Good day everyone.

Here's a teaser track from my forthcoming album 'Weedkiller' due for release in Autumn 2025.

Enjoy!

Kiffie

Weedkiller

Written, performed, mixed & mastered by
André "pixelorb" Brandes © 2025

Image: pixabay.com (CC0 Creative Commons)

Instruments:
- TAL U-NO-LX
- E-phonic Invader 2
- Synapse "The Legend"
- Synapse Dune 3
- Full Bucket FB-7999
- Lennar Digital Sylenth 1
- FL-Studio Sytrus

Kyoto Night

for fun staying out of the sun. *p.s. i had two other tracks slated for this time to go public, but sc's analysing algorithm crapped the fuck out, yet again.

pernicious delicates

Browsing through some old files I found a couple of recordings from some live sets in a distant past. Very distant. 2013 to be more precise. This was from a birthday-party for a friend. I remember that evening, it was great! I recorded some parts of the show, this is the intro.

Live @Gnorgl Part 2

The Breaking Wheel

Produced by Accent Noir for Accent Noir Music 2025
 
Mixing and Mastering by Accent Noir 2025

Hadron

Noctilucent Clouds (System Slave)

Hiraeth

The path rework - Henrik Meierkord by Marco Lucchi

Moog Subharmonicon through a two channel voltage controlled filter bank (Sonum by Toil Modular).

Drifting On Sundown

A four-minute ambient journey built from four evolving one-minute drones — each exploring a distinct emotional landscape.
Major to minor, light to dark, tension to abstraction:

00:00 – 01:00 → Luminous, joyful
01:00 – 02:00 → Dark, melancholic
02:00 – 03:00 → Anxious, tense
03:00 – 04:00 → Abstract, strange

Synthesizers and acoustic instruments blend seamlessly to create a warm, organic soundscape — bowed upright bass, harmonica, harmonium, and Tibetan bowls intertwine in a meditative yet cinematic flow.
Perfect for moments of reflection, atmosphere, and deep listening.

naviarhaiku614: The coming of autumn

for this haiku 

he coming of autumn
determined
by a red dragonfly

by Kaya Shirao
Photo by  Adam Bixby 

The coming of autumn - naviarhaiku614

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

pernicious delicates

daVId attic