Very nice, David.  Lots of great sounds to keep a pair of ears interested and then ending with a relaxed -aaaahhhhh.

Enjoyed this a lot.
Ralph

This piece is composed of sound recordings made in Quartier St-Pierre in Montreal, as well as material derived from analog and digital processing of these recordings. The piece seeks to make us aware of the acoustic reality that inhabits this neighbourhood.

Following a certain vision of North American modernity according to which the quality of life inevitably depends on the purchase of a car and a single-family house; Highway 20 and its Saint-Pierre interchange were built in the 1960s.

Former city of the same name, the area was annexed to the borough of Lachine in 1999. Inhabited by about 5,400 people, Saint-Pierre, or Saint-Pierre city for the locals, is completely enclosed by enormous transport infrastructures, including Highway 20 and two railroads (Canadian Pacific and Canadian National). Added to this is the current repair work on the Saint-Pierre interchange and a noisy bypass for trucks that crosses the neighbourhood.

The noise pollution found there is the inspiration for the work.

Sounds recorded on location in Ville Saint-Pierre, Montréal, March 2021. Processed, assembled and composed in April and October 2021.
Mastered by Stephan Mathieu at Schwebung.

Horizons pavés

Recorded the screech of the Barn Owl in Nairobi, Kenya, 2020, during lockdown. 

Barn Owl Screech

This piece is intended to consider the visuals and movements of the musicians. Please watch the video:  https://youtu.be/PYafVQBNVLk?si=4hYfPdNX4Lzr-vJK

Balinese gamelan and electronics composition project.

Recorded on March 19, 2021, for a project with L'ensemble de musique contemporaine and Le Secteur Composition et Création Sonore at Faculté de Musique, Université de Montréal

Musicians from Gamelan Giri Kedaton:
- Sarah Lecompte-Bergeron
- I Putu Arya Deva Suryanegara

Electronics: Annie Perreault

Special thanks to my teachers, Pierre Michaud and Myriam Boucher.
Conception lumière: Pierre Michaud
Audio Mixing: Pierre Michaud
Montage: Sarah Lecompte-Bergeron

More: https://aryadevasuryanegara.com

Les chemins mènent à Gong - Arya Deva Suryanegara (2021)

re-mixed v.20241029

Watch the video score: https://youtu.be/uynb9eeP3jY 

Watch the performance at Indonesian of the Arts Denpasar: https://youtu.be/PZYtq4KHeaQ

Lengkong (2021) - Arya Deva Suryanegara

A Danger to Ourselves

caes (feat. Camille Mandoki)

artwork by chronik00 and mafti
violin improvisations by @carlos-andres-ferndez

streaming and downloads: https://linktr.ee/themetaroom

streaming links

CURSE

I made this binaural piece using 5th Order Ambisonics format. The sound material was mostly borrowed from Ableton’s Operator synthesizer. 

Debris（binaural ver.）

As Alive As You Need Me To Be

Extract from 'Dusk's Gate' (in binaural, for headphone listening).

Full version now on Leap Seconds: https://www.sargasso.com/product/natasha-barrett-leap-seconds/

Dusk's Gate, 2018 (Extract, in binaural). Full length now released! See info

INSIGNIFICANCE, electroacoustic, 4m52, 2013

How amazingly unlikely is this moment.


INSIGNIFICANCE

David Arango Valencia

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