Very creative and imaginative piece of music. yes it's complex, but in a very listenable way. Sublime instrumentation.

Oh, so beautiful composition, loving this section!

Lovely solo, gives me hope dealing with AI hehe

Very nice melody. Almost undulating, like waves.

Love your creations my friend, extreme originality and really out there.. great cover notes, dig the H chord :)

AUTOMATIC BLOOMING SONGS

Preview of my new piano solo Erin coming to YouTube and streaming soon..Welcome to join me live this Friday, 23, April, 4PM EST on my YouTube Channel for its premiere. Thanks for subscribing and liking if you do!
youtu.be/lWi0FIGWVw8
~~~~~~
Happy to present Spring Serenade (piano and strings) for this Easter weekend: BandCamp exclusive; Newly remixed/mastered..
Watch the Movie: https://youtu.be/qJ7HblMQfd0 

Nocturne in C Minor (piano solo) and Thoughts on a Still Night (piano trio) on BandCamp now. Listen to Nocturne in C Minor: https://occ.lnk.to/NocturneinCMinor

Hope you had a Happy Easter!

Spring Serenade

one drop by one shoot - Free DL 
action By. @magdi-nabil 
Sound Production By.E.G.M -{Egyptian Ground Music}

E.G.M

Magdi Nabil - Automatic Reaction

The Yeti’s Return / Paploviante April 2021
Paploviante: Music (Logic Pro), Artwork and Mastering

The Yeti's Return - Paploviante

Like the short lyrics' meaning "love has no hurry", music makes contrasts on rhythms and textures even inside each part: Main theme starts with fast drums on slow melodies & has a DANCEABLE? 2nd part with lead bass guitar; Central theme makes fast tracks become slow to the left channel and vice-versa, progressing to a POST-ROCK? atmosphere. Meanwhile, two lead guitars and echoing voices complete the contrasting piece. I hope to get your feedback !!!

Image: "Virginal rosebud", photo by Ruizzoidman

Letra / lyrics: No hay prisa. / There is no hurry.

No hace falta darse prisa; / There is no need to hurry up;
todo va rápido. / everything goes fast.

No hay prisa. / There is no hurry.

Lo que ha de suceder / What is to happen
termina por ocurrir. / gets to happen in the end.

No hay prisa. / There is no hurry.

Te quiero, te quiero, … / I love you, I love you, …

Ser impaciente / Being impatient
sólo puede hacerme sufrir. / can only make me suffer.

No hay prisa. / There is no hurry.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

No hay prisa (Te quiero)

Classical flute unaccompanied.
Played by Chris Scheri.
Bach Inventio 4.

Chris Scheri Solo Flute: Bach Inventio 4

Find Another Way is a an exhortation to stop shooting Brumbies from helicopters and find another way to preserve our native wildlife. It is from the point of view of the Brumbies themselves. It was written and sung by Robyn Youlten: Acoustic Guitar by Robyn Youlten; Flute parts by Chris Scheri; Drums and percussion by Liam Webb; recorded live by Chris at Liam's rehearsal room and mastered by Chris Scheri at Studio7.

Find Another Way

Chris Scheri Facebook

Collaboration with Aedificium & myself featuring a scubadiving video.
Video - https://youtu.be/DBMVA2SFzeQ?si=AWRjvZLsiei_kB-2
Arranged and produced by, Mike Hllton &, Aedificium © 10/04/2024
Thanks for listening.

Mike Hilton - Electric, Acoustic & Bass Guitars
Aedificium - Percussion & further arrangement. 
Cover Art - Victor Harbour, South Australia.

Reef

Reef (collaboration with Aedificium)

Hello dear Listeners,

Indeed, it's been a long while since Tim and I posted New Music together as  Shekinah Fire*, but today's the day!

This improvisation was recorded by our one Stereo ZOOM Mic on April 8th during the Solar Eclipse. 

I am on Tim's ancient upright Grand Piano and he's playing his Telecaster electric Guitar. What came forth as we played were Allelujahs for  the Joy of Spring and the wonders of improvisation.

In case you're wondering about the title, the jewel-like 'sparks' made visible in the Sun's Corona just before it reached Totality then as it exited (as captured in the Photo), are called 'Baily's Beads'. We hope you'll hear them as the music unfolds.

May you enJOY!

Music © Gary Courtland-Miles & Tim Elliot 2024
℗ Gary Courtland-Miles 2024 & Tim Elliot 2024

Edited and Produced by © Anomon

Image Credit & Copyright Daniel Korona
titled:  'Baily's Beads' - Total Solar Eclipse of April 8th 2024

Baily's Beads * Shekinah Fire

Inspired by the natural beauty of Birdlife on our Planet.
Featuring, Alida Santandrea, a.k.a https://soundcloud.com/spawn-of-sirius, on Native American Flute.
Video ~ youtu.be/2qDJYoAQfw0
Thanks for listening.
Arranged & Produced by, Michael Hilton ©️ 22/04/2024

Mike Hilton ~ Acoustic & Electric Guitars
Alida Santandrea ~ Native American Flute
Cover photo ~ Pexels

Birds of a Feather

Simply inspired by the joy of playing guitars and producing music.
Thanks for listening.
Arranged & Produced by, Mike Hilton ©️ 29/04/2024

Instruments;
Fender Stratocaster
PRS custom 24
Takamine acoustic 6-string
Mellotron
Hammond Organ
Tama percussion
Double-bass
Vox Amps

Cover art - Acoustic Guitar Forum - Ozzy The Dog. Composite image by, Mike Hilton.

Guitar Anatomy

⛩ Follow my Spotify Playlist: bit.ly/kyotolofiplaylist

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● Instagram: bit.ly/kyomainstagram
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Thanks for listening ❤️

Kyoma & Sora - Heiko

Forest ambiance by Emraddd
Walking on leaves by Dibko

Labyrinth

Rühler Springer

"Into the Light" written by Robyn Youlten and Josie Jason.
Vocals - Robyn Youlten,
Flutes - Chris Scheri,
12 String guitars - Robyn Youlten,
Electric Bass - Robyn Youlten,
Produced and engineered by Chris Scheri Studio7.

"Into The Light"  Wild Orchids

COMPOSED AND PLAYED BY DS 2015-2016 using keyboards, organ, distorted electric guitars, acoustic guitars, midi-played bass, percussion & drum pads (and drum loops).
SPECIAL THANKS: to @tolubai for valuable feedback during the development phase.
* * * 
In the mood for something easy, clear-cut, and straightforward? Look elsewhere. EarthShine is a dark, experimental and slightly dissonant piece; clearly not intended for the charts, and with a rather unclear purpose ... (which, by the way, is entirely to the liking of the composer, with his evidently rather odd taste).

Initially concieved as a PRELUDE to the two-part instrumental published earlier (https://soundcloud.com/davidjsvensson/long-instrumental-part1draft-ds2015), taking one of the main themes into another iteration, in new directions.

The main theme, the slightly dissonant opening theme (based on a Gminor chord over the bass note H, followed by a Hminor chord), gets evolved into the more harmonical organ/synth sequence appearing multiple times in the final, thus ending this piece (and the entire suite) on a more positive note.

* * *

The rather odd music was partly inspired by ideas and discussions in 'Superintelligence: Paths, Dangers, Strategies' (www.nickbostrom.com, Oxford University); a remarkable work apparently taken very seriously by e.g., B. Gates, and respected scientists such as M. Tegmark, S. Hawkings, and M. Rees.

"Artificial intelligence already outperforms human intelligence in many domains" [p.11]. Still, the idea of an intelligence explosion occuring in our life time is to many laughable, and, clearly, it is unknown if it can occur at all; we only know that Nature once rigged materia in such as way that high intelligence emerged (i.e., us) [insert your own interpretation here].

Some would argue that there are much else in the world to worry about first; but, is this a new kind of Manhattan Project actually coming up on the horizon, with potentially far-fetching existential consequences for Mankind?

It remains to be seen if it was correct to end the music with some hope.

//DS 2016



EARTHSHINE

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: ZUMMER ZNOWFLAKES, a 25 minute long track and one of my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS.

OCTOBER 6, 2023: SHAMBOLIC GUITARS, possibly my best track ever.  

 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D.Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

(Don't follow me here, best follow my main page ;)

EARTHSHINE

DavidSvensson

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