The music can speak for itself, sonically, if you prefer.

But if you care to understand what's going on, here it is in brief.  The durations in the cello are 2, 4, and 8 8th notes; the durations in the bass line of the piano part are 3,5,6, and 7 8th notes.  Any rhythm of any duration of the former sort admits a translation into a rhythm of the latter sort, and vice-versa, indeed a translation that preserves the overall duration (to within a fixed few beats anyway).   I expect that this fact hardly seems obvious!  But the violin part is the intermediary, along with the other voices in the piano part.   Attend to the relationship between cello and violin; and between piano and violin, and, with some concentration, the logic indeed reveals itself.

Elegy for Piano Trio (High Phi II)

Origin of Code

UNTIL DAWN

Ninepin

Ambient Bite 599

Time Set return

Wind Gestures

soundscapery_06

Step into the warm static jacuzzi of weird and wonderful stylophone stylings. Let the weirdness wash over you...
Stylophone Jam Session 2
Tidus on Bowie stylophone and stylus percussion and table percussion, some synth work some Otamatone work.
Mitchell on stylophone beats stylophone genx2 harmonica and voice changer some synth work and some Otamatone work.
took turns on synth post recording 

photograph of physical model by Tidus

Mods For Baldi

curgklurt

Droplets and Mist

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

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Elegy for Piano Trio (High Phi II)

David Victor Feldman