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Class

Spring 1 [Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons]

Arguably Chopin's greatest composition. If you can offer a description using words you're much smarter than I am...

Amazon UK

Chopin Ballade No 4 In F Minor Op 52

ISRC code: NLA507506010  
Composer: Schubert
Work: "Ellens Gesang III", D839 [Ave Maria]
Soprano: Elly Ameling 
Arist: Dalton Baldwin, Piano

If you want more information about this track please e-mail sync@decca.com 
Please quote NLA507506010 in the subject line.

Schubert: "Ellens Gesang III", D839 [Ave Maria]

"O Magnum Mysterium" by Morten Lauridsen
Performed by The Choral Project
From "Water & Light" album

This track is available for purchase on CD Baby here: http://www.cdbaby.com/cd/choralpro3

O Magnum Mysterium - Morten Lauridsen

Excerpt of music composed by Gustav Holst.
Synthestration produced by Filipe Leitão.
www.filipeleitao.com

Synthestration is the art of arranging music in MIDI for playback by computers triggering samplers, in order to emulate an orchestral recording.

[MIDI mockup] Gustav Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity

"A Midsummer Night's Dream - Overture MWV P 3 Op. 21" by Felix Mendelssohn Bartholdy

Performance　kichi
I live in Yamanashi Prefecture of Japan.

山梨県在住
クラシックギター

Erik Satie 3 Gymnopedies No.1 Lent et douloureux

Prelude No. 1 In C Major, BWV 846, From The Well - Tempered Clavier By Johann Sebastian Bach.

I am happy with this mix, and this is my last rendering for now. I should go and play with different sounds and effects now. Every note in the score is reproduced here. 50 polyphonic voices. Over 25,000 notes counting trills, tremolos and other ornaments.

"Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32, Movement 1 of 7

The Marriage of Figaro, is a comic opera in four acts composed by Mozart in 1786 featuring an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro.

The Marriage of Figaro is now regarded as a cornerstone of the standard operatic repertoire, and it appears among the top ten at the Operabase list of the most-performed operas worldwide.

Retailers:

Mozart
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Mozart Tidal
https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Best of Mozart Deezer
https://www.deezer.com/us/album/12179034

Mozart on Spotify
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Mozart Album Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Mozart Playlist
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Orchestral samples included in this recording from the Vienna Symphonic Library.

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Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Le nozze di Figaro, K. 492: Overture

YouTube

Audius Classical Music
https://audius.co/classicalmusic

Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. 

The German title means "a little serenade," though it is often rendered more literally but less accurately as "a little night music." The work is written for an ensemble of two violins, viola, and cello with optional double bass, but is often performed by string orchestras.

This first movement is in sonata-allegro form. It opens with an ascending Mannheim rocket theme. The second theme is more graceful and in D major, the dominant key of G major. 

The exposition closes in D major and is repeated. The development section begins on D major and touches on D minor and C major before the work returns to G major for the recapitulation. There is a brief coda.

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Retailers:

Mozart
https://music.amazon.co.uk/albums/B015NWNCY0

Mozart Tidal
https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Best of Mozart Deezer
https://www.deezer.com/us/album/12179034

Mozart on Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Mozart Album Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Mozart Playlist
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Orchestral samples included in this recording from the Vienna Symphonic Library.

Best of Mozart

Serenade No.13 in G Major, K. 525 "Eine Kleine Nachtmusik" I. Allegro

"3. Movement" from "Brandenburg Concerto No. 3 in G major BWV 1048" by Johann Sebastian Bach

Gymnopédie no.1 - Erik Satie

Final mix (for now). Every note in the score is reproduced here. Over 30 polyphonic voices. Over 4,800 notes (less than 10% of the complexity of the Mars movement). The slower tempo makes this piece 50% longer than the Mars movement.

"Venus, the Bringer of Peace," Gustav Holst, The Planets, Op. 32, Movement 2 of 7

Finally I picked up the courage to try this piece! This is a legendary piece that almost everyone knows. I think this is the only classical piece that the entire universe knows thanks to cars reversing and water dispensers everywhere :P .

Für Elise or (For Elise) was composed by Ludwig van Beethoven. Of course everyone knows Beethoven since he is the genius who composed and played even after he lost his hearing! This is only possible when the great could visualize the piece completely in his mind and is such a perfect virtuoso pianist, that he can mimic the sounds in the mind in reality without needing a feedback! What I feel is the biggest plus for Beethoven is that his pieces are very easily reachable by common folk. Compared to other classical giants like Bach, Choppin whos pieces arent easily appreciated, Beethoven’s style and elegance is easy appreciated by musicians and others alike.

The piece itself is a testimony for what I’ve mentioned above. Its based on A minor, with simple arpeggios on the left hand while the right plays the melody. Its such a simple piece that most people feel that its not even worth playing in a recital! But the piece has such an amazing level of expressiveness. This is a piece that can be played beautifully by one person while the other person can make it feel bland while playing the same notes. The piece also has three distinct stages, one is the recurring theme, that everyone is familiar. In between the recurring theme are two stanzas, that have very different moods. The first stanza is a very curious and very mischievous one. The second one is a stanza that emphasizes anger, and the cools down back to the recurring soft theme.

For me, this piece is one of the best compositions ever. I have to thank Valentina Lisitsa for her version of the piece which is what inspired me to try this in the first place. I hope I’ve done a reasonable amount of justice to this masterpiece and I hope you guys like it.

[Update] Made a better version on 23rd June after a lot of feedback that my tempo was waaaaay off. So I’ve slowed the piece down a little more and increased the pace of the faster sections! I’ll make a overall faster version a little later after more practice :)

Ludwig Van Beethoven - Bagatelle in A minor (Fur Elise)

M005-Wolfgang Amadeus Mozart – Clarinet Concerto in A major, K. 622 II. Adagio

Hino Kahoko - Canon in D Major by Johann Pachelbel

Recorded at Emmanuel Baptist Church, Albany on January 6, 2013
Accompanist - Michael Clement

Cara, cara e dolce (Scarlatti)

An extract from the Agnus Dei from Josquin's mass setting "Hercules Dux Ferrariae", as featured on the Renaissance Singers' recent album release "Vigilate"

Josquin des Prez: Missa Hercules Dux Ferrariae - Agnus Dei (extract)

Purejunk’s reworking of Saint-Saëns’ Le Carnaval des Animaux – Aquarium (Mouvement No. 7). A wicked fused-up electro version of this classical masterpiece by Saint-Saëns from the 1880s. The single is a taster of the Purejunk “Class Acts” album full of classical mashups which will be released in September 2015. 

SPOTIFY: https://sptfy.com/a0nc
BANDCAMP: purejunkmusic.bandcamp.com/album/class-acts

Class

Davide Sala