The source of the new Dunkeltier edit (this moniker I use for the dark ones) has seen a re-release on the 'Tecnodelia · Tendencias (1980-1981)' LP on the Domestica label from Barcelona. The band itself emerged from the Valencian underground in the mid-80s.

https://drive.google.com/open?id=18k5BtHuea1lEFr40QFDKdajTfgiqBAzg

The re-released album is described in its full glory and well researched - as always on Domestica -
on the offical release page:

TODOTODO was a Technorchestra which emerged on the music stage at the beginning of the eighties, just when Techno movement was the dominant one in the European music framework. 
Although its influences were much wider, the three members in TT were absolutely committed to the contemporarity of Techno music language and its possibilities. Every third of the trio was, in itself, an open door towards creativity and each one was concerned with a different view of the same reality, to which, through different ways, they wanted to reach all together with every song they wrote. Francisco “Paco” García, in an impossible get-together with Truman Capote, Andy Warhol and Erik Satie, translated into numbers the stave graphology, almost in a cabalistic way. [...]
Read on!: http://www.domesticaorder.com/releases-todotodo.html


'Nativa' is the most likely track to dance to from the album - so it was due to be edited.
The Domestica remaster was quite agressive in the mid-range and the original arrangement of 'Nativa' gave little time for DJ's and dancers to indulge into the heavy groovy bassline. This was adjusted. 
And finally - just before the upload - I also EQed the (sub)bass to my taste. Less pumped, more authentic (808 action), proper sub.

If you feel this upload is an undesired violation of your copyright - let me know and I take it down. I did my best to promote the original vinyl release, the band and the label.

Todotodo - Nativa (SNEAKERS DUNKELTIER EDIT)

Stompin (Free Download)

Fab Samperi - Bb Funk (The Sly Players Remix)

Juno Records: bit.ly/1p2EA4G
Triple Vision: bit.ly/UYqKmF
Deejay.de: bit.ly/1OcMsuj

D LA Synthesis - Agraphobia (Carl Finlow's Transmogrify Remix)

Taken from the upcoming 'LA Synthesis - Agraphobia Relapse' EP, released 6 November 2015 on De:tuned.

Carl Finlow transmogrifies the original into a moody darkroom electro piece with menacing textures. Think robots, lasers and acid bleeps. Serious electro for the dance floor.

www.carlfinlow.co.uk
www.facebook.com/detunedrecords

Buy on Juno

LA Synthesis - Agraphobia (Carl Finlow's Transmogrify Remix)

Released July 2018 on Spun Out Of Control Records.

Artwork : Eric Adrian Lee

Secret Polaroid

The second chapter of "Minimal Signals" is here to make a new radiography of some of the most interesting minimal synth-wave projects out there : evocative and delicate minimal synth tracks, electro ballads and ebm bombs has been selected by ,always on point, Oraculo Records to satisfy the minimal hunters. On this occasion the tracks comes from Spain with "Mynationshit", USA from NYC "Bryan Black Of Motor" remixing Julien K, France by our friend Cold Colors from Bordeaux here premiered, Germany with Dsx and Zoé Zanias and USA again from Detroit Future Holograms. Recommended !

Regrets

PREMIERE : Cold Colors - When The Summer Ends

Daribone's Tales From The Interzone digital EP available now: mechatronica.bandcamp.com/album/tales-from-the-interzone

Berlin-based Chilean producer Daribone blends EBM, electro, bleeps and bass music on Tales From The Interzone—the second release in our series of digital-only EPs. 

From the dramatic body music and synth-pop clash in Egozentrum to the gut-wrenching electro kicks and haunting samples of Meeting In Wooden Rooms, Daribone constructs a multi-faced journey to the interzone, through colour and darkness, introspection and high-octane. 

Landing In The Interzone roams wild with intergalactic bass stabs and playful synths, before a razor-sharp decoded beat message from an unknown XR-555 rounds off the EP.

01. Egozentrum
02. Meeting In Wooden Rooms
03. Landing In The Interzone
04. From XR-555 To User

Tales From The Interzone

Buy digital

Daribone - Meeting In Wooden Rooms [MTROND002]

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/miss-kittin-the-hacker-lost-tracks-vol-2-ep/
Miss Kittin & The Hacker are the Electro duo of Caroline Hervé and Michel Amato from Grenoble, France. The pair met during the early 90s at a rave and soon after bought turntables and began DJing. In 1996, they started writing music heavily influenced by 1980s synthpop and post-punk bands like Fad Gadget, DAF, Liaisons Dangeuresues, and Yazoo, as well as Italo Disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. Upon hearing their demos DJ Hell signed them to his Munich-based International DJ Gigolo label and released their first 2 EPs in 1998 and 1999. Their debut album ”First Album" was released in 2001 followed by “Two” in 2009.

“Lost Tracks Vol. 2” contains 4 previously unreleased demos recorded between 1997 and 1999.  The duo fused 80’s European New Wave/Italo Disco with 90’s Detroit Electro acts like Le Car and Dopplereffekt. By utilizing verse-chorus structures, they playfully shook up the loop based hard techno and electro that was popular at the time. Their studio set up at the time was a Korg MS-20, Roland SH-101, TR-606, TR-808, Siel DK80, and Boss DR-660 drum machine. The songs are direct, spontaneous, seemingly improvised in places. Miss Kittin sings about falling in love in the new millennium, snuff movies and controlling the unknown trip to death, all in her cheekily derisive French accent. All songs have been transferred from the original DAT tapes by the band and remastered for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a glossy jacket featuring a black and white photo of the duo taken in 1996. Each LP includes a postcard with liner notes from Miss Kittin and The Hacker designed by Eloise Leigh. As Miss Kittin says of these demos, “We were naive, innocent, adventurous and we didn’t expect anything in return”.

Lost Tracks Vol. 2

Miss Kittin & The Hacker - Lost Tracks Vol. 2 SNIPPETS

Buy - https://mannequinrecords.bandcamp.com/album/mnq-108-fred-ventura-technologies-12

We keep digging into Fred Ventura's lost acid house tracks and we keep discovering new incredible jewels.

Conceived along the space of a few years and part of a big collection of unfinished experiments stored on cassette tapes, this five tracks mini-LP well represents Fred Ventura's late 80s and early 90s infatuation with Chicago House, Detroit Techno, early Warp records and even a secret passion for EBM.

Acid techno experiments from the Italo disco master with Alessandro Adriani extended rework of Technologies, a recent favourite tune of Marcel Dettman.

Exclusive distribution via Rush Hour.

MNQ 108 Fred Ventura - Technologies 12''

bORDEL Records revisit some of Scratch Massive’s key tracks with a series of well curated remixes by Kittin, Maelstrom, Sophia Saze and Nhar. The original music is taken from the French duo’s 2018 album Garden of Love, with remixes already coming from artists Skinnerbox, UMWELT, Catnapp, Turbotito, Sentimental Rave, Paul Seul and Ortrotasce. bORDEL Records now prepares to release the full compilation with four more brand new and excellent remixes and in these capable hands the originals sound brilliantly re-invented. Electroclash pioneer Kittin goes first with a hard hitting techno remix of ‘Pray.’ Stomping drums and thundering claps makes this a militant and marching groove, while mournful pads light things up from behind. RAAR label co-founder and French electro talent Maelstrom tackles ‘Chute Libre’ with a sheet metal lead synth line and crashing hits. It’s a tough electro tune with rugged bass and plenty of grit. Georgia-born, Brooklyn-based multi-instrumentalist Sophia Saze is renowned for her live A/V show, Dusk & Haze label and outings on the likes of Ghostly International and Oktave Record, not to mention her critically acclaimed debut album on Kingdoms. She brings real weight and menace to her stomping, strobe-lit and instal take on ‘Pray.’ It’s edgy warehouse tackle of the highest order with a mad breakbeat breakdown that really explodes. Nhar rounds out this excellent EP with a slow, chugging, flabby and dubbed out version of ‘Last Dance’ that sinks you into gently cosmic groove and soothe your mind, body and soul. This is another vital package of remixes that adds plenty of new perspective to the originals.