Where Time Has No Meaning

https://linktr.ee/yellowsalamandr

Yellow Salamand'rs shelter
UNDERGROUND, they feed off the COUNTER-CULTURE, their minds have vast experi-MENTAL capacity, they search through the AVANT GARDEn, they DAMn the MAINSTREAM, and live the SURreal life. They are the “Dunning-Kruger” of their coterie. They are Illusional Engineers, Dystopian Spelunkers, Desolation Cartographers, Misanthropic Therapists, Pragmatic Escapists, Clinical Obscurists, Oxymoronic Magistrates, Elaborate Equivicators, Elevator Operators, Hallucinogenic Fungi Analysts, and Restroom Attendants, to name but a few prestigious occupations. Never underestimate the Yellow Salamand’r.

(Started making experimental music in ‘81 at 18 years old with circuit bent devices. 
Did some underground tape trading. Also made field recordings when working in a steel mill at night. (Lost all cassettes from that era.) Domestic life halted almost all artistic endeavours for many years. Along came 2013, and my world and technology had changed drastically. I started back into music using an iPhone and various technological detritus. I had shifted from lo-fi analog, to lo-fi digital. This is where I am still at nowadays. I can create unique experimental music, and yet still be satisfied with the outcome. I truly enjoy working with minimal equipment allowing me to be challenged by the limitations. (Inability is often the mother of restriction, and restriction is the great mother of inventive performance. - Holger Czukay) Even my visual art has gone from analog (painting, drawing) to digital collage. I don’t use AI and even though I think it will one day have it’s place in the art world, it just doesn’t align with my personal principles. If you enjoy esoteric, obscure, experimental sounds, I hope you enjoy some of the material provided here. If you do like my works, and are curious to discover more, go to the link at the top of this bio. It can take you in many different directions. Cheers)

Electronic music ranging from ambient to experimental.

I am a retired software developer and current electronic music producer and occasional visual artist. Though I've always loved music of almost all kinds, I only started creating my own and seriously studying composition in 2019 as I was drawing close to retirement. Originally this was meant to keep my mind active and engaged, though it has since come to mean a lot more than that to me. 

I am "self-taught", which means I learned the technical stuff mostly from YouTube and Udemy.

My influences range nonsensically from classic rock to the American minimalists, from trip hop to traditional Appalachian gospel, from modal jazz to the romantics, from Taiko drumming to Arvo Pärt's sacred minimalism, but electronic ambient has long been my go-to music for grounding and inspiration. 

My gear setup varies over time, but it's all "in the box". The most constant things have been SuperCollider, Reaper, and more recently Bitwig. SuperCollider gives me the tools and freedom to create anything I can imagine in a format that an old programmer can easily understand. Bitwig covers a significant subset of that, but adds some really nice workflow amenities. Reaper gives me the most ergonomically and pragmatically astute tools I've found for mixing and (to the extent that I can do it - still learning) for mastering. 

And I've been doing all this on Linux for a while, not because I'm an open source militant or evangelist or anything like that - Linux has its own drawbacks, some pretty serious - but rather because the hardware still works as well as it did before, and no I don't need their dumb-ass AI parlor tricks. I won't be going Apple for more or less the same reasons.

I digress. 

I very much hope that you enjoy the sounds you find here and I welcome hearing from you!

Enursli's true nature belongs to pure, melodic, piano, chill, lounge, drone and space ambient style.
He was influenced also by the Berlin underground scene that allowed him to develop a passion for techno rave as well.

Owner of two podcast series:

RAVE AMBIENCE (collection of techno/acid/rave/hardtechno/rhythms/dub/loop artists)

HOLY AMBIENCE (collection of ambient/noise/drone/experimental/dub/downtempo artists)

For any collaborations on the mentioned podcast series DM.

"In A Parallel Universe" by D'ark Tha Murky:
https://silentloverecords.bandcamp.com/album/in-a-parallel-universe

You can get 12" vinyl of all my albums on bandcamp.
Please follow my youtube channel for my videos-
and my instagram for my visual art.  Thanks!

Juste avec l application note de Ableton. All with note app.

Incidental Music For Eyelid Movies (IMforEM). That's the style of music I write and record. It's music to be watched with your eyes closed.

When I was 14 and trying to learn to play guitar no one told me about A440 tuning. I knew how to tune the guitar string to string, but wasn't aware that records and what I heard on the radio had a standard. I soon became frustrated trying to play along with what I heard and began making up my own music. Still at it.

More of my work can be found at https://incidentalmusicforeyelidmovies.bandcamp.com/ and everything (the good, the bad and the ugly) is at https://archive.org/details/@keith_q.

Cinematic noise. London.

"Clique Plaisir" now available through Bandcamp: https://encym.bandcamp.com/album/clique-plaisir

Debut album with Wodwo "Crown Shyness" out now:
https://encym.bandcamp.com/album/crown-shyness


More recent releases:
"Bloom/Foam": https://encym.bandcamp.com/album/bloom-foam
"Hyphe" with Wodwo: https://encym.bandcamp.com/album/hyphae
"Trajectorize EP": encym.bandcamp.com/album/trajectorize-ep
"Music for Meditation": https://neotantra.bandcamp.com/album/music-for-meditation