Everything tapping and shaking! Great job

You're right. No chance of keeping the body still with this one playing. Great (concisely structured) energy, Dave. Very entertaining :)

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Steely - Flock Mix Series 006

here's my latest track, i hope you enjoy it.

Daz Flatman Push It

Le Rouché a masterful work of art, you could say 3 tracks here, designed to blend into any kind of mix, from Techno to House, Electronica EDM, Ethnic, Tribal and much more. Over 11 minutes of awesome sounds including Orchestral, acoustic guitar, synths & voice samples laid over an awesome 130 bpm House Rhythm, colorful, a definite head mover, must listen track and must have for any DJ.

Le Rouchè

Le Rouché

Bootleg Business track 2 (Give You Love) 

So here is the next track that will feature on a upcoming E.P titled "Bootleg Business" 
This track has samples from 2 old Chicago house tunes which have been blended in with some acid sounds giving it a modern yet old skool acid house vibe. 

Let me know what you think in the comments section ... 

Thanks :)

Bootleg Business EP Track 02 (Give You Love)

Dodge the lasers... Free Download yo!

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Free Download

Jimi Needles - Belafonte Banger

a tasty serving of stuff that shouldn't be together

mixin

Buffet Food for your Ears

A journey through 35 years of house from the godfather of UK rave. 

In popular mythology, the '90s are without question, the halcyon days of dance music—an era of free raves and unadulterated hedonism. It's a myth that Matthew Nelson, AKA Slipmatt, knows better than most–he was there. 

During the late '80s, as the rave scene in the UK began to boom, Nelson began moonlighting as a DJ. He would land his first residency at Raindance, the East London rave that launched in September 1989 and would become the UK's first legal rave. By 1991 , he'd reach number two in the UK charts with "On A Ragga Tip" as one-half of SL2 and two years later, sell over 10,000 copies of the first pressing of SMD#1.

Nelson has got a lot to share (as you'll see in his interview) so we'll let him do the talking. He's been variously called the godfather of rave and happy hardcore, but what you'll hear on RA.958 is as "a journey through my 35 years of house." A DJ with this much pedigree brings much more than that, of course: touching on the breakbeat, jungle and acid house that soundtracked that golden age, as well as nods to the rich cross-pollination with scenes beyond the UK, from Joey Beltram's "Energy Flash" to Stardust's "Music Sounds Better With You."  

@slipmatt-1

Read more at ra.co/podcast/958

RA.958 Slipmatt

I had a fun 140bpm mix with some of the excellent electronic music I have received recently, as well as a few non electronic songs, and some of my own tracks.. Winds down with a little 120bpm at the end, because I really didn't want to go to bed...

Some tracks have been massively pitched up, some pitched down, and some have been looped. 

It was all for the good of the country.

1. Flyswatter Maestro - Go Home Mr Jones
2. Will Farr - Garlic Soup
3. Strange Flesh - Destructive Relaxation
4. Arpraxis - Diskow
5. Lost Signal - Mania
6. Will Farr - Doddy Oddlegs
7. Carlo Villa - A piece of every dream (Will Farr's Activation Synthesis Remix)
8. So Only - No One
9. Michael Donoghue - Landing
10.Time Cow - Elephant Man (Will Farr Remix)
11. Marble Stars - Back in the room
12. Jimmy Andrex - What's in People's Heads
13. Adventsong - Cut with dust
14. Mike Pendegast - Automation Nation
15. Leg Puppy 2.0 - Drop a drop
16. Will Farr v Tupac - Kali Love
17. Austin V - Crabcakes
18. Steve Lee - Another Watersong
19. Aurora Engine - Miniature Self
20. Will Farr - Rare Breed
21. Vasi - CANTBUYMYLOVE
22. Fluid Armstrong - Mirage
23. Band Spectra - It Starts again
24. Particle Drift - Valence
25. Will Farr - The Sue Gray Report (Pleb Edit)
26. Daveyhub - Give you love
27. Will Farr - Whist Drive
28. Five Minute Pop Promo - Naked
29. PRZDNT - ROSSO RUMBA
30. The Silent Era - Heaven/Hell (Brutalist Remix)
31. Will Farr - Sum Go Stealin
32. Low Bridge - Nicer
33. Joshua Idehen - Mum does the washing
34. The Amusements - Elements (Will Farr mix)
35. W^ - The Guard
36. Michael Donoghue - Cosmic Whisper
37. Popfuture - If I

Willy's Eclectech mix

I've always been a fan of Italian dream house from the early ’90s, so as the spring sunshine warmed my blood after a long, grey London winter, I decided to travel back in time to Rimini 1991, and create a record for the 'ragazzi' to dance to. If you like pianos and atmospheric synths, this is for you.  

La Música Hermosa

A new studio set from one of the foundational icons of drum & bass.

Few names in drum & bass carry as much history as Peshay. Paul Pesce came up in the crucible of early rave and left fingerprints on labels like Mo' Wax, Good Looking and, most obviously, Metalheadz. By the time drum & bass was surging in the mid-'90s, he was bolted as one of the scene's most distinctive voices. 

Where others were pushing clinical austerity or waves of dark pressure, Pesce's ear drew him to featherlight, jazzy chords instead. The atmospheric drum & bass movement—or intelligent, as it's sometimes known today—cohered in his hands with timeless staples like "The Piano Tune" and "Miles From Home."

To a contemporary generation, he may now be best known for Studio Set, which caught alight as a prime slice of algorithm fodder on YouTube in the late 2010s, racking up millions of plays. Alongside Bailey’s Intelligent Drum & Bass, the mix has taken on a second life as a seminal document of a genre in flux. All of which made its removal from the internet, based around a spurious copyright strike, a hot concern.

Although a little tad reserved than some of the scene's most dominant names, Pesce has remained a loyal custodian and historian of the sound. While Studio Set was down, we offered him a crack at making something fresh, and though it's thankfully back up, the Kafkian nightmare galvanised his commitment to preserve recorded history.

Known as a DJ for his dynamic way with a groove, extended blends have long been Pesce's signature. You’ll hear plenty of those on his RA Podcast, as golden-age rollers and contemporary vocal cuts push in and out for up to four minutes, painting a portrait of the genre’s vitality from someone who helped define its terms. True to form, RA.993 carries the touch of a jazz conductor and the assured cool of a veteran who's been deep in the culture for over 30 years.

@peshay-official

Find the interview and tracklist at ra.co/podcast/993

RA.993 Peshay

Live performance of 'Inhaler' - a brand new track from my upcoming EP, 'Home Grown'.

Joel Gladwell - Inhaler (BBC Music Introducing session)

Tomahawk

Sometimes a tune just falls into place ... Simple breakbeats , bass lines and uplifting piano combined with a funky vocal sample and hey presto ! 

I defy you to not have something nodding , tapping or shaking to this happy go lucky track ...  

I present to you " Tomahawk " 

as usual your feedback is greatly appreciated as well as your .... 

#Like #Share #Repost #Comment #Love #Respect #Tomahawk

You can purchase this track from here ... https://hearthis.at/david-hubbard-yg/tomahawk-master-01/

Tomahawk

Featured on: It’s Not My Ball
Released: 2017

Verse 
Where do we start, 
Lets start at the beginning,  (Scott)  
After I saw her face,  
It became everything I was thinking 
So what did I do,  
You gave up everything, (Scott)  
It wasn’t meant to be,  
I was chasing something I was missing 
 
Chasing something I never needed 
 
Verse 
So what did I say 
You didn’t say anything (Scott)  
But it's still my fault,  
Because I was blind, doing other things,  
 
Now I’m left with nothing....  
 
Chorus 
I’m leaving now,  
I’m leaving town,  
With nothing but my wallet, my shoes and my frown, 
Now I've found, (Scott)  
I've found a way, (Scott) 
And now, 
To make it through this day (Scott) 
I’m leaving town 
 
Verse 
What happens next,  
What if she apologised, (Scott) 
That ship has sailed, 
Those demons have been exorcised, 
But it's better now,  
A massive weight has lifted,  
Those shackles are gone,  
Yes I am no longer restricted 
 
No she don’t mean nothing  
 
Chorus 
I’m leaving now,  
I start to drown,  
Stay afloat,  
When your world gets turned upside down,  
Now I've found, (Scott)  
I've found a way, (Scott) 
So now,  
To make it through this day (Scott) 
I’m leaving  
And...  
I’ll settle down,  
Now I’m leaving town,  
Leave behind the tears we spilt on the ground, 
Now I've found, (Scott)  
I've found a way, (Scott) 
Somehow 
To make it through this day (Scott) 
I’ve been found 
 
Outro 
I've have found, I've found a way, 
A way to make it through this cloudy day 
x5

It's Not My Ball

Leaving Town

Music - St. Plaatjies™ x Crate Diggers

Greetings !!

Well let me introduce myself, I like to produce electronic music of all genres really. Anything from dub to drum and bass , house to trip hop and anything in between. I am also I'm busy with my collaborative project " Restless Natives" in which we are always open to working with any singers / musicians / producers / lyricists or anyone else who fancies creating some weird and wonderful electronic sounds.

Please follow the Restless Natives page here 
https://soundcloud.com/restless-natives-995509563

I am also a founding member of the electronic music sharing community Electronic Music Alliance or #EMA for short. It's a global online community of electronic music producers who come together to share, create and collaborate on new music and D.J mixes. If your a social media savvy producer or D.J who would like to join our global divergent beats family then get in touch via the #EMA twitter page  https://twitter.com/1EMAlliance

Sharing is caring folks so if you like any of my tunes then please leave a comment , hit the repost/like buttons and send me a message anytime.

“Music, once admitted to the soul, becomes a sort of spirit, and never dies.” 

#Listen #Share #Connect #Repost

We all know how hard it is to get our music heard and that's why we developed AtomCollectorRecords.com.

We pay music fans in crypto currency to listen to SoundCloud tracks. It is completely free for musicians to add as many tracks as they want.

To keep your tracks in rotation you listen to other artist's music to earn play credits that you then apply to your own tracks.

Using these two methods we have a steady stream of both musicians and fans listening, commenting and following our members.

Tomahawk

DaveyHub

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