This one is essentially a one-take guitar and vocal (well, this is technically take 2), plus a very very very simple slide guitar line and a harmony vocal.

It evolved out of me noodling a riff from an open-E tuning. I almost reverted to a standard, as I was struggling with the bridge, but I'm glad I persevered as I think the open tuning makes the guitar part sound a bit more interesting. I have to admit, the lyrics were a bit of an afterthought, and ended up being a case of choosing words that rhyme with 'bend' and retrofitting the other lines accordingly🤦

LYRICS:

We've been doing this ol' dance
So long, I swear
You say I'm an idiot
I say that's unfair
'Cause if you bend a little
I'll meet you halfway there

I’ve been pulling at this thread
And so have you
Baby, we’re unravelling
Like we always do
But if you mend a little
I’ll meet you halfway there

And I don’t even know the truth of it
Just know I hate to be apart
So when you ask me what’s the use of it
I point a finger to my heart

I’m planting out these seeds
On a sunny day
Gonna cover them with earth
Then hope and pray
And if you tend a little
I’ll meet you halfway there

Halfway There

Half-British, half-Japanese, South London-based singer-songwriter and producer. Indie pop, rock and blues. Thank you for listening!

https://theskunk-boyproject1.bandcamp.com/

Soli Ko is a duo of artists who blend their music with poetic lyrics. Their texts tell stories or feature characters in an introspective manner, exploring inner struggles and the duality of emotions.
Their music combines folk elements with a strong acoustic presence. Their compositions are characterized by minimalist arrangements, where the acoustic guitar is accompanied by a highly expressive voice. Their musical style, both intimate and melodic, highlights sounds that reflect a simple yet profound exploration of emotions.

Soli Ko est un duo d'artistes qui marient leur musique à des paroles poétiques. Leurs textes racontent des histoires ou des personnages de manière introspéctive, explorant les combats intérieurs et la dualité des émotions. 
Leur musique allie des éléments folk avec une forte présence acoustique. Leurs compositions sont caractérisées par des arrangements épurés, où à la guitare acoustique se mêle une voix hautement expressive. Leur style musical, à la fois intime et mélodique, met en valeur des sonorités qui reflètent une exploration des émotions avec simplicité.

Songs from the edge of somewhere.
You don’t know if you’re walking into a protest, a party, or a funeral.
Bluesy, soulful rock’n’roll.
Haunted, deep and raw. 
The kind of raw you can’t fake.

“You don’t sound like anyone else,” said Danny Thompson - legendary bassist for Nick Drake and Joe Strummer - about English producer Conil.

Tchad Blake, sonic architect for Tom Waits and Elvis Costello, agreed: “Strange Part of the Country is an amazing album. I still listen to it.”

Fleetwood Mac’s Peter Green was also a fan, making a rare visit to Conil’s studio to record a mellow take on “Woke Up Around Midnight,” his smoky tribute to the jazz greats.

Conil’s distinct sound has drawn praise from Marc Ribot, Davey Graham, Pino Palladino, and John Leckie - artists and producers known for recognising the real thing when they hear it.

Upon release, Strange Part of the Country made quiet but lasting waves. Q Magazine gave it four stars and a Q Recommends stamp. Blues Matters Magazine put Conil on the cover, calling him “one of the most original artists out there.” In the U.S., “Years Between” climbed to number three on the Alternative Radio Chart.

Raised in England on the Rolling Stones, the Velvet Underground, and Tom Waits, Conil later lived in some of the world’s most musically charged cities - New Orleans, New York, Chicago, Austin and Berlin - chasing sound wherever he went.

That began early. He travelled far, met the Dalai Lama, climbed Kilimanjaro, and crossed the Himalayas - experiences that shaped his perspective and his music.

He is now finishing his long-awaited second album - recorded in New Orleans, Chicago, London and Greece - with Danny Thompson, Tchad Blake and more.

Love the process of creating original grooves and music. Been fortunate to collaborate with some talented musicians and lyricists from around the globe.

I am amazed at the level of talented artists encountered on this site.  Sharing and providing feedback is such an effective way to nurture the creative process.  I am so inspired by many of you.  My songs consist of mostly live instruments and voice.  An organic approach to song writing with a few surprises in the mix.  Please feel free to comment and download if you like!  Todd

LOOKING FOR MUSICIANS FOR JOINT PROJECTS.
My musical preferences:
indie-rock, break-beat, post-punk, trip-hop, alternative rock & electronica, noise, psychedelic music etc.

“A Music Fanatic, inspired Songwriter and Music Producer, enthusiastic Mixer and a Guitarist creating songs for the pure joy of it. I love to include my Wife and Daughter in my Music to capture a beautiful moment; a personal time capsule. Music is an expressive outlet for me and I write from the heart.”

Close to my heart is raising awareness of HYPER MOBILITY EHLERS-DANLOS SYNDROME. 

“Sometimes when you hear hoofbeats, it really is a zebra.”

No two zebras have identical stripes and no two people with Hyper Mobility Ehlers-Danlos Syndrome are identical. They have different symptoms, different types, and different experiences. 

Please see the link below for further information and awareness about Hyper Mobility Ehlers-Danlos Syndrome on the Ehlers-Danlos Society website. 

heart house and the new kindness. 2025

Contact | hearthouserecords@hotmail.com

Halfway There

david taro