Fris/vunzige beats

Zajj

Jazz funk soul boogie

ZR SHOP - http://www.zrecords.ltd.uk/new-releases

New York based D.C. LaRue has been recording and performing since 1974 but it was his track “Cathedrals” in ’76 that really got him noticed amongst the heavy weight disco releases of the time.  The double A-side 12" single of "Cathedrals" was one of the earliest commercially available 12" singles and went on to hit number 1 on the Billboard Dance Music Club and Disco Single charts.

Subsequent singles “Overture” and “Indiscreet” both topped out at number 2 on the Billboard Dance Music Club charts and “Indiscreet” became an influential track in the hip hop sampling world.

Fast forward to the present day and armed with digital transfers of the original master tapes, Z Records has commissioned remixes of these classic tracks plus “Let Them Dance” and “Do You Want The Real Thing”.

Released over two limited edition picture sleeve 12’s pressed exclusively for Record Store Day 2018, the remixes come from Idjut Boys, Ron Basejam, Dr Packer, Folamour, JKriv and Joey Negro.

ZR SHOP

D.C. LaRue - Resurrection - The Remixes - Part Two

Joey Negro - Patrice Rushen - Haven't You Heard (Joey Negro Extended Disco Mix)

More weird things

DONNA SUMMER - I Feel Love (Danny Howells Remix)

stream my new single "Weirdo": https://smarturl.it/nombe-weirdo

talk to me....310-455-8484

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Seminole

Producer – Roger Tokarz
Written by – M. Chantereau- P. A. Dahan- S. Pezin
Re Edit by Marco Magrini

Voyage - Souvenirs - Re Edit

Hold On

Hipswing X Intoxicated

Wax digger and producer for over two decades Jay puts on the editor's hat for this new release.
Driven by discoid baselines the influences of this 4 track ep are oriental and mediterranean grooves.
4 surprising tracks tailored for the dance floor and ready to delight the open-minded and curious listener.


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Arabian  Disco (Vinyl Ep / Diggin Deeper)

Merci à @Neovinyl-Recordings pour cette superbe première de "Mon Repos" par @Grigory_Babak - Un morceau à retrouver sur son prochain EP "Invisible Senses"

http://limonadier.net/premiere-babak/

Thanks to Neovinyl Recordings for this wonderful track called "Mon Repos" by Babak - A nice track to find on is forthcoming EP "Invisible Senses"



Babak - Mon Repos

<3 on Hype Machine: hypem.com/track/2gdj2/Two+Feet+-+Go+Fuck+Yourself

Stream / Download First Steps EP http://smarturl.it/TwoFeet-FirstStepsEP

If you like the track please [↻ Repost], like ❤ and share with your friends.

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Go Fuck Yourself

Stream / Download First Steps EP http://smarturl.it/TwoFeet-FirstStepsEP

If you like the track please [↻ Repost], like ❤ and share with your friends.

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You're So Cold

The Original 1982  version.... Mint !
 A gift

Dreamin - Greg Henderson

Creative Musicians, Vol. 2

Galaxy Medley

Creative Musicians

Niels Van Gogh - Pulverturm (Tomcraft Remix & LeMa Edit)

youtube
https://www.youtube.com/watch?v=dV7qjDYK6B0&feature=youtu.be

⭕ LeMa :
➡️ https://www.facebook.com/LeMa.Music.Official/
➡️ https://www.instagram.com/lemanso0/

Niels Van Gogh - Pulverturm (Tomcraft Remix & LeMa)

Perception Productions, a New York based label that ran from the late 60s through until 1974, was a strangely eclectic affair. Its roster stretched from a radical Afro-American poet through to the pop band King Harvest whose hit ‘Dancing In The Moonlight’ became a massive hit for the UK band Toploader a couple of decades later. The inbetween points covered jazz, funk, vocal harmony soul and proto-disco. In fact distilled down into this compilation the label provides us a view of Manhattan’s black music scene of the period, from the established greats to the fresh young things who would make their mark in the coming years. The two men who ran the label, President Terry Phillips and Boo Frazier burned brightly for that half a decade before almost entirely disappearing from the music scene.

You And I - Black Ivory

D.C. LaRue – Cathedrals (JKriv Dub)

D.C. LaRue – Do You Want The Real Thing? (Ron Basejam’s Dub)

D.C. LaRue – Overture (Folamour Orchestra Mix)

D.C. LaRue – Let Them Dance (Idjut Boys Remix)

Available now from - https://www.zrecords.ltd.uk/new-releases

Doug Willis is back with another disco-fied EP that is sure to cause mayhem on every dancefloor.

There are two new DW songs the piano heavy Risky Biznizz and Salsoul style Doug's Disco Theme.

In addition there are a couple of exclusive remixes of classics from the DW vault including Dr Packers fine re-work of one of Doug's most loved works, Skate Dancer. Whilst Re-Tide and Moon Rocket give Crystal Lover a new pair of underpants.

Doug Willis - Risky Biznizz

Some long awaited new JN remixes finally see the light of day ahead of the release of Remixed With Love Vol.3...

Gwen McCrae - Keep The Fire Burning (JN Special Dub #3)

Gorni Kramer Orchestra - Woman (M.M. Simply Touch Extended)

Soundway Records present ’24 Hours in A Disco 1978 - 82’, 7 cuts of relentless disco grooves from the sublimely gifted Kiki Gyan. Hailed as Africa’s answer to Stevie Wonder, Ghanaian multi-instrumentalist Kiki Gyan was a musical wunderkind who by 1975 had risen from the lowly status of high school dropout to being ranked eighth in a poll of the greatest keyboardists in the world (occupying the rarefied air of the top ten with heavyweights like Steve Winwood, Billy Preston, and Stevie Wonder) as well as becoming an in-demand session player in the top recording studios of London - all before his twenty-first birthday. 

Out on his own, he produced a series of highly ambitious disco records aimed at positioning him as an international star, but weighed down by the excesses of the era, Gyan saw his meteoric rise matched by an equally swift fall back into obscurity. 

Loved dearly by his contemporaries and sorely missed since his death in 2005 the story of the life of Kofi Kwarko ‘Kiki’ Gyan is one often told with warning by his friends to the new generation of aspiring Ghanaian popstars.

Soundway Records now collects the best of Gyan’s work as a frontman and solo artist, featuring an array of electrifying disco grooves that still sound contemporary (and in some cases futuristic) decades after their initial release.

Released on CD and 2xLP both formats are accompanied with detailed liner notes written by Uchenna Ikonne. LP version comes with a free MP3 download of the release. 

Kiki Gyan - Disco Dancer

French Boogie Made In Canada . 1981.
+ De Funk : http://matlo44-funkytown.blogspot.fr/

Toulouse - C'est Toujours Comme ça L'amour

First record on a new label I'm starting.

Hackney Parrot / Helter Skelter - (POLY KICKS)

Patrice Rushen's disco jazz funk masterpiece gets a respectful extended disco mix using the original 24 track tapes. Look out for this, along with the Roxy Music remix and several other classic tunes remixed on an album released later this year

Patrice Rushen - Haven't You Heard (Joey Negro Extended Disco Mix)

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


JEAN CARN - WAS THAT ALL [SNIPPIT]

Dave Lee aka Jakatta, Doug Willis, Raven Maize, Sessomatto, formerly Joey Negro as well as being part of The Sunburst Band and many more. 

Bookings: Tim@zrecords.ltd.uk

D.C. LaRue – Do You Want The Real Thing? (Ron Basejam’s Dub)

Dave Lee ZR