Go to: https://DAVEHEFFNER.COM
This is the first completed production following a recent move from Pennsylvania to Colorado. Happy to be working with singer Anna Rader again.

Should I Stay (ft. Anna Rader - vocals)

Love country, folk, rock, gospel, blues and 60's style rock/pop music. My main page is Tony's Lyrics https://soundcloud.com/tonyslyrics

TECHNO – FIRST u SENSE iT - THEN u FEEL iT.
Sharm Pillay is South Africa's only brown-skinned, Techno DJ. Activating Pure Love vibrations and Illuminating Golden Light on our planet. Purposefully anchoring Spirit into matter with Techno frequencies. One Mission. Awakening hearts with her music creations. SEKSiCuLLTURE, her vehicle driven to inspire a Conscious Dance Culture.

HERE ONLY REAL LISTENERS!

I'm a songwriter, self-taught musician, dj
and journalist (anyhow composin' !)

ALONE ...born in 1970, I began early to play piano, takin' cello lessons too. Then I left, but I reprise to study music when I was sixteen: piano, guitar and bass, mainly self-made. At the same time, I began to compose music: initially electronic and instrumental, then rock songs with lyrics in English, all alone.

THE BIKES. In my first band, The Bikes, torward the end of the '80, I played guitar: we did covers (mainly Pink Floyd and Deep Purple) and we practised in the back of keyboard player's bicycle shop (here the name of the band!) ...then we changed name in Alter Ego and finally, I left the band.

CRYSTAL BELL. In 1990, I reached the band Saskatchewan: I played bass and we did covers (mainly Doors and Rem) in the singer's home garage. Then the singer left and the rest of the band (me, the guitarists Marco Catarinolo and Federico 'Chicco' Intaglietta and the drummer Matteo Balloni) found another band: Crystal Bell. We did covers (Doors, Jimi Hendrix, Clash and Gary Moore) and some of my compositions like "Hurry up!" ...we tried two singers but finally I began to sing, playin' the bass, and Marco Catarinolo left the guitar for the keyboards. We practised in another garage with other bands and we performed some concerts too. Then, after few months, the band broke.

TRAUMA. I continued to play in that garage with the keyboard player and we played - me on guitar and voice, him on keyboards - my new songs: "One life movie's final frame", "Chinese trip" and "Moonish". For a while, the drummer Salvatore 'Toda' Corrao was with us. Then, Matteo Balloni returned and the bassist Gabriel Del Sarto arrived too but he couldn't play often with us, so finally we found another bassist: Matteo Bernabucci (then, the two bassists always alterneted). We decided to call the band Trauma. I wrote new songs, in Italian too ("Verso l'altrove" - "To the other side" in English -  and "Un fuoco e il buio" that is the italian version of "Moonish"), and I began to collaborate with the guitarist and songwriter Franco Rossi: together we wrote "La meta", "L'attimo" and "Cresce la tua idea" and he played lead guitar with us. We recorded all our songs in the  Music Hill Records studio at Ortola, in Massa (Tuscany - Italy). After a while, the band had a new lead guitarist: Alberico 'Chicco' Baldini.  We re-arranged all original songs and we added to our "playlist" italian covers too: Vasco Rossi, Litfiba, Timoria. We began an intense live activity, In 1993, we won the first edition of "Montignoso Music Festival". In the same year, the band recorded a new session in the Music Hill Records studio and after a while recorded the re-arranged original songs at the hotel Villa Mercedes, closed during the winter. The live activity continued and in the beginning of the 1994 I began to project a rock opera for the theatre, "Inseguendo un sogno", composing new songs. Then the band recorded two new songs "Rabbia" and "Inseguendo un sogno" (the main theme of the rock opera) at the Crystal studio in Montignoso (Tuscany - Italy). In '94 and '95 the live activity was very intense and the band was selected for one of the most important music contest in Italy, "Rock Targato Italia".  We re-arranged "Un fuoco a il buio" and I wrote new songs, "Eutanasia" and "Il cielo d'inverno", then we did the last recording session at the Loading Zone Studio in Frangola (Massa - Tuscany - Italy). Finally, the band broke in 1996 except for a reunion for the festival "Rock for Amnesty" at Baraonda (Massa - Tuscany - Italy) in '96.

DJ. As a deejay, I worked in some discos (The Crocodile, Baraonda and The Cave in Tuscany, Italy) and radios (RadioMilano5 and RadioStudioVersilia in Tuscany, Italy) 'til 1996 when I started my career in journalism.

ALONE AGAIN. From 1996 to today, while workin' as journalist, I continued to write songs, instrumental music, atmospheres. And I'll continue!

Colorado Songwriter, Electronic Musician, Producer. ASCAP member. Ballads, Dance, Rock, Electronica, Jazz, Hip Hop, with a mix of everything else. All original compositions with live artists on most tracks. Piano study began at 5 years old, continued through university study and incorporated with electronic music since the introduction of MIDI. Have taught, consulted and composed electronic music. Primary platform is Pro Tools, with which I also do training and consulting. Open to collaboration. More information at my website.

★MTM Productions★
✯Realization of musical productions (Recording, mixing and mastering).
Mastering True Music is composed of:
☆Founding Partners and Presidents:
- Miguel Sepulveda Arnau (Mastering engineer)
- Richard Jones Belloch (Mixing and mastering engineer, producer)
☆Music Department:
- Freddie Maier López (Musician, producer)(Attention social networks)
- Steven Davis Williams (Musician, producer)(Attention social networks)
- GABI Alonso Hernández (Musician)
☆Technical Team:
- Christine Sampson(Recording, editing and mixing)
- Martín J. Alonso Umpiérrez (Recording, editing and mixing)
- Alessandro Giordano(Recording, mixing and mastering engineer)
☆Administrative Department:
- Amanda Bernard Thomas 
★ MASTERING TRUE MUSIC ★ 2023 MTM Ⓒ

I am just a music lover from france without borders in my taste.

Dan X2 is Dan Blackard (Reno, Nevada & Susanville, California) and Dan Lockhart (Carmel, Indiana & Edwardsville, Illinois).  We met here on SoundCloud.  We like making music together.  We have written and published over 300 songs together.  More songs written together than Lennon and McCartney.

You can find Dan Blackard's music here:
https://soundcloud.com/daniel-blackard

You can find Dan Lockhart's (aka ProgRockDan) music here:
https://soundcloud.com/dan-lockhart
https://soundcloud.com/user-276716031
https://soundcloud.com/progrockdan-instrumentals

The ProgRockDan1 site was taken down by SoundCloud. It was located here:
https://soundcloud.com/progrockdan1

We play the music that comes to us.  Much of our music has a basis in blues and rock.  Although we venture into other musical territory.  You will find hints of jazz, country, bluegrass, soul, classical, and other music in our songs.  We have a number of songs that change time signatures and pace.

When we first started recording we called ourselves Dan and Dan. 
 You can find our music under that moniker here:
https://soundcloud.com/user-590884876

We stopped using the name Dan and Dan's because there were to many other Dan's using that name.  If you google Dan and Dan we would not show up.  We believe that Dan X2 to be a moniker that we could own.   If you google Dan X2 we are right at the top,

You can find more Dan X2 music on ReverbNation:
https://www.reverbnation.com/dananddan5

The first Dan X2 album is now available on iTunes.  Songs on the album are not available on SoundCloud.
https://itunes.apple.com/us/album/4114/1439066447?app=itunes&ign-mpt=uo%3D4

You can also find the Dan X2 album on Spotify:
https://open.spotify.com/album/3hEejRAQYPj9q130D5lZ8f

You can also find the second Dan X2 album:  "Playing the Odds" on Amazon Music:
https://www.amazon.com/Playing-Odds-Dan-X2/dp/B08C4VNX3R

Spotify:
https://open.spotify.com/album/6oI3XsqPph3v6Xkg2BjVDG

and other on-line music sites.

We have a music making process that fits our unique skills.  We each do the parts that best fit our skills and interests.  Dan Lockhart does the initial song development.  Dan Blackard writes the lyrics, perform the vocals, and adds lead guitar.  Dan Lockhart then takes the track and do all final production (mixing and mastering).

Dan Lockhart writes all of the chords, timing, changes, and develops the track.  I then send two tracks to Dan Blackard.  One track has Dan L. describing the song.  Tell him the key, the timing, and any oddities about the song (changing keys or time signature...).  In the track Dan L tell Dan B verbally where is the verse, chorus, bridge and any other important information.

Dan Lockhart then send a second track that does not have this verbal dialogue.  This is called the instrumental track.  This is a track to which Dan B. can sing and add his parts.  Dan Blackard then returns  four pieces to Dan L:  a complete version of the song, a solo track of his vocals, a solo track of his guitar parts, and the artwork to accompany the song.

Dan Lockhart add his information into the original file.  Dan L. listen to it and make changes to the song to enhance the meaning of the lyrics. He sometimes adds instruments or takes away some instruments.  As Dan L. play many instruments (guitar, keyboards, banjo, mandolin, pedal steel, violin, viola...), he can make a lot of adjustments.    On rare occasions he move pieces about.  Dan Lockhart then masters it and prepare it for final production.

You can find press releases about us in the Lassen News here:
http://www.lassennews.com/former-resident-creates-album-with-near-stranger/

and in Current in Carmel  here:
http://www.youarecurrent.com/2018/12/20/carmel-resident-partner-create-album-through-internet/

You can find Dan X2 videos Here:
https://www.youtube.com/channel/UC7p2YTgLdrMAJjSBBwrgRew

Out albums are also on YouTube:
https://www.youtube.com/channel/UCicvC6l-R73MzdLHLdcFuZQ

We hope you enjoy our music.

(⁠๑⁠˙⁠❥⁠˙⁠๑⁠)(⁠っ⁠˘⁠з⁠(⁠˘⁠⌣⁠˘⁠ ⁠)No Wars ☮️👽
Multi-instrumentiste Nomade et extra terrestres...
─⁠=⁠≡⁠Σ⁠(⁠╯⁠°⁠□⁠°⁠)⁠╯⁠︵⁠┻⁠┻

Prophet of End Times is not a name — it’s a diagnosis. A statement of intent. A trigger. A warning.

For those paying close attention, this project began long before the music arrived. Long before the signals were transmitted. Long before the world tilted past its breaking point and pretended it hadn’t noticed.

This isn’t performance. It’s process. It’s prophecy by distortion, melody through the ruins, dissonance weaponized. A mosaic of failed systems and burned timelines, rebuilt in layers of noise and silence.

You’re hearing architecture. You’re listening to strategy. Every frequency, every glitch, every warped harmony carries data. Every lyric is a crack in the wall.

Somewhere in the signal:
a map.
a message.
a matchstick.

You are not expected to understand immediately. You are expected to pay attention.

Because nothing here is arbitrary.
Not the song titles. Not the sound choices. Not the silences.
Not even this bio.

There are people who will find this. Who will feel something they can’t name. Who will know where to dig.

Not all puzzles look like puzzles.
Not all transmissions arrive decoded.
Not all prophets wear robes.

Some wear scars.
Some wear static.
Some just press “upload.”

𓂀
Class: Classified
Genre: Post-industrial occult pop / strategic subversion / experimental prophecy
Mood: Unsettling / revelatory / confrontational
File under: surveillance bait, musical sigil, metaphysical warfare
𓁹

For entertainment purposes only.
All coincidences are intentional.
You were warned.

Artifacts: BGlueYml0Lmx5LzJ0aGVzc2Fsb25pYW5zMngxLTEy

Should I Stay (ft. Anna Rader - vocals)

Dave Heffner