Setting circles

yolabmi24（at）gmail.com
https://soundcloud.com/recfeel

MADPIA
"Even if we knew that tomorrow the world would go to pieces, we would still play music."

Used to a Guitar player that got into creative looping and moved on to modular synths and sound sculpting... now I am more of some sort of sound experimenter.
Main tool is Eurorack, but I use whatever toys that inspire..
My objective to music is to do something I find interesting and maybe good and to try to forge a personal and unique voice with my tools.. even if that is sort of impossible :-)
I also regard the road to that "voice" more important than the acutal goal.. i also invite you all to listen to me travling down that road..
So not all clips are meant to be "final products" they are more like a sound blogg of my development.. a develpment with unknown direction... as is all evolution

Enjoy

Kajsa Lindgren (b.1990) is a composer and sound-artist mainly working with field recordings and different ways to perform them, often through spatial, multichannel distribution. Her work includes electroacoustic compositions and sound installations, as well as compositions for acoustic traditional instruments. 

By using interviews as a method when composing and field recordings as the material, she has found a way to work with expectations and traditions when it comes to the process of composing and the performance itself. Combining interviews and field recordings has therefore shown to be an effective way for her to open up different ways to approach the process of exploring subjects and environments through sound.

Kajsa Lindgren is a composer educated in both western contemporary art music and electroacoustic composition and holds a Bachelor (2015) and Master (2017) in Electroacoustic Composition from the Royal College of Music in Stockholm.

Booking inquiries giorgio@swampbooking.com

"Music was my first love"
"Music is the answer"
"Music is my life"
"Music is everything to me"

Founded as a project of two bassists, one of whom, Peter Galata, also happens to be a drummer and a guitarist, and the latter, Martin Lauer, who plays the keyboard and indulges in recording sounds wherever he happens to be, Minor Domestic Injuries strive to establish a collaboration in which musical ideas coalesce with eerie sound objects arising from a continuous exchange between both of the players. Using field recordings, loops, ambient soundscapes, snappy bass grooves, jazzy guitar riffs and beats a potpouri of musical structures comes to life which is as likely to shock you with its visceral sound expressivity as to make you lean back in your chair and listen comfortably as the sound flows along. The duo revels in improvisation and plans to collaborate with likeminded musicians as well as artists from various other fields and feature diverse guests in its future performances.

Setting circles

David Granström