Langham Research Centre (Felix Carey, Iain Chambers, Philip Tagney, Robert Worby) create new music from vintage analogue devices: open-reel tape, sine wave oscillators, phonograph cartridges and other discarded technology. langhamresearch@gmail.com

⭐ Mino is a composer and producer of electronic music specializing in Trance and Psytrance genres. Her sonic universe is characterized by mysterious and ethereal atmospheres, blending deep basslines with captivating melodic layers. She draws inspiration from nature, dreams, and occult dimensions to create hypnotic compositions that transport the listener on introspective and psychedelic journeys. Her tracks, often driven by fast and impactful beats, explore altered states of consciousness, evoking both shadow and light, serenity and ecstasy.

@ : minoartist@protonmail.com

Non-pop-, non-genre-specific experimental music coming out of a classical background and a heavy dose of Eno & Fripp-influenced/induced sense of ambient music...listen closely and make your own conclusions. Not afraid of using software or hardware to create these things...

I am starting to release material under the netlabel "audiozoloft" which you can find from the Bandcamp link below. Buy me a cuppa beverage!

Lottie Sadd (she/her) is an interdisciplinary composer-performer making immersive sonic performances and installations. Informed by ideas of ritual, her holistic practice is broadly concerned with exposing the processes of creation. Sadd experiments primarily with long-form and improvised sound works, moving image, and text, inviting audiences to step outside an object-centric art experience and into these dynamic processes. She is particularly interested in smallnesses, exploding the minutiae of things and ‘writing a lot about a little’. Recently, she has been developing her embodied practice involving vocal (non-verbal and verbal) and bodily performance, responding to feminist mythologies of ‘monstrous’ women, and re-imagining corporeal and empathetic approaches to communication.

Established in 2014, IKLECTIK is a nonprofit independent creative space supporting live experimental sound, art and technology.

Guitar but not guitar; synthesizers but not keyboards – Darkroom’s music starts with improvisation and a distinctive approach to sound design, followed by disciplined editing and stop-motion studio craft. By turns beautiful and beautifully ugly, theirs is a very human music that always sounds ‘played’ not ‘programmed’, despite the technology that's essential for producing it.

Electroacoustician composer and improviser.

https://celineperierweb.wordpress.com

Ana Ott is a vinyl and cassette label. The artist that coincide here, share a rapture for an experimental approach to sound, therefore we try to encourage these musical encounters with our concert series.

Ambient musician

Founder of @atlantearecords

Recent releases:
atmosphare.bandcamp.com/album/a-million-times

https://lontanoseries.bandcamp.com/album/mirror-lake

https://atmosphare.bandcamp.com/album/at-the-deep-end

https://atlantearecords.bandcamp.com/album/passenger

https://neotantra.bandcamp.com/album/motherland

https://atlantearecords.bandcamp.com/album/native-woodlands

https://shimmeringmoodsrecords.bandcamp.com/album/voor-de-dageraad

https://faintmusic.bandcamp.com/album/terraforming

https://atlantearecords.bandcamp.com/album/the-rite-of-purification

https://tehnofonika.bandcamp.com/album/atm-sph-re-ambient-spectrum

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darkroom is following