About:
Analog Monoxide is frequently mistaken for being the name of a group, but is in reality a working alias of Stian Høyberg, musician and producer from Norway.

The music released under this banner is typically a huge mix of various influences over the years, ranging from experimental electronica to acoustic jazz, and anything in between.
Composition usually happens in his home studio, and is a very free-form process.

He started out as a piano player at an early age, and has worked for over 30 years honing his skills on guitars, vocals, drums, percussion, keyboards, synthesizers, and other instruments along the way. 
While studying music, learning to play jazz, and working with an analog studio recording to 8track tape, he also discovered computers and their increasing capabilities as music tools, while also allowing access to sampling and software emulation of synthesis. 
The workflow has undergone changes over time, with the development of technology and better tools, but it's essentially the same today. 
Currently heavily into the combination of Eurorack and various other hardware integrated with Bitwig, and loving this new workflow.

About this set:
These tunes are all either from recent live performances on various hardware/software combined, or done in studio within the last few weeks, as hardware/modular jams multitracked into Bitwig, then given some post production. 

Links:
https://linktr.ee/analogmonoxide
https://www.youtube.com/analogmonoxide
https://www.instagram.com/analogmonoxide/
https://analogmonoxide.bandcamp.com/
https://soundcloud.com/analogmonoxide/

Data Cult Audio 0259 - Analog Monoxide

I'm an elven shapeshifter who makes ambient/electronic/noise/sounds in Second Life using SpaceCraft on iPad Pro.

This is my first time doing any of this, and I'm super excited, learning as I go. I don't know much about post-production, so expect some roughness around the edges, offered unapologetically.

I have a sickness that must be quenched.

I value Dark Ritualistic Occult Ambiances of Noise, the Art of Skratch Form, Down Tempo Drunkin Distorted Break beats & EBM influenced Bass Programming

troksnis ir patvērums no pasaules kņadas.
noise is the shelter from tumult of the world.
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marginal electronics since 1996.
antireality since 1999.
ambientoid and visionary noise, abstract soundscapes, drone meditation.
using feedbacks, vintage tone generators, acoustic objects, field recordings, tape manipulations and some modulars lately.
there are/were several sideprojects and kollaborations - an, syndrome, surreogate, i.m.plant, b.r.a.k.e., stalkspace, logos 29.11., jaunā vienmuļība, shamanorgru.
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perpendikulāri visam.
omniperpendicular.

Broadcasting electronic music without borders. Data Cult Audio maintains an interest in creating a platform for music, sound sculpture and noise artist pushing boundaries, and reshaping the sonic landscape.

HYPERCUBE creates a complex soundscape under CPU demands

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