Compuesto | Interpretado | Producido por David Guamis

No sé cómo hacerlo, he aprendido mal
Enséñame que torpeza, he aprendido mal
Enséñame que abandero un buen tacto al tocar
No me falta ser algo bruto no pulido en el hogar
 
Enséñame tus secretos profundos
No se discernir entre mundos
Enséñame a no perder mi mágia en un descuido
Enséñame a caminar descalzo sin heridas
 
Enséñame cómo hacerlo
Cuando crees que lo has visto todo
Cuando un instante de espera representa eternidad
Algo que es un juego de azar para ti
Representa para mi una verdadera habilidad
Enséñame tus historias más lejanas

Enséñame a separar entre trigo y paja
No sé como no volarme la cabeza en un descuido
Enséñame a caminar sobre el agua como Cristo

Cuando crees que lo has visto todo
Y en realidad te faltan vidas para asimilar
Lo que es un chiste en tu vida y para mi lo es toda
No hace falta morir para vivir en paz

Enséñame Cómo Hacerlo

Enséñame Cómo Hacerlo

The true profession of a man is to find his way to himself (Hesse, H) // NoiseRock made in Barcelona

Industrial-folklòric experimentant des de l'inconscient.

Claudio Malz is an up-and-coming DJ and music producer 
Claudio’s journey into the world of electronic music began in his early years. Born and raised in Argentina, Claudio was exposed to music from a young age. With a natural ear for rhythm and melody, he gravitated towards electronic music during his teenage years, particularly the sounds of house and techno that were shaping the global dance music scene.

Inspired by the groove-driven sounds of tech house and deep house, Claudio began experimenting with production software, learning the intricacies of music production and sound design. His passion for dance music and the energy of the club scene led him to develop a sound that would eventually become synonymous with his name: deep, infectious grooves, and punchy basslines paired with catchy vocal chops and dark, minimalistic elements.

Songs from the edge of somewhere.
You don’t know if you’re walking into a protest, a party, or a funeral.
Bluesy, soulful rock’n’roll.
Haunted, deep and raw. 
The kind of raw you can’t fake.

“You don’t sound like anyone else,” said Danny Thompson - legendary bassist for Nick Drake and Joe Strummer - about English producer Conil.

Tchad Blake, sonic architect for Tom Waits and Elvis Costello, agreed: “Strange Part of the Country is an amazing album. I still listen to it.”

Fleetwood Mac’s Peter Green was also a fan, making a rare visit to Conil’s studio to record a mellow take on “Woke Up Around Midnight,” his smoky tribute to the jazz greats.

Conil’s distinct sound has drawn praise from Marc Ribot, Davey Graham, Pino Palladino, and John Leckie - artists and producers known for recognising the real thing when they hear it.

Upon release, Strange Part of the Country made quiet but lasting waves. Q Magazine gave it four stars and a Q Recommends stamp. Blues Matters Magazine put Conil on the cover, calling him “one of the most original artists out there.” In the U.S., “Years Between” climbed to number three on the Alternative Radio Chart.

Raised in England on the Rolling Stones, the Velvet Underground, and Tom Waits, Conil later lived in some of the world’s most musically charged cities - New Orleans, New York, Chicago, Austin and Berlin - chasing sound wherever he went.

That began early. He travelled far, met the Dalai Lama, climbed Kilimanjaro, and crossed the Himalayas - experiences that shaped his perspective and his music.

He is now finishing his long-awaited second album - recorded in New Orleans, Chicago, London and Greece - with Danny Thompson, Tchad Blake and more.

Inventor industrial, productor-instrumentista y cantautor

An old fart making old music.

Everything is made in Reason, https://www.reasonstudios.com
I love it since it let me use patch cables the way I'm used to.

Arturia V-collection, https://www.arturia.com, let me play with synths I couldn't afford back in the days.

Full Bucket, https://www.fullbucket.de, make some fantastic VST soft-synths that I love. He has an impressive setup of Korg clones that I recommend. Try FB-3300, the best synth Korg has ever made.

Cherry Audio, https://cherryaudio.com, is another source of old synth clones that sound fantastic. Good price and wonderful sound.

Listen to Korima songs at www.korima.net


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Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
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