Alixander III ● HUREN ● Hugues St-Amour
https://dethrecords.bandcamp.com

I Don't Want To Live (To Be a Ghost)

Another dream. This time, no words. “She Emerges” unfolds in imagery: The ground hums. A totem carves sky from earth. From behind it, a presence—Hanim—slips forward. Her movements are ancient signals, her rhythm pulled by a drum only the soul can hear. Each gesture conjures fragments, memories caught in light. Then vanishing! She returns to shadow, as if summoned back by something older than time.

She Emerges

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Aurora

Just a slow acid-flavored techno drift — all smiles, no pressure. I’ve been playing with more devices separately thanks to the new audio interface (finally!). Recorded live in a spontaneous haze, then mixed in Ableton with a touch of afterthought.
It’s got wobble, it’s got fuzz, it’s got glow. Enjoy the glide.

Arigatou Gozaimasu 🙏

Acid-Soaked Slow-Tempo Bliss with a Cheeky Edge

A mirror of its former light, slowed and reimagined. This version of Passed Light drifts through inverted spaces—where warmth becomes shadow, and echoes stretch longer than meaning. Each beat is a bridge between the shimmer that once was and the silence that remains. Descend into a downtempo dream where light isn’t gone—it’s just somewhere else.

Get the Track

Passed Dark (Zankyo Side)

Untitled Synthesizer Piece No. 5

The Horse Walks Backwards on a Violet Cloud is the original mix:

🖋️ Lyrics: 
I listen like a child to night, But the shadows know my name. Fatigue pours gently through the vents, Wrapping me in soft, invisible blame.
The horse walks backwards on a violet cloud. My eyes face the dream it left. She whispers through distant time zones now... And I keep still, in theft.
The table breathes beneath its gift, Unknown hands tie memory in bows. My name was said, half-broken, By a mirror that never knows.
The old man’s beard touches the past. I'm seated wrong, I'm waking slow. She trains in orchards long forgotten. I’m just the ache I never show. Light moves backwards, Through our unfinished sky.
I wrote none of this — But it’s mine, It’s mine.

🎧 For alternate versions — instrumental and the Arctic Mood edit — explore the full release on Bandcamp

Full Album on Bandcamp

The Horse Walks Backwards on a Violet Cloud

This instrumental track, crafted using an emulator of the legendary ARP 2600 synthesizer, delves into the unsettling notion of a world where machines gradually take over human skills, leaving our consciousness as the final remnant of what truly belongs to us.
In this sonic landscape—where analog layers merge with retro-futuristic textures—humanity quietly resists through its sensitivity, memory, and inner contradictions. While artificial intelligence may learn, simulate, and optimize... it does not feel. A machine cannot dream, doubt, or fall in love. Human consciousness is born from experience, shaped by memory and rooted in the body. And this elusive nuance lies at the heart of everything.
Inspired by the visions in 1999, Brave New World, THX1138, and 2001: A Space Odyssey, the track reflects an age where fiction slips into reality. But instead of sounding an alarm, "Conscience 2600" whispers a lucid realization: within the circuitry and the algorithms, there remains something that cannot be programmed—the intimate pulse of being

Conscience 2600

2600

Torque

My house/tech house submission for #CZDJCONTEST010

Mike Conradi - #czdjcontest010

she's baaack, with arsenic in her grin... i'm quite happy about this, i know they've been really busy with school and didn't want to be pushy... but affirmative there will continue to be output from Loren and her, just maybe not as frequently.

echo

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

echo

daVId attic