Invisible Rays Of Light

hi I'm Pine I like making experimental music using any available good (to me) sounding technique. Some of my songs have weird structures just because I have almost no interest in playing music which already exists or imitating what has come before. I want my music to be a true exploration of the human appreciable areas of the combinatorial possibilities of sound without boundaries inherent in any genre, tempo, fundamental frequency, key, scale, pitch, or any other non-truly-fundamental concepts other than frequency, amplitude, and time. What keeps me up at night is the question of *exactly what* about the spacing of the sequences of frequencies in a major or minor chord causes the feeling of sadness or happiness within it? We feel it deeply across cultures and contexts, what scientifically is causing it? Can we begin truly engineering sound once we understand that? maybe just a little better than before, but it’s still beautiful to imagine. My music is often strange because I am strange and appreciate its mirroring of myself, perhaps with a bit of hubris. I want to make music which sounds like litterally or metaphorically nothing else... so far it's been hard to market as anything other than minimalistic (because minimalist-likers have more patience with potentially good music).
I dream of a total work of music made with every single not planned beyond mere orchestration... so far that's wildly over-ambitious to do in practice.

Invisible Rays Of Light

Pine The Tree