie - Justin
DJ Lostboi - LB 100
LOG - LOG 2
Pontiac Streator - Trizlang Gem ft. Ulla
KMRU - Degree of Change
Pétra - Tavel
Vanessa Amara - Leopards
Ali Wade - The Drowned World
Shasta Cults - Option 2
Monolake - Phaenon Ono
Perila - mag cent re
Teleplasmiste - An Unexpected Visit
Gunnar Haslam - Kampemnh
I:Cube - Mystérieuse Mangrove
Croatian Amor and Varg2TM - Bonbons
SØS Gunver Ryberg - The Presence Eurydike
Kangding Ray - Sun
Daughter Produkt - Anisotropy
Zandvoort & Uilenbal - Folk Triumfator
Faten Kanaan - The Archer
Sunhiilow - Waves of Sunlight
Mattheis - Prism1 (Tidal Fields Version)
Oqbqbo - Utsuwa
Imaginary Softwoods - North of Roswell
Nadia Khan - Port Ana
Malibu - Lost At Sea (Kelly Moran Remix)
Tongues Of Light - Unity

MTL1220

Renowned in underground music circles as a true record aficionado, San Soda, a seasoned DJ with a 15-year global legacy, crafts his predictably unpredictable sets from carefully curated gems unearthed during his extensive crate-digging expeditions. Hailing from Belgium and occasionally finding his groove in Berlin, his sonic palette leans heavily towards classic house and techno with a gritty Chicago and Detroit influence, interspersed with the joyful NYC flavours of disco, funk and soul. 

Music Take Me Up w/ San Soda @ Kiosk Radio 04.12.2025

The Space Between Spaces with Ron Like Hell @ The Lot Radio 12-08-2025

A seminal, pioneering figure in the 90s and 00s UK tech house scene, a mix from Pure Science is as bucket list as they come. With his first Australia tour over New Years approaching fast, the mysterious tech house luminary reappears from his subterranean science den with a whopping five(!!) hour live set, full of moody unreleased gems and carefully reimagined classics from his genre shaping 30+ year discography.

@purescience

Q. What an incredible journey this mix is! What sounds or feelings did you draw upon when gathering inspiration for the mix, and what listening environments could you imagine it being best enjoyed in?

A. Thank you for your kind words, Myles. I was initially asked to do a couple of hours, but thought, I would do at least four, and start with a good hour of unreleased ambient / downtempo tracks that I have made, that I wouldn’t necessarily play out to a dance floor, and build up the tempo. So to answer your question, I guess I was pulling out tracks that were made at a close tempo, and gradually build up to a Deep House / Techno range. There are loads of unreleased bits, which I will be featuring on upcoming albums. I guess the vibe was to keep it deep, and not to bang it out or play too obvious, and to add a couple of surprises in there, as it is for the Melbourne Deepcast after all.

Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?

A. I am not playing any records, CDJ’s or harmonicas on this mix.. Lol, Only Ableton Live, Korg ER1 drum machine, Roland System 100 modular (clone), Novation Nova & Evolution uc-33 midi controller.

There is one track that I have only played out once when I was in my teens, and it was written in 1989, when I was 15/16 years old. It’s called Circle, and is on the mix at around 3:43:43 mark (The hypnotic track with the organ).

Q. I know you’ve made special edits of some of your classic Pure Science records for this mix, tell us about how you like to reimagine your music from 20+ years ago, and how your sound has evolved since creating your most iconic records in the late 90s..

A. I’ve been re-recording, mixing, and mastering some of my classic releases, and preparing them for live, i.e. stripping down the parts to the basic form e.g. Kick, Snare, Hats, Claps, Toms, Congas, Percussion, Bass, Keys, Vox, etc, so I can re-arrange the tracks on the fly or break down to my drum machines / synths / recorded modular jams if I feel I want to improvise to the crowd a bit, or I can just concentrate on the blend of tracks, and the selection like a DJ would, and have complete control of the journey..

Q. We’re all very excited to see you play in Melbourne on NYD! Tell us about your hybrid live / DJ setup, is that something you’ve been refining for a while now?

A. I am very excited too, as I have been going through, my old floppy disks going back to 1987, from my old Ensoniq SQ80, as it has just come back from a service, and has had its 10-year internal battery replacement. 
I have been rediscovering tracks that I had totally forgotten about. Specifically a couple of tracks that I love, one is called Moon from 1992, and the other called Tibet from that same era. Both were made a little faster than what I would play out now, and were over 135BPM, but if you slow them down a bit, they just sound chunkier, and PHATer. x  p.s. It’s only hybrid if I DJ too, and I probably won’t have time for that. Live only on this trip. Thank you all for your time, and I hope to see you on the dance floor..

MDC.316 Pure Science

New releases and current inspirations from your hosts Jonnine Standish and Nigel Yang aka HTRK. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/htrk/episodes/htrk-10th-december-2025

HTRK 101225

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/e-myers-lovehate-12/
Contemporary producer E. Myers has self released four limited edition white label 12”s since 2015, whilst managing to remain low profile. Whoever they are, we guess they’re huge fans of late 1980s Chicago House, Shep Pettibone, Colourbox and most of our reissues. So much that they asked us to re-release their second 12” ‘Hate / Love’ from 2016 backed with new remix of “Hate” made for Dark Entries. “Love” kicks off the A-side “beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like Gesloten Cirkel meets Helena Hauff,” said Boomkat. “Hate” is a dreamy house number that ultilzes a Roland TR-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. For the new remix of “Hate” Myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out New Beat phantasia. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The 12” is housed in a die cut disco jacket that features an original design by Eloise Leigh.

E Myers - Love/Hate 12" (snippets)

The Dark Entries Record Label : Resuscitating the 80s Underground