SCRT Sounds

Prins.vst

TR192 - Paul Abbott - 'Deorlaf Z (version) for XT Deorlaf X Live' [excerpt]

https://muzaneditions.bandcamp.com/album/before-your-past-lives

VIII(Before Your Past Livess - Muzan Editions)

About:
JacqNoise-
In her compositions, JacqNoise is looking for the spot where rhythms cross each other’s paths. She is deconstructing sounds in order to understand the symphony and the themes that are reflected in it.


Andreas Krach-
 Andreas Krach spends sleepless nights with crunchy electronic sounds, deriving from circuit bent instruments, no-input mixers and analogue synthesizers. Lots of analogue synthesizers. Besides creating exotic sound he also  built the bulky bleep machine "Krach der Robotter" that haunts clubs and venues on a regular basis.

Links:
JacqNoise-
www.facebook.com/jacqsbook/
www.instagram.com/jacqnoise/

Andreas Krach-
www.facebook.com/KrachDerRoboter
www.instagram.com/andreas_krach/

Data Cult Audio 0250 - JacqNoise and Andreas Krach

For bass flute, bass clarinet, bass oboe and live-electronics, performed by Ensemble Mosaik (Bettina Junge, bass fl; Simon Strasser, bass oboe; Christian Vogel, bass clar)

!!---please listen on good speakers/headphones, there's a lot happening in the <100Hz and >10kHz freq bands---!!

Commissioned by and dedicated to Ensemble Mosaik.
Premiered on 1.8.2020 at AckerStadt Palast, Berlin. 
Recording on 28.7.2020 at Vivaldi Saal, Berlin.
Recording engineer: Arne Vierck, editing and mastering: Stefan Prins

Inhibition Space #1 (2020)- for bass flute, bass clarinet, bass oboe & live-electronics

Releases March 26th.

2018-2019
Maitland, New South Wales, Australia.

Neither naked nor clothed
ivory curl
rose madder
zinc white
rouge Anglais chair.
A cotton office in New Orleans, 1873.
The surface of Lake Eden
is a black glass 
under the press of winter stars.

15. Victorine Meurent - Issy

Broadcasting electronic music without borders. Data Cult Audio maintains an interest in creating a platform for music, sound sculpture and noise artist pushing boundaries, and reshaping the sonic landscape.