CONTACT: info@dayne-s.com

Dayne S

In a short space of time, German Dj, producer, comedian, pilot and guitarist Dayne S has turned a lot of heads thanks to his unqiue take on electronic music. He fell in love with the disco scene in his hometown during his teenage years. From there the next step was to start to DJing and now, in 2014, Dayne S is gathering more and more attraction by playing all over the world in countries like, Peru, Spain, UK, Netherlands, Belgium, Turkey, Germany and more. 
The music he makes for labels like Stil Vor Talent, OFF, Noir and Semester have topped charts at both Beatport and DecksRecords. His versatile style ranges from slow and sultry, electronic blues, to more kicking and peak time. 
The future looks bright for Dayne, having had a No 1 Single in the Beatport's Genre Charts for more than 15 weeks. Rolling Stone Magazine impressively named him as an "artitst you need to know for the future". 
 
Social Media:
http://www.dayne-s.de
http://www.soundcloud.com/dayne_s
http://www.facebook.com/daynes.official
http://www.twitter.com/Dayne_S
http://residentadvisor.net/dj/daynes
http://www.youtube.com/user/DayneSTV

Moulton Music is a collaboration of artists obsessed with both the future and past of house music.  Being run by producers and music-makers, our output is varied, ranging from deep house to soul to jackin' disco, but always with a sense of historical perspective and an ear for fine-tuned production, as well as a deep connection to the dancefloor.  We're based around San Francisco's legendary Moulton Studios, where most of the production takes place, but our friends and collaborators stretch far and wide.  

There are many people involved, but our core consists of Chris Lum and David Harness (who together form Harlum Muziq), as well as Homero Espinosa and Allen Craig (both formerly of Yerba Buena Discos), along with San Francisco cult favorite DJ's Sergio Fedasz and Ivan Ruiz, and producer and marketing guru Anish Acharya (of Dream In Audio).  Of course, we have many more friends and compatriots when you include all the people involved in our regular Molton Sessions underground house party, our various club nights, and the rest of the artists and remixers on the label, but it's that spirit of collaboration, along with our past-meets-future musical values, which defines Moulton Music.

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Bookings: 
South America: jotta@coral360.art
Europe/Asia: bjoern@deepbloe.com
North America: david.gordoni@unitedtalent.com

www.dubdogz.com.br

Management:
emerson@drop.cool
+55 48 99141-6016

mgmt: ryank@threesixzero.com

https://willclarke.komi.io/

bookings:
North/South America/Asia/Australia: zberkowitz@teamwass.com

Spain/Italy/Portugal: fran@b4bookings.net

France/Germany/Switzerland/Austria/Scandinavia: contact@stephenmacias.com

Electronic music composer, international DJ, charting producer, in-demand remixer, Beatport Music Awards nominee, Olivier Giacomotto is a proven integral player in the underground music scene.
For those past two decades, his tireless need to evolve and grow as creative entity and forward thinking artist pushes this Paris based composer to constantly seek a new musical excitement, naturally crossing musical genres, always keeping an eye on the original definition of the underground, in Techno, Electro-House, Tech- House, Deep House, Deep Tech, Minimal, Indie-Dance, Melodic House & Techno, releasing on acclaimed labels such as Get Physical, Plus 8, Definitive Recordings, Great Stuff, Mau5trap, Noir Music, Suara, Knee Deep In Sound, Yoshitoshi, Terminal M, Stil Vor Talent, Toolroom, Tronic, Senso Sounds, Eleatics, Atlant, Radikon, Watergate, Oddity, Spectrum, Truesoul, etc...
As well as boasting a number of excellent releases under his own name, he also continues to put out a number of top-quality work under the alias of Ohmme. But his unwavering determination to push boundaries sets him apart from the others and his creativity span far beyond the music that’s brought him to international acclaim. In the last 15 years, Olivier wrote several songs for mainstream artists, top-selling video games, Hollywood box office movies, and composed the entire soundtrack to a full length feature film and multi award-winning horror movie 'The Red Man'.
Alongside his long time friend and partner John Acquaviva, he co-ran independent label Definitive Recordings from 2006 to 2016. Launched originally in 1991 by John Acquaviva, Richie Hawtin and Karl Kowalski, Definitive represented the housier side of the electronic empire that Hawtin and Acquaviva started with Plus 8 Records in 1990, and after a brief hiatus, John Acquaviva re-launched Definitive in 2005 with Olivier as his main artist and A&R, seeking and presenting the latest emerging sounds and talent to the world via a reputable, consistent, and trust- worthy platform.
With this impressive career achievements and a relentless work ethic for touring, Olivier is also known around the world for his exhilarating DJ performances that combine a heavy dose of groove inside an inspired blend of melodic flavors, demonstrating his talent behind the decks with an undoubtable versatility, adaptability, and headlining some of the world’s most iconic venues and events.

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

Bookings, Licensing, remixing: 
info@moultonsf.com

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