/// Paploviante --- Get On Your Feet feat. SilverBella ///

///// Lillithe --- Modern Times feat. IPG1 & Paploviante /////

JUNZO --- Stairway to Heaven - Led Zeppelin cover , David Husted Music --- Collide

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , David Husted Music --- Collide

// PAPLOVIANTE --- OBFUSCATED - Open Collab Offer //

// Lillithe --- Enough Love feat. SilverBella & Paploviante //

Syntaleta 🇺🇦 - Close To The Rainbow , David Husted Music --- Collide

That Talk: 20 Songs that speak from the SoundCloud community

Three Photons Playlist 32

Shock the Algorithm

One of my works recorded in my "previous" life before the war. Sometimes we feel tiny and lonely in the Universal. Lately I feel tiny and helpless facing the horrors of the war in my country... 
This track is remastered by Houman (https://soundcloud.com/houmans)

Tiny

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

For song and album art visit Wou-Wou & the Wormling at:
https://wouwouandthewormling.com
https://www.instagram.com/wouwouandthewormling
https://www.redbubble.com/people/thewormling/shop
https://www.patreon.com/wouwouandthewormling

Or just buy Wou-Wou & the Wormling a cup of coffee here:
https://ko-fi.com/wouwouandthewormling

This is the 7th song posted from the album I have been working on using demo tracks given to me by Wou-Wou & the Wormling during the start of the pandemic! I can't believe how fast time has passed and how long we have been working on this project. 4 songs from the album are based on a graphic novel that Wou-Wou had started before the pandemic began. The rest of the songs are reflections of the weird times we were living in.

Big thanks to Wou Wou, Bit-zone, and Stricknice for still being here after all these years. I have known and worked with people on SoundCloud probably longer than I have known high school friends, college friends, and friends from various jobs. Huge thanks to Guitar Wizards of the Future. I remember when I first began participating in the SoundCloud community, I would always eagerly anticipate a new GWOTF track, especially because I grew up in Oakland California. I look forward to hearing a new one someday! In the meantime, go check out the classics on their page!

Track Credits:
guitarwizardsofthefuture: Organs
https://soundcloud.com/guitarwizardsofthefuture
https://guitarwizardsofthefuture.bandcamp.com
Stricknice: Guitar additions, Samples and Sample Work, Keys
https://soundcloud.com/j-nice-6
Bitzone: Drums, Bass, Mix, and Master
https://soundcloud.com/bitzone
http://www.bitzones.net
Wou-Wou & the Wormling: Drums, Guitars, Synth, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
https://wouwouandthewormling.bandcamp.com
https://www.youtube.com/channel/UCy0rEOgxbaIcWbZZuxAKVmA
the Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com

Lyrics:

Would 
You like to 
Skip work and go to the seaside
Would 
You like to
Go tubing by the riverside

Please say so 
Please say so
Geeze don’t make me wait 
Another day though 
I been x-ing out the dates
Each and every day though 
Cause I just can’t seem 
To let me let you go 

What 
About going 
For a naked bike ride
What 
About going 
To a dispensary and getting high

Please say so 
Please say so
Geeze don’t make me hate 
Another day though 
I been poking at my plate
Each and every day though 
Just staring in the mirror
Watching as my hair grows 

Would
You like to 
Visit a park 2 feet wide
Would 
You like to
Be my voodoo donut bride 

Please say so 
Please say so
Geeze don’t make me wait 
Another day though 
I been x-ing out the dates
Each and every day though 
Cause I just can’t seem 
To let me let you go

Weird Things People Do In Portland

Guitar Wizards of the Future, Wou-Wou, Stricknice, Bitzone & CK - Weird Things People Do In Portland

Composed & Produced by Val Akey
Release date: 28 June 2023

Anomaly

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

When Did I Get Old

Youtube Music Video Link: https://youtu.be/IoUzADShChQ?si=WONspLLikTZVnpzb

The vibe and lyrics of the song circle themes of time, destruction and transformation. Song development was influenced by a plug-in instrument I acquired that enables me to create rhythms and textures using both tabla drums and the sitar. This is not my typical music genre but I was very happy with the outcome. 

Thank You

Dave




Photo by Pixabay: https://www.pexels.com/photo/panoramic-photography-of-trees-and-lake-358482/

Three Bells Toll

The Shrine

Love

Para Lia with Fady (@fadysporz)

Sunchild (https://soundcloud.com/para-lia/sunchild?si=1fe21d34700645e48d2f91cb2f396c38&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing) is a song from the current Para Lia album 'In Clash With The Zeitgeist' (paralia.bandcamp.com/album/in-clash…-the-zeitgeist). Here comes a very special version of the song - chilled psychedelic indie pop, with the spherical synthesizers of our friend Fady Haddad from Baltimore (USA), who was already a guest on some songs on our last album. 'Sunchild X Fady' is a remix - but also much more than that. Get caught up in the indie rock / pop crossover atmosphere of this track!

Words And Music By René Methner, Recorded and Produced by Para Lia, Mix By Para Lia With Thommy Hein, Mastered By Thommy Hein In The Thommy Hein Tonstudios Berlin.
Original Album Cover Artwork By: Georgia Moschogianni @tzo-moschogianni
P&C 2024 PARA LIA UNDER EXCLUSIVE LICENSE TO ABOUT US RECORDS GMBH

'IN CLASH WITH THE ZEITGEIST' - The New Album
PSYCHALOVIC SONIC SONGS FOR LOVERS AND SURVIVORS
paralia.lnk.to/Clash

Follow Para Lia:
► Facebook: www.facebook.com/paraliamusic
► Instagram: www.instagram.com/paralia.music
► Tik Tok: www.tiktok.com/@paralia00
► YT-Kanal: www.youtube.com/c/paralia
► Website: para-lia.de/de/

Sunchild X Fady

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.

Rock and Roll Kills

¡nos vemos pronto! - Outro

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

I am happy to present a further great collaboration with southafrican Singer Songwriter Mike Hill.

Credits:
@mikehillravenscall: vocals and lyrics
@nobsmeyer: guitars, bass, drum production, mix and mastering.

In a world where we all live with broken dreams,
Through the storms we will walk, legs shackled in chains
With fiery eyes, Uncontrollable rage
Still defiance in faces. Our souls are still wild
With passionate cries, we fight for our places
We’ve seen all the signs, we’ve seen all the signs
Chorus
Oh, we’re floating through fire. Our hearts are on fire, we’re holding on
We carry on, nothing controls us.
We’re floating through fire. Our hearts are on fire, we’re holding on.
We’re holding on. We carry on. Nothing controls us
Floating through fire. Floating through fire. We carry on, floating through fire.
We carry on.
Bridge
Oooooh. Ooooh. Oooooh, OOOOH
We’ll be holding on with fire in our eyes.
We’ll be fighting on with fire in our hearts
We’ll be floating on, onto paradise
We’ll be holding on, onto paradise
We’ll Carry on
Chorus
Oh, we’re floating through fire. Our hearts are on fire, we’re holding on
We carry on, nothing controls us.
We’re floating through fire. Our hearts are on fire, we’re holding on.
We’re holding on. We carry on. Nothing controls us
Floating through fire. Floating through fire. We carry on, floating through fire.
We carry on.

Floating Through Fire

This time, I played one of Led Zeppelin's signature songs, "Stairway to Heaven," on a nylon string electric acoustic guitar.
This song is included on Led Zeppelin's fourth album. The album sold over 29 million copies worldwide and was certified platinum in the United States.
Like all guitarists who consider themselves avid Led Zeppelin fans, I love this song and often play it lightly when tuning my guitar. I omitted the effect processing and simply adjusted the volume and uploaded it. I noticed that it sounded more boosted than when recording the chord strokes in the second half. Since it's a Led Zeppelin piece, I thought it might not be a bad idea to listen to it in this condition.
Personally, I hope that everyone can feel that the nylon strings (end type) that come with the two electric acoustic guitars fit perfectly into the guitar itself.
Winter is over in Japan, and we are about to enter the spring season, but I chose this piece as the final part of this winter's nylon string solo performance series. After this, I'm starting to look forward to the possibility of using a nylon string guitar to complete some of the collaborative pieces that I've been unable to complete.

===============================
Led Zeppelin - Stairway To Heaven (HQ)
https://www.youtube.com/watch?v=CPSkNFODVRE
Stairway to Heaven - Led Zeppelin (lyrics) Released: 1971【和訳】
https://www.youtube.com/watch?v=wzTLbMUYtqs&list=RDwzTLbMUYtqs&start_radio=1
===============================
Stairway To Heaven Chords by Led Zeppelin
https://tabs.ultimate-guitar.com/tab/led-zeppelin/stairway-to-heaven-chords-1088573

Stairway to Heaven - Led Zeppelin cover (SOLO) with a gut-string guitar

I BRING THE NOISE  feat. IPG1 & Paploviante
IPG1: Vocals 
https://soundcloud.com/ipg1/i-bring-the-noise-vocals-86-bpm
Paploviante: Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Production and Arrangement

I Bring The Noise feat. IPG1 & Paploviante

Flower Power

The Smoking Trout continue our tale of the Quest for the Holy Dumpling. This time we're joined by our biggest crew yet! 

This one was a lot of fun!  I know when Jeff or Terry say there's a contribution from Jo, Tot, or someone new that it's gonna be special. This one has all of the above.  Really cool that there's 5 different countries representing here.  Terry did a fantastic job, as did Jeff, at pulling the collaborators and the mix together.  Happy to be a part of this one!

Stonerjazz (@user-911083679) --- Words, Vocals, Guitar (pt II)
TexMex Shaman (@texmex-shaman) --- Guitar (pt III)
Wivresse (@wivresse2) --- Xaphoon, Vocals, Water sounds & percussion
Tot (@tot-beat) --- Drums & main beat
Jo Richter (@sonic-textures) --- Thundersheet, Instrumental prelude & words (pt I)
Neil Harding (@user-484622070) --- Spoken word vocals (pt I)
Tea R. Sea (@tea_are_sea) --- Production, Synths (pt II), Sound effects (pt I)

Catch up on the Quest for the Holy Dumpling: on.soundcloud.com/FR63a
Listen to the Land of Zed, Smoking Trout's debut album: on.soundcloud.com/WB34q

LYRICS

(Part I - Vocals by Neil Harding / Words by Jo Richter)

Those individuals on wheels had a hard time finding their feed. Hungry they were - for that special dumpling that connects you to anything pagans and believers alike deem holy. Although endowed with holographic properties, you can't walk on clouds unless they are numbered. They kept drifting upwards, therefore, slowly upwards until they hit the ceiling called Mars. Mars always happens to be where your head needs something to bump against. That's the nature of war.

(Part II - Words & Vocals by Stonerjazz)

It turned out
there was never any doubt
about
how it was gonna be

ya know it's hard sometimes
to get a grip
drifting in the corridors of time

everybody on the bus
runnin hard and hot
some of us holograms
except for Gus
he's an Alien from outer space
waiting for the rendezvous
at the window of the launch
in Oaxaca down in Mexico
Where the magic mushrooms grow

And his bus
a shuttle from the mother ship
disguised as a 1983 GMC
infinity
He's from another Galaxy
searching for the holy dumpling
just like you and me.

Hope we find that dumpling soon
maybe it's on the moon
traveling at the speed of light
we could get there sometime later on tonight

(Part III - Vocals by Wivresse)

Except for Gus (Smoking Trout's HOLY DUMPLING #9)

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

Fuel for Dance: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

The aforementioned composition evokes "the duty of the Human Being to express Life with intensity", that is, "to commit oneself with heart and soul to everything one decides to do". Vivid expression is the "fuel" that drives movement and art of existence (dance).

Fuel for Dance

Cast of Characters:
Llanpsych– @llanpsych –Tez–bass, beat, composition, mix, and production
J.J. Terrell– @j-j-terrell –electric piano, synth
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –synth
Beats are by YonkomoFlaction123 via Looperman
This is really a creation of Tez, who put it together from a mix of JJ's and Josh's parts on the high end. He was kind enough to share it with JJ and Josh, and have us be a part of this psychedelic whirlwind. Tez gave Josh and JJ a bass line attached to a house beat. They both came up with parts that were wildly different than what you hear. But that's just one example of the magic that Tez's wields. He can bend sounds and parts to his will and create something totally different from the original, new and exciting. We all hope you enjoy listening to this as much as we enjoyed making it.

Replicant Boogie (Eclectic Collective)

Help me see

In a world blurred by noise and distraction, Three Photons offers clarity with "Help Me See"—a soul-searching ballad steeped in analog warmth and emotional depth.

Written by TJG March 2024


Rhythm Guitar: Gibson ES 335
Lead Guitar: Fender Jazzmaster
Guitar Amplifier: Vox AC15….set as clean I can get it. 

Fender pedal board: Line 6 delay; Fender clean boost



Mics: a pair of Royer r10 ribbons on guitars
Mics: AEA R44 vocal 
Mic preamps: API 312
Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

Basement boiler/heater – adding all kinds of unwanted noise 😉

Someday I will add drums and bass – but wanted to go for this raw guitar/vocal sound for now. 
----------------------------------------------------------------------------

Help me see

I can’t see the stars tonight
Shining down or in your eyes
I can’t see the stars tonight

I can’t find the words tonight
Written down or in my mind
I can’ t find the words tonight

I can’t see the stars tonight
Shining down or in your eyes
I can’t see the stars tonight


Shining down or in your eyes 
I can’t see the stars tonight
Help me see 
Help me see the stars tonight

I could live a simple life
Slow it down or take a flight
I could live a simple life
I could live a simple life

I can’t see the see stars tonight
I can’t find the words tonight
Shining down or in your eyes
Help me see the stars tonight

I can’t find the words tonight
Written down or in my mind
I can’t find the words I like……

Help me see

I BRING THE NOISE / IPG1 & Paploviante 
IPG1: Vocals 
https://soundcloud.com/ipg1/i-bring-the-noise-vocals-86-bpm
Paploviante: Music, E Bass, Mix, Mastering and Picture

I Bring The Noise - IPG1 & Paploviante

Eyes That Talk

The 16th EP of "past is the verse

-Spotify
https://open.spotify.com/intl-ja/track/1rpku0fIqrleFOZkusq9Ec?si=d0ebedc30d1543d5

-Apple Music
https://music.apple.com/us/album/swinging-single/1745278732

-Amazon Music
https://music.amazon.co.jp/albums/B0D3LDJKQX?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_HTWcOZpJgSZYfQsS65gxpcJhw

-bandcamp
https://pastverse.bandcamp.com/track/swinging

Swinging

Download

So much has happened in the World since I was last active on Soundcloud, nearly 3 years ago. The onslaught every day of so many people, animals and our precious Earth suffering, and no end in sight. I have been writing and painting how I feel, but my first recording is far from this, and of another time, a short, simple, and light offering for now.
I was born and raised in a small rural town that saw large amounts of snowfall in Winter, despite being the South of Scotland. We had plenty of hills to sledge down and no need to go to the Highlands. Through the years, in the many places I have lived in, my best walks were snow filled ones with the dogs, and in the mornings setting off when everything was pure and dazzling, and your whole body felt alive. The dogs would leap about so happy, and in turn affecting us, so that we were just as daft playing with them, totally energized! I give thanks for having had this.
This is for my beautiful wee Bridie, who died nearly 2 years ago.
Good to be with you all again on the Cloud!
Lyrics
Up with the lark and away we go
Treading so lightly in the snow
Skippin, and runnin, and jumpin so high
Scenting the air, as we touch the sky

Rollin and diving, and sliding away
Playing in a magical snow filled day
Skippin and runnin, and jumpin so high
Scenting the air, as we touch the sky

We play, all day, we play

Ooooh Ahhh
We're riding high today
Ooooh Ahhh
Love's shining all the way

Music, Lyrics, Vocals, Harmonies, Guitar - Lizzie Taypen 
Cover pic - Pencil Drawing " Bridie" - Lizzie Pentland (Yes, there are daisies in winter ;) haha)

Snow Skippin Days

see the video here:
https://youtu.be/ELxMTlbhFdQ?si=glYiSAKqzN5uUz3M

	Collide
	By David Husted
	V1
	Show me your piece of the world
	Show me your piece of the world
	Show me your piece that you want to divide up
	To buy and control and burn down 
	Save me all your raving lunatic
	Slogans that placate our minds
	Fools
	V2
	Show me the face of insane
	show me the face of insane
	Show me a world split by a crack in the atom
	Blurred by a tear and a frown
	Why you have to be everybody's tool  
	Put down the knives and hammers 
	Now 
	Pre Ch
	But we got to move fast
	This Earth's still shining
	But she's running out of gas
	Ch
	When I hear No, know that Yes opens doorways
	When I feel Sad, know that Happiness will rise
	When I head East I think I might be meeting West
	When Yin meets Yang and birth and death Collide
	Bridge 
	V3
	Maybe it's too late to explain
	Maybe it's too late to explain
	Maybe it' too late to convince and negotiate We
	need Earth; not the other way round
	This ground will tell you he don't know your rules
	The trees will breathe our sorrow
	The ocean's blue
	Pre Ch
	But we got to move fast
	This Earth's still shining
	But she's running out of gas
	Ch
	When I hear No, know that Yes opens doorways
	When I feel Sad, know that Happiness will rise
	When I head East I think I might be meeting West
	When Yin meets Yang and birth and death
	Collide

Collide

The Earth

MODERN TIMES feat. IPG1 & Paploviante
IPG1: Vocals
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm
Paploviante: E Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Arrangement and Production

Modern Times feat. IPG1 & Paploviante

Pierre Bordetti productions (c) Avril/2024.
Composed, arranged, performed, and produced by:

Instrumental Classic Jazz

Classic Jazz inspired by my last visit to my favorite castle "Chenonceaux" (April 2024). The strong flow of the “Cher” river inspired me to play this swing.

Swing in Chenonceaux

Swing In Chenonceaux

We hope you enjoy this recent collaboration , please go over to Jorg’s  page to hear some amazing music!!  @joerxworx 

Joerxworx  All music arrangement  flute sax and mastering and production.
Vocalatti  Lyrics and vocals

My Eyes (Ft Joerxworx)

WALK ON THE WILD SIDE (Lou Reed Cover)
All instruments and Vocals by Andrew Borderick
Recorded, Produced & Mastered By Andrew Borderick
Released by AB Music 2024

INFINITY

WALK ON THE WILD SIDE

WALK ON THE WILD SIDE (Lou Reed Cover)

Get On Your Feet / feat. SilverBella
Vocals and Lyrics:
SilverBella
https://www.looperman.com/acapellas/detail/21393/get-on-your-feet-main-vocals-95bpm-chill-out-acapella
https://soundcloud.com/silverbellasings
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

Get On Your Feet feat. SilverBella

ENOUGH LOVE  feat. SilverBella & Paploviante
Vocals and Lyrics: 
https://www.looperman.com/acapellas/detail/21138/enough-love-main-vocals-61bpm-soul-acapella
https://soundcloud.com/silverbellasings
Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Production, Arrangement and Backing Track

Enough Love feat. SilverBella & Paploviante

Here is a little chilled number from my new album "Sugar Rush" 

Many thanks for all of your generous plays reposts and playlsts!!

(c) Vocalatti 2023
ASCAP

Paradise Highway

Obfuscated / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 80
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

OBFUSCATED - Open Collab Offer

Pierre Bordetti productions (c) 05/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Blue in your eyes

Let's go in blue paradise,
fullness in live,
we fly up to the sky,
with peace of mind,

Blue in your eyes,
always this light,
dreams of getaways,
until the dark night,

Blue in your eyes,
Blue in your eyes...

Blue in your eyes

Blue In Your Eyes

Visit davidhusted.com to encounter my music in a deeper way.

Deep bow of gratitude to you for giving my music a listen, for liking, for commenting and/or for sharing when any given song resonates with you.  You help create a community that lifts music out of the nooks and crannies and allows it to be heard a little bit more than it otherwise might have been.  Thank You sincerely for that. Gratias tibi ago; Pax!

I love to create music.  It is really that simple.  

Dave