MISS KITTIN SUPREME

Mixes_2018_02

p*dis sampler 2018.11

Info:  
This track is part of "First Album" by Miss Kittin & The Hacker.

See details below or check discogs: http://www.discogs.com/Miss-Kittin-The-Hacker-First-Album/release/20345

Buy the track at:  
Zero Inch: http://www.zero-inch.com/artist/Miss_Kittin/track/1982/61120
Beatport: http://www.beatport.com/track/1982-original-mix/455185
Itunes: http://itunes.apple.com/album/first-album/id270122321?l=en

Lyrics:
Let's go to the rendezvous 
Of the past, me and you
 DJ plays deja vu 
As we were in '82

 I see your face fade to grey
 Just wait for Blue Monday
 Imagine you're dancing 
You're a robot, man-machine

 I don't want a Tainted Love
 I want something from above 
But don't go
 Just play me Moscow Disco

 Let's go to the rendezvous
Of the past, me and you 
DJ plays deja vu 
As we were in '82

2001: Miss Kittin & The Hacker - First Album: 04. "1982"

Lens Mozer - All My Friends

VINYL BEDROOM SESSIONS for Clone Records

Miss Kittin will perform Sónar by night on Friday June 14th.

« I had the privilege to visit the legendary Submerge Distribution in Detroit lately, after 15 years not playing in the city. I wanted to come back to the most important place for our culture and American History, where Submerge and Underground Resistance family are building continuously their legacy, not only for the black community but for all Human Rights believers and defenders of the Truth. More than ever, each track has a message, transcending darkness to light, reminding us Music must have a meaning, a universal purpose.
I came back with a lot of vinyls you can only find at their headquarters, or on their website.
This podcast is a tribute to them, as they told me to never stop spreading the timeless sound of Detroit, through latest releases from well known artists to emerging talents and labels . And a little bit of classic repressed cuts in between. »

Tickets: sonar.es/en/2018/tickets

Tracklist:

1. Electronic Warfare 2.1 - Death of My Neighborhood - UR #073
2. Ray 7 - Zulu Beat - Cryo #18
3. Annie Hall - Emotional Navigator - Cryo #10
4. Footwars - Detroit VS Chicago edit (produced by 038) UR #70
5. Juan Atkins - Technicolor - Metroplex #3
6. DJ Roach - The Grain - Nuestro Futuro
7. Mark Flash - AudioFluid - UR #93
8. DJ 3000 - Delray - Motech #98
9. Red Planet - Reclamation - RP #14
10. DJ Roach DJ Carlos - El Funk Verde - Nuestro Futuro
11. Purpose Maker - Circuit 
12. Ronnie Foster - Infrastructure - Universal Shift 
13. Vintage Future - Dooke Machine - UR #88
14. Maheras - Perchance to dream - Into the woods #1
15. UR - Find your friends - UR #79
16. Ambush - Burning Spear - UR #40 Redux
17. UR - Illuminator 
18. X 102 - UR #19

Sounds of Sónar by Miss Kittin (Tribute to Submerge Detroit)

Recognise is DJ Mag’s new monthly mix series, introducing artists we love that are bursting onto the global electronic music scene.

This month, we speak to one of the fastest-rising stars in the scene perpetuating the unstoppable influence of EBM on techno, Job Sifre.

His Recognise mix is an undulating blend of the moody grooves found on his first two releases, combining elements of EBM, industrial, electro, new wave and more in an angular sonic exploration.

Listen to it above and check out the full interview here:

https://djmag.com/content/recognise-007-job-sifre

Recognise: Job Sifre

LAYER #177 mixed by Bogdan Ra
__________________________________________
@bogdan_ra (@ladarecordings) - The Russian digger, extraordinaire DJ and producer Bogdan Ra has come together with the label Lada Recordings for his first release just recently, and recorded this wonderful trip with a taste of summer breeze for our LAYERS!
https://soundcloud.com/bogdan_ra/
https://bogdanra.bandcamp.com/
_____________

WHYPEOPLEDANCE:
facebook.com/whypeopledance
soundcloud.com/whypeopledance/

Art design by Mindaugas Gavrilovas.
___

TRACKLIST:

-no tracklist available-

LAYERS

LAYER #177 | Bogdan Ra

https://soundcloud.com/krisbaha live at the Pinkman store 29th June 2018.
http://www.pinkmanrecords.com

PINKMAN STORE

Kris Baha @ Pinkman In-Store - 29th June 2018

Mercure Rétrograde 07 ─ Agnes Aves

Out latest podcast comes from Lukas Danys: 5 years ago he and some friends stumbled across some busted speakers left to rot in a dumpster they set-up Untitled Tricks and began hosting small scale illegal parties in Copenhagen's off-locations and many things have happened since. We had a small talk with Danys, asking him about Untitled Tricks, Copenhagen and what goes on there.

Interview, more info, tracklist at home: https://digital-tsunami.org/music/dt/153-lukas-danys

Digital Tsunami 153

Digital Tsunami 153 - Lukas Danys

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/kittin-cosmos-lp/
Reclaiming her original moniker of Kittin, electroclash pioneer  - formerly known as Miss Kittin -  presents Cosmos, a continuous twelve-track LP of organic, leftfield electronica due 2 November on Dark Entries. Throughout her illustrious career, Kittin has carved a considerable niche for herself, assimilating references from New Wave and 90s techno to form an inimitable sound that resonates with electronic music fans the world over. Despite being most recognizable with ‘Miss’ before it, Kittin was in fact her original artist name - the prefix often added without her consent at promoter’s will and eventually becoming the norm.  
Cosmos is her most spiritual release yet, influenced by her time in the French countryside after a bout of touring exhaustion. She gives up any formulas from her past; verses/chorus, pop or club beats, to come to the essence of chords and textures, peeling away the non-essential to find joy in music yet again.  In retrieving her chosen name from more than 20 years ago, Kittin also returns to the essence of her musical journey. By liberating herself from the constraints of formal structure she opens the door to a new set of aesthetics, exploring her influences without restraint. Sonically, the voice acts a central instrument, whilst the album drives continuously forward with no breaks, paying homage to her love for ambient and electronica whilst wandering calmly into the unknown. “With Cosmos everything is energy. We go back to the core with curiosity and freedom.” - Kittin

Cosmos

Kittin - Cosmos LP SNIPPETS

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Pre-order Fallen Trees on LP/CD/DL: http://radi.al/MelnykFallenTrees

Continuous Music pioneer and literal force of nature Lubomyr Melnyk releases his new album 'Fallen Trees' on December 7th. Known as ‘the prophet of the piano’ due to his lifelong devotion to his instrument, the new album coincides with Melnyk's 70th birthday. 

Cascades of notes, canyons and rivers of sound: there’s something about Lubomyr Melnyk's music that channels the natural world at its most awe-inspiring. In Fallen Trees the connection with the environment continues, taking its cue from a long rail journey Melnyk made through Europe. Glancing out of the window as the train passed through a dark forest, he was struck by the sight of trees that had recently been felled. “They were glorious,” he says. “Even though they’d been killed, they weren’t dead. There was something sorrowful there, but also hopeful.” That sense of sadness touched by optimism infuses the album, too: rarely has Melnyk made music so shot through with melancholy and regret, but which sounds so rapt, even radiant.

The five-part, 20-minute Fallen Trees is one of the most ambitious and demanding pieces he has ever created. Though the music is – as ever – Melnyk’s own, Fallen Trees once again features a number of Erased Tapes artists. Japanese vocal artist Hatis Noit, whose first EP Illogical Dance came out to much acclaim earlier this year, lends ethereal vocals, floating mysteriously above the surface of Melnyk’s eddying piano lines before diving far beneath. Other contributors include Berlin-based cellist Anne Müller, a sometime collaborator with Nils Frahm, and American singer David Allred, the most recent addition to the label family. “More than any of the albums that I’ve done, it’s a real collaboration,” Melnyk insists, emphasising how much he owes to his producer, Erased Tapes founder Robert Raths.

It is true to say that there is nothing quite like Melnyk’s work: a unique musical pioneer, he has defiantly carved his own path. “I don’t say to people I’m a composer,” he declares. “I don’t know what I am.”

Melnyk composes, as he plays, at the piano, feeling out lines and individual rhythmic cells that bubble, undulate and gradually expand into vast, interlinked frameworks. Asked to describe what it’s like to live inside his music, he says “my whole body is transformed as I play, it honestly feels like that. My fingers feel like the winds of the world; it feels like you’re physically transcending dimensions.”

Despite the autumnal hint in its title, there’s little suggestion of Melnyk slowing down. Having received critical acclaim and co-headlining the prestigious Royal Festival Hall as part of the Erased Tapes 10th anniversary celebrations, after many years his audience is now both global and growing. The composer is finally gaining a momentum in his career that matches the vibrant, highly active energy of his playing.