for fun staying out of the sun. *p.s. i had two other tracks slated for this time to go public, but sc's analysing algorithm crapped the fuck out, yet again.

pernicious delicates

Gil Gámez : producción.
Mía León : diseño y edición.
Diógenes Tacuara : letra y arreglos.

Proyecto5813 pertenece al laboratorio audiovisual de CERCo21 (Centro de Estudios y Revisión Conrinuum). Un espacio que investiga lo que tienen en común una torre eléctrica y una palmera, los andes y los rascacielos, un microchips y una hélice de ADN. P5813 es un sintetizador que sondea las proporciones para orquestar sonidos, esculpir piedra, edificar ciudades y construir herramientas. Alquimia de Valores. No hay lugar para el arte por el arte mismo sino como producción estética. No es un deleite a los sentidos sino un choque psicológico que utiliza los sentidos como medio. Música para la vista. P5813 es la armonía entre la arquitectura de frecuencias  y un oscilador de punto-línea.
El ruido de la tecnología. Música hecha con los deshechos del capitalismo.

Hi & welcome.
thx for visiting & listening to my music.

i jump between genres depending on my current mood, so don't wonder if you find some different and weird tunes 😂

I don’t create my songs with AI.
For me, every track has to grow through its own process, and that simply takes time. That’s where my soul flows into the music.

That doesn’t mean my songs are better or more sophisticated – I’d rather you form your own opinion.
As for vocals, I have to rely on loops, since illness keeps me from singing myself. Often, I discover a vocal line first and build the song around it. This means I sometimes have to compromise on the lyrics, so they don’t always mirror my personal outlook, mode of expression or poetry. Still, it’s important to me to share this truth.

Some various loops and most vocs from loopcloud.

All tracks composed, edited,
arranged, mixed @ mastered by J O R D I .
____________________________________________

I come from a musical family and was introduced to different instruments at an early age. The one that stuck with me were the drums. Various bands, gigs in small clubs. Even though, for lack of time, I didn’t actively make music for many years, music has always been one of the few constants in a turbulent life.

For the past few years, I’ve been seriously ill and slowly but surely on the home stretch. Since I can no longer play drums (I’m connected to a ventilator 24/7)
i started working with a DAW in 2024. It has become an important part of my life, my way of still creating something when my hands no longer can.

Here on SC there are so incredibly many amazing artists and people from all parts of the world … for me, it’s my universe. And the certainty that something is always possible, no matter how bad things get.

"In the midst of the deepest winter, I finally realized that within me lay an invincible summer…"
A. Camus


Stay strong - Fight fascism!
STOP TRUMP ❗️

Michael - 2024

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Marshall Arnold - Musically Attributed as 'Jonasfrax' 
-Lead producer for Self Reflecting Pattern (2008-2022).
-Guitar, Synths and mastering engineer for Human Parts & Service (Active).
-Owner and Lead Designer of MIDIotic Systems
https://midiotic.net/

I do FREE downloads on new releases. They get removed once the song hits streaming, though you can pay what you want (that means nothing, if that's your thing) on our bandcamp.


WHAT ARE THESE REFRAXURED MIXES?
The Refraxured project is remixes, remasters, recreations and re-dos of various songs throughout my time as a producer. It covers my various projects such as SRP, HPS, HotSauce the Squirrel, Scareware and more.

If I Follow you, its because I actually enjoyed your stuff. Never any expectation to be followed back.

pernicious delicates

daVId attic