I love music like this. you can almost reach out and touch it.

cool, it reminds me of celine dion - power of love but ambient version, nice.

I like the ethnic touch. Is this a duduk? Fits very nicely.

Very nice instrumentation good work 👏👏👍

ON/OFF
Music by Overdrive & Khan

This is an experimental work that mixes Kraftwerk, rock guitars, post-punk atmosphere and electro music, with the essential help of the incredible Japanese singer-songwriter Khan.

Check out Khan's great music on her Soundcloud profile:
https://soundcloud.com/khan20233202

Hope you enjoy the track.

On/Off (ft Khan)

apocalypse

CONSTANCY

Constancy

Composer :   Karl Heimgartner Dat : 10.02. 2024  / © Copyright              
Genre: Atmo – Deep 
Single: 2024
Track : 03. 
Title:    I like My Wonderful World
MTM has mastered real music production.
Mixed Christine Sampson
Mastered by Alessandro Giordano from MTM

My workplace with:
Instruments and Samples from Landr Studio – Chromatic – Montreal Canada 100% Royalty free. Mixing and mastering in Studio One 5 Professional

Title: I like My Wonderful World was created, in my opinion, because
I also like to listen to electronic music for a change.
I tried that first
my own text that I wrote. And the implementation
the music came differently. I liked my instrumental composition better
without lyrics and my singing. I used virtual voices for this.
I hope my fans also like this deep atmosphere.

I have the finished track and 53 stems for mixing and mastering
sent to MTM Mastering True Music Production in Spain.
Listen to the professional result.
which worked very well. A very nice team from Spain.
Thank you for your cooperation, Freddie and Team MTM Mastering True Music Production

https://masteringtruemusic.es/

https://artists.landr.com/064837601991
https://www.karlheinzheimgartner.com/

I Like My Wonderful World

New song.  

I used Kaiber.AI to create a video here:
https://www.youtube.com/watch?v=-8_0xnCcdzM

This was a fun one as I am testing out new production techniques and synth-wave elements to try and fill out my toolbox.

The Lasagna Cometh

Hi everyone, here is my second track made with the voices of Natalie and Mai, with the Synth V synthesizer from Dreamtonics. The title is sung in Japanese. Thank you for your feedback, comments and shares ;)
Synth : SynthMaster 2, Halion sonic 7, Sylenth 1
Drums : samples from Cubase 12 element
Fx : samples from Cubase 12 element
Voices : Natalie & Mai (Synth V from Dreamtonics)
DAW : Cubase 12 element

Virtual Singers

Party Time

The Playing Fields Of England by These Guitars Say Sorry critiques the glorification of war and questions the romanticized ideals of heroism often associated with it. The song emphasizes the sacrifices made by ordinary soldiers and challenges the notion that war is something to be celebrated or revered.  These Guitars Say Sorry's  folk-inspired songwriting style, is accompanied by his percussive acoustic guitar playing acting as the perfect backdrop for the song's post punk lyrics.

On the playing fields of England
There are battles won and lost
I have seen them fought so many times I had almost forgot
That it's a pleasure and an honor as you go out to die
I'd do it all a thousand times for the old school tie

So hold your head up high
So I can see you're full of pride
As you lay down your life
On the playing fields of England

Past the ranks of blue and gray
Into the old school hall
You can read the roll of honor or heed the distant call
Like your father before you, you'll tread a distant land
You didn't learn the first time, so now you're going back

I look in your eyes and I can see the pain
And then you ask me who's to blame
I told you it was much more than a game
On the playing fields of England

Nobody thought to question why you went to die
Bravely put on the uniform and joined the end of the line
But age brings with it wisdom, but you'll never grow old to know
On the playing fields of England, you will reap what you have sown

As they fly your body homeward, draped in your country's flag
Past lines of grieving relatives who know you're never coming back
On the playing fields of England was where you chose to play
But a generation of you went marching to the grave

As you lie facing the sky, I can only wonder why
You believed a pack of lies about the playing fields of England
The playing fields of England


--------------------------
Support this independent artist's work on Patreon at https://www.patreon.com/tgss where for as little as $1 a month you will receive a new composition weekly.

The Playing Fields Of England - These Guitars Say Sorry [folk music | protest songs]

Translation above

CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’pécher
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

Hybrid classical piece written using Logic Pro.
BBC Symphony Orchestra from Spitfire. Vienna Synchron for certain strings. Albion One for CS Longs.

Farewell Horizon

Youtube

Divine Embrace

Circle Back

My music defies convention, eschewing strict technical boundaries in favor of allowing the raw essence of the soul to flow freely.

For me, music is more than just a collection of sounds; it's a profound expression of the soul's deepest emotions and experiences. I place a special emphasis on this ethereal connection. Music, in my view, possesses the power to produce vibrations that resonate not only in the visible realm but also in the hidden depths of our consciousness. It is a universal language, transcending cultural and linguistic barriers, capable of forging connections and speaking directly to the core of our being. It propels us toward uncharted horizons, inviting us to embark on a transformative journey of self-discovery and emotional exploration.

Divine Embrace

David Herreman

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