a keniemusik

BERLINin3D - last.fm - Top Tracks - part 2

kenie1

David Mayer'

acid

Keinemusik Workparty Four
Release: 20.11.2013

A1: David Mayer - Machinedrum Calypso
A2: &ME - Think
B1: Adam Port - Burana
B2: Rampa - AY

So there we are. Teenage years are over, the wild times are still ahead, though. Keinemusik turns twenty – all hands in the air! In celebration of this biographical moment of glory the whole crew is circling up in brotherly and sisterly embrace. Make an high-angle shot, what does it look like? Like a ring of course. So therefore youʼll find the signet ring on this picture discʼs A-side. 

The flip is tagged with what this symbol of companionship is leaving, once itʼs used properly. So thereʼs a signed and sealed big up to everyone who has supported keinemusik so far. No. 20 prettied itself up a bit and commends itself as a nice little collectorʼs item. Still as a decent spinning item as well, containing these pumping features: 

On A1 (aka the ring side) David Mayer opens up with “Machinedrum Calypso”, a relentless Tech-monster with classy percussive decoration, lurking single notes, malicious synths and a roller coaster ride of breaks and full tilt. Perfect opener! 

Next in line is “Think”, falling out of &MEʼs never failing machines. Initially, the kick tends to hide behind some cryptically cut vocal-scraps, but once itʼs grooving at full level, thereʼll be no dry corner left on the floor. Add some sub-bassy guts massage and some highly effective break-stuffing and you have a picture of this guyʼs current sure shot. 

The seal side contains another surprising new Adam Port-cut. “Burana” starts out as a funked out, crackling Disco-beat-skeleton, incorporates a tongue in cheek bassline and some offset hi-hats and once in a while is raising up to cloud nine of synth-paradise. Devoid of any vocal trace there is a potential secret favourite grooving from second row. 

Rampa is aiming for an unlike feisty spot landing for the grand finale. His “AY” offers microscopic fiddling on his percussive tribal rataplan and some decent feverish shaman dance. As a counterpart, he inserts an übercool bass into the background and if needed, an übercool bass into the foreground as well. One glimpse should show that ʻpeaktimeʼ is written all over this bitch. 

Enjoy!

&ME - Think (Keinemusik KM020)

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

Steed Lord - You (Keinemusik Remix) - Get Physical

Rampa, Santé - Aura (David Mayer Remix) - Souvenir

There are three reasons to celebrate. First: This is Keinemusik #5 – the first little jubilee in their string of releases. Second: When this release hits the street, Keinemusik will be one year old – again, a little jubilee. Third: will become more clear, when this disc is spinning in a club.

This fifth release on Keinemusik is labelled Workparty for a reason. Without some bead of sweat when stamping the record sleeves, when rushing over to supply several record stores, when taking care of updating the blog or when organizing parties, Keinemusik wouldn’t be where it is today – a label with a steady output that found its place in the Berlin Technoscene. Workparty One is a joint venture of all Keinemusik-producers. According to the occasion, it will be released as a special package inclunding a T-Shirt und a tote bag, along the regular run. And that, of course, could make a great present if there’s someone else celebrating an anniversary.

A1: Rampa – Falk
“Falk” starts out to be an unmistakable imperative for some hands-up-animation. The beatframe is about to push the floor to a tightness that lets you wonder, whether the sounds of rapture are coming from a crowd rubbing each other up or actually from the tune. To make that clear: “Uuh” and “Yeah” are a couple of samples leading the way to the most soulful break you heard in months. A break that will crumble down to explicit straightness and unfussy efficiency again. Definitely a big one.

A2: David Mayer – Ball
Davids first vinylrelease on Keinemusik is his most conclusive consolidation of everything, he set up with his previous works on the “Nacktenordner” EP. It’s a blend of massively pumping grooves and engine room-acoustics with a smart kickdrumdesign and a dramatic composition that builds up on reduction but nevertheless is able to incorporate unexpected details. 

B1: &ME – Youth
&ME comes up with a track that might be seen as the advanced continuation of his world-, or lets say floorformula, that already caused quite a stir when he released “F.I.R.”. “Youth” elevates from a clever directed buildup, modulates vocalsamples to concrete hooklines, piles layers of deep sexappeal over another and reveals by means of an almost song-like fetish for structure this absolutely evident, yet subtly and sophisticatedly constructed peaktime-smasher. 

B2: Adam Port – No Pain
Around the vocaltracks of a song by Leipzig based band Shandy Mandies, an aesthetic is being built that could be seen as an antithesis to the sound Adam Port became known for. “No Pain” doesn’t find its deepness in the polyrhythmic patterns of Tribalhouse-standards, but in more remote interspaces, in which Port fleshes out the backbone of a slowly rising groovebastard to a compelling forerunner of New Wav-ish Shoegaze-Techno.

B1 &ME - Youth (Extract)

Keinemusik, KM005, A2, David Mayer, Ball

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

There are three reasons to celebrate. First: This is Keinemusik #5 – the first little jubilee in their string of releases. Second: When this release hits the street, Keinemusik will be one year old – again, a little jubilee. Third: will become more clear, when this disc is spinning in a club.

This fifth release on Keinemusik is labelled Workparty for a reason. Without some bead of sweat when stamping the record sleeves, when rushing over to supply several record stores, when taking care of updating the blog or when organizing parties, Keinemusik wouldn’t be where it is today – a label with a steady output that found its place in the Berlin Technoscene. Workparty One is a joint venture of all Keinemusik-producers. According to the occasion, it will be released as a special package inclunding a T-Shirt und a tote bag, along the regular run. And that, of course, could make a great present if there’s someone else celebrating an anniversary.

A1: Rampa – Falk
“Falk” starts out to be an unmistakable imperative for some hands-up-animation. The beatframe is about to push the floor to a tightness that lets you wonder, whether the sounds of rapture are coming from a crowd rubbing each other up or actually from the tune. To make that clear: “Uuh” and “Yeah” are a couple of samples leading the way to the most soulful break you heard in months. A break that will crumble down to explicit straightness and unfussy efficiency again. Definitely a big one.

A2: David Mayer – Ball
Davids first vinylrelease on Keinemusik is his most conclusive consolidation of everything he set up with his previous works on the “Nacktenordner” EP. It’s a blend of massively pumping grooves and engine room-acoustics with a smart kickdrumdesign and a dramatic composition that builds up on reduction but nevertheless is able to incorporate unexpected details.

B1: &ME – Youth
&ME comes up with a track that might be seen as the advanced continuation of his world-, or lets say floorformula, that already caused quite a stir when he released “F.I.R.”. “Youth” elevates from a clever directed buildup, modulates vocalsamples to concrete hooklines, piles layers of deep sexappeal over another and reveals by means of an almost song-like fetish for structure this absolutely evident, yet subtly and sophisticatedly constructed peaktime-smasher.

B2: Adam Port – No Pain
Around the vocaltracks of a song by Leipzig based band Shandy Mandies, an aesthetic is being built that could be seen as an antithesis to the sound Adam Port became known for. “No Pain” doesn’t find its deepness in the polyrhythmic patterns of Tribalhouse-standards, but in more remote interspaces, in which Port fleshes out the backbone of a slowly rising groovebastard to a compelling forerunner of New Wav-ish Shoegaze-Techno.

David Mayer - Ball - Workparty One - Keinemusik

06/10/14
Collection D
#⌘#

1. &ME - Blitz (Rampa & Re.You aka RAR Remix)
2. Dennis Cruz & Yamil - La Negra Cimba (Dub Mix)
3. Rob Cockerton - Girls & Boys
4. Lancaster - Guilty
5. Macromism - Don’t Say Back
6. Denney & Guthrie - 1A
7. Vanjee - So What The Funk
8. Geddes - Standup
9. PROJECT AKC - Ibu Oka
10. Sabb & Dimitri Nakov - Unconditional (Feat. NASA)

Saved Records present the fourth installment of their acclaimed collection sampler series, “Collection D”. Featuring a diverse selection of artists; only two of which are close members of the Saved family, the ten-track collection welcomes a host of new friends with a heavy focus on new and emerging talent. Perfectly summing up the ethos of the label, these fresh producers unleash a collection of uncompromising, underground club-leaning bombs.

Regular Saved cohort &ME gets the collection underway with label-mates Rampa and Re.You’s fresh remix of ‘Blitz’, Sabb returns to the label following an EP earlier this year and Rob Cockerton, a permanent fixture behind the decks at Saved parties over the years, puts his first record out here. Mulletover’s Geddes makes his first appearance on Saved with the frenetic “Standup” just as rising Italian duo Macromism, New York’s Vanjee, Lancaster and Denney & Guthrie all make their Saved debuts.

Collection D has a stripped back and heady aesthetic running throughout its entirety. Jacking beats, driving basslines and pumping 303 rhythms feature heavily, creating a spine of powerful bottom end sonics. There is plenty of energy, old school vibes and a darker edge on display across the ten tacks too, making this the most underground collection of the series yet.

www.facebook.com/savedrecords
www.twitter.com/savedrecords
www.savedrecords.com
#savedrecords
#⌘#

Buy it now on Beatport

&ME - Blitz [Rampa & Re.You aka RAR remix](128kbps Soundcloud Edit)

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

Press:
David Mayer – sure, it could be the guy next door. Or it could be the guy, copying your homework five minutes before the lesson starts, back in the days in school. This David Mayer right here takes a quite common civil name and turns it into a sophisticated producer-imprint. After several years of musical excursions and resulting coproductions (e.g. Rampa's releases on Terranova Recordings), he now delivers some of his own cuts to be the first releases on Keinemusik.
  
  The titletrack is slowly elevating out of a died away machine-room-corner. It’s taking its route, passing a bassline, that’s varnished in deathly funk, culminating in a subtle call to rave.
  
  The following Paneek is essential Floorcraft, a focused groovemonster that he’s fleshing out with delicate accents just as if he was Paul Bocuse and the track a truffle-ragout.
  
  Eifkoenig is drafted that crispy, that with every kickdrum the speakers seem to cough out a trace of graphite. It is a playground in which he lets rhythmpatterns fall apart masterly and in the next second gets them back together just like that. It is his celebration of structure and complexity that goes as far as the superior agenda of reduction gives way.
  
  Oenske is oscillating between Deephouse-followings and Trance-outlines. It is without a doubt the most reflective work within this bunch, but at the same time it’s not meant to be pushed off into an unrecognized set-niche. It is as functional as Paneek is, the only difference is, there it is subtlety and here it is the decidedness of a straight and gloomy Techhouse-modification that gets finalized for the peaktime.
  
  Those four tracks might be just the beginning, they are though the ultimate proof, that David actually did his homework. Anytime.

David Mayer - Nacktenordner EP

Keinemusik Workparty Five / Nov. 17. 2014

A1 - Rampa - Mod
B1 - David Mayer - Smoke
C1 - &ME - Birdland
D1 - Adam Port & Stereo Mc's - Place


Rampa - Mod (Keinemusik / KM025)

♬ Click for more ☞ http://trndmusik.de/2015/04/moon-harbour-butch-und-gel-abril-machen-gemeinsame-sache/?lang=en

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

Get MHR077 Butch and Gel Abril's Juice Machine here: 
➟ Beatport: http://btprt.dj/1cZKCP9

Tiefschwarz, Rampa, Monika Kruse, Pan-Pot and Dubfire are thrilled about it: the new “Juice Machine” EP by German DJ Butch and Gel Abril from Tel Aviv. The EP consists of two original track as well as a Re.You remix and will be released by Matthias Tanzmann‘s Moon Harbour Records on April 22nd, 2015. (...)

//

♬ Klick für mehr ☞ http://trndmusik.de/2015/04/moon-harbour-butch-und-gel-abril-machen-gemeinsame-sache/?lang=en

Tiefschwarz, Rampa, Monika Kruse, Pan-Pot und Dubfire sind von ihr begeistert. Die Rede ist von der neuen EP von Butch und Gel Abril. Gemeinsam bringen der Mainzer und der aus Tel Aviv stammende Abril am 22. April 2015 ihr Werk “Juice Machine” raus. Zwei Original-Tracks sowie ein Remix vom Berliner Re.You werden von Moon Harbour Records herausgebracht. (...)

Click for more

Butch & Gel Abril - Juice Machine (Re.You Remix)

http://www.mixmag.net/read/liu-bei-solomun-remix-premieres

Liu Bey's 'Atlas World' has been given two edits. One brings the summer vibe suited for the White Isle and the other is a dark and brooding monster, of which we have the premiere.

Solomun's 'Night' version of the track features rumbling low-end bass, thick chords and haunting vocals that give the track a sense of progression. Feeling this one and we're sure you will to.


More exclusive music

Premiere: Liu Bei 'Atlas World' (Solomun Night Version)

Check out the latest in the series from the Underground - Alex Piccini

You can also check the interview with Alex here: http://www.theunderground.eu/interview/alex-piccini/

The Underground Mix Series 022 - Alex Piccini

♫ Full Article + Download ♫:
http://www.deephouseamsterdam.com/amsterdam-open-air-podcast-002-by-and-me

&ME's way of becoming one of today’s most praised and sought after DJ/producers is based on a solid foundation of respect, talent, and hard work across the spectrum of contemporary dance music platforms. Delivering beats for Terranova (alongside Fetisch), releasing material on Kompakt and Saved Records, his project NR& with fellow producer Rampa and singer Nomi (Hercules & Love Affair, Jessica 6) are just a few milestones of the past, with recent studio work coming by way of remixing the likes of Art Department, Joris Voorn & Matthew Dear, as well as the recently released Terranova LP, 'Restless' (Kompakt).

With productions on various renowned labels, a global reputation as gifted producer and DJ, &ME's blend of Techno and soulful House music has taken an incredible shape over the years.  Clearly visible as one of the most unique and original figures in the game, we present an EXCLUSIVE &ME mix, anticipating his performance at Amsterdam Open Air.

♫ Download ♫

&ME - Deep House Amsterdam Open Air Festival Podcast #002

Joris Voorn - Homeland Feat. Matthew Dear (&ME Remix)

shog was here <3 @ecstasy

Highly Anticipated. UZI Vert "LUV Is Rage"

4 7am (Produced By DP Beatz)

This is the titletrack of my "Jaded EP", release on Keinemusik November 13th, 2015.

Deejay.de: www.deejay.de/KM030_-_David_Maye…p_-_12inch__205474
Decks.de: www.decks.de/t/david_mayer-jaded_ep/c66-g0

David Mayer on Facebook: www.facebook.com/SoundsLikeDavidMayer
More Information: https://thejam.de/david-mayer/ 
Booking: till@thejam.de

David Mayer - Jaded (KM030)

My remix for Nico Stojan, Released on URSL, April 15th 2016. Thank you for your support! If you would like to, please do so here:

Traxsource: http://www.traxsource.com/track/3176623/blue-hour-david-mayer-remix
WhatPeoplePlay: https://www.whatpeopleplay.com/albumdetails/Nico-Stojan-feat-Jaw-Blue-Hour-The-Remixes/id/125257
iTunes: https://itunes.apple.com/de/album/blue-hour-feat.-jaw-david/id1091841366?i=1091841577
Beatport: http://classic.beatport.com/label/ursl/20732

David Mayer on Facebook: www.facebook.com/SoundsLikeDavidMayer
More Information: https://thejam.de/david-mayer/ 
Booking: till@thejam.de

...Soundcloud version rendered in 128kbps...

Nico Stojan - The Blue Hour feat. JAW (David Mayer Remix)

This track is an unofficial private edit. If it violates any copywright, please send a message.

Barac - Song Written For Reny (De La Munte Spiced Up Mix) - 128Kbps

Keinemusik Radio Show by &ME 07.04.2017

'The Good Karma Garden' is a World/Fusion track

The Good Karma Garden

Follow the Keinemusik Radio on Spotify - updated weekly 🚀https://goo.gl/MbTbcY

Keinemusik Radio Show

Keinemusik Radio Show by &ME 07.09.2018

Beatport:
https://www.beatport.com/release/in-your-eyes/2368461
Spotify:
https://open.spotify.com/album/1QDkWMLkcFCGeHbHVjYoJ0?si=eUS9WRgHRhCJIcb5uMr86g
Traxsource:
https://www.traxsource.com/title/1023483/in-your-eyes
Whatpeopleplay:
https://www.whatpeopleplay.com/albumdetails/and-ME-In-Your-Eyes/id/173839

&ME - In Your Eyes

Itʼs that time again – Workparty 3 is here!! 

&ME opens the new cycle, thatʼs projecting the state of play within the Keinemusik-camp, with his very own version of autogenic training. Hearing these soothing vocals, one might mistake this for some kind of floor-séance. But, of course, “Everless” wonʼt let you sink into deep relaxation. Au contraire – its percussive core comes likes a swarm of hungry hornets, converging as an Acid-Drone and its relentless pumping groove cuts through within cleverly modulated peaktime-passages. 

Next in line, Adam Port gets in touch with his percussive fetish once again, pushing into new dimensions with the appropriately named “Drums on Parade”. Port seems to find himself in the middle of a military parade, avoiding all overstated rigor through revealing hints of Jazz and some serious shaker-temperament. As the centrepiece of the arrangement, youʼll find a drumsolo that never loses sight of its goal. Thanks to Ports effective and dynamic buildup, we're treated to yet another floor wrecker from the label boss. Hold tight! 

Rampaʼs collaboration with Hollis P. Monroe opens the flipside with a more mellow affair. Monroeʼs Canadian buddy Overnite croons his take on post-breakup-blues over a straight-up and deep arrangement thatʼs seasoned by lashing claps and some mild synth-flavor. Overnite, the wise man that he is, doesn't wallow in whiny melancholy, capturing every glimpse of hope he can get, he delivers some of the catchiest vocals you will meet this season accompanied by a soul-fueled House-anthem. Destined for the twilight hours of all the coming open air parties. 

David Mayer's productions never seem to indicate the current position of the sun. Most at home in the cellars, bunkers and basements, they are most potent when in an environment with little natural light. We can revel in his technoid bounce and studied rhythms. "Jewels" already a classic Mayer. 

Enjoy! 

&ME - Everless (Preview)

Facebook: www.facebook.com/davidmayer.keinemusik
Homepage: www.keinemusik.com
Booking: till@cliquebookings.com

Press:
David Mayer – sure, it could be the guy next door. Or it could be the guy, copying your homework five minutes before the lesson starts, back in the days in school. This David Mayer right here takes a quite common civil name and turns it into a sophisticated producer-imprint. After several years of musical excursions and resulting coproductions (e.g. Rampa's releases on Terranova Recordings), he now delivers some of his own cuts to be the first releases on Keinemusik.

The titletrack is slowly elevating out of a died away machine-room-corner. It’s taking its route, passing a bassline, that’s varnished in deathly funk, culminating in a subtle call to rave.

The following Paneek is essential Floorcraft, a focused groovemonster that he’s fleshing out with delicate accents just as if he was Paul Bocuse and the track a truffle-ragout.

Eifkoenig is drafted that crispy, that with every kickdrum the speakers seem to cough out a trace of graphite. It is a playground in which he lets rhythmpatterns fall apart masterly and in the next second gets them back together just like that. It is his celebration of structure and complexity that goes as far as the superior agenda of reduction gives way.

Oenske is oscillating between Deephouse-followings and Trance-outlines. It is without a doubt the most reflective work within this bunch, but at the same time it’s not meant to be pushed off into an unrecognized set-niche. It is as functional as Paneek is, the only difference is, there it is subtlety and here it is the decidedness of a straight and gloomy Techhouse-modification that gets finalized for the peaktime.

Those four tracks might be just the beginning, they are though the ultimate proof, that David actually did his homework. Anytime.

A2 David Mayer - Paneek (Extract)

Lexicon Avenue - From Dusk Till Dawn (Sander Kleinenberg Mix)

Restore

Coar

In Between

Compass

Discogs: https://www.discogs.com/Various-Bosconi-Stallions-Neged/release/4690731
Bandcamp: https://bosconirecords.bandcamp.com/album/bosco023-bosconi-stallions-neged

For the second installment of the Stallions saga, Bosconi Records entrusts the fate of the muscular thoroughbred Neged. The stallion is flanked by five stallions at an older age and with four tracks have a responsibility to drive the seductive ride, set synergy between Uk, bass and balearic sounds. The first maximum weight is A Guy Called Gerald, with a melodic and other times The Diehold Thu, following close behind Altered Natives that lay snares for between environments dreamy and epic of The Legend Of Neglect. The B-side turns on a wide range of positive feelings derived from spatial Testacorta melodies, written by Alex Picone and Mass Prod aka Brothers in Low, and Virata Rupa by Edoardo della Calle, who is a great travel companion for a ride reached only half of the final goal.

(P) & (C) Bosconi Records 2013 

www.bosconirecords.com

Buy On Bandcamp

A Guy Called Gerald - Thu The Diehold [Bosco023 - Bosconi Records]

tale of the comet

Rasp

Fragments original

A sequence from the album Silent Sound Spread Spectrum or SSSS 
( http://www.youtube.com/watch?v=K-AOLQkuEcI )

From Society Of Sound: 60 for Bowers&Wilkins

http://www.bowers-wilkins.co.uk/Society_of_Sound/Society_of_Sound/Music/A-Guy-Called-Gerald.html

Silent Sound Spread Spectrum - SocietyOfSound: 60

Web: https://linktr.ee/david_mayer
Contact: office@thejam.de
IG: https://www.instagram.com/david_mayer
FB: www.facebook.com/SoundsLikeDavidMayer
SC: www.soundcloud.com/david-michael-mayer

David  Mayer is a boundary-defying producer and DJ whose sonic palette has been shaped by an extraordinary multicultural upbringing spanning Germany, Spain, Norway, and ultimately Berlin, where he settled in 2004. This rich tapestry of cultural influences has cultivated his distinctive approach to music—one that refuses to be confined by genre conventions. No matter the genre, his passion for funked-up, pounding four-on-the-floor beats dominates his creative output. When spinning records and producing tracks, he presents his interpretation of catchiness, blending techno and house, and adds a touch of depth, but always keeps an eye on making his audience move and groove.

David’s music has traveled the world, releasing on world-renowned labels such as Connected Frontline, Ouïe, Objektivity, Gruuv, Audiomatique, and Keinemusik.