dynamic Journey with deep Emotion. riding through a world full of Passion .Outbreaks of enthusiasm and wonderful guitar Sound.

unique, outstanding playing....delicious sound and arrangments!

Excellent guitar playing and arrangement! Listening to this track one realizes that everything came together in a way that feels right. Your creativity flows effortlessly and everything just falls into place. I'm sure it must have been a very rewarding moment for you after what sounds like a long and perhaps challenging journey. Thank you for sharing your story with us and for letting us be a part of your musical journey. This track is a beautiful piece of magic. Wishing you all the best as you continue to create and explore new sounds on the guitar🎸😃🎸

this is nice flowing guitar, good improvisation

From a superb first listen, this becomes better for each time I listen to it. Fantastic track

Großartig

Classical flute unaccompanied.
Played by Chris Scheri.
Bach Inventio 4.

Chris Scheri Solo Flute: Bach Inventio 4

Find Another Way is a an exhortation to stop shooting Brumbies from helicopters and find another way to preserve our native wildlife. It is from the point of view of the Brumbies themselves. It was written and sung by Robyn Youlten: Acoustic Guitar by Robyn Youlten; Flute parts by Chris Scheri; Drums and percussion by Liam Webb; recorded live by Chris at Liam's rehearsal room and mastered by Chris Scheri at Studio7.

Find Another Way

Chris Scheri Facebook

Collaboration with Aedificium & myself featuring a scubadiving video.
Video - https://youtu.be/DBMVA2SFzeQ?si=AWRjvZLsiei_kB-2
Arranged and produced by, Mike Hllton &, Aedificium © 10/04/2024
Thanks for listening.

Mike Hilton - Electric, Acoustic & Bass Guitars
Aedificium - Percussion & further arrangement. 
Cover Art - Victor Harbour, South Australia.

Reef

Reef (collaboration with Aedificium)

Hello dear Listeners,

Indeed, it's been a long while since Tim and I posted New Music together as  Shekinah Fire*, but today's the day!

This improvisation was recorded by our one Stereo ZOOM Mic on April 8th during the Solar Eclipse. 

I am on Tim's ancient upright Grand Piano and he's playing his Telecaster electric Guitar. What came forth as we played were Allelujahs for  the Joy of Spring and the wonders of improvisation.

In case you're wondering about the title, the jewel-like 'sparks' made visible in the Sun's Corona just before it reached Totality then as it exited (as captured in the Photo), are called 'Baily's Beads'. We hope you'll hear them as the music unfolds.

May you enJOY!

Music © Gary Courtland-Miles & Tim Elliot 2024
℗ Gary Courtland-Miles 2024 & Tim Elliot 2024

Edited and Produced by © Anomon

Image Credit & Copyright Daniel Korona
titled:  'Baily's Beads' - Total Solar Eclipse of April 8th 2024

Baily's Beads * Shekinah Fire

Inspired by the natural beauty of Birdlife on our Planet.
Featuring, Alida Santandrea, a.k.a https://soundcloud.com/spawn-of-sirius, on Native American Flute.
Video ~ youtu.be/2qDJYoAQfw0
Thanks for listening.
Arranged & Produced by, Michael Hilton ©️ 22/04/2024

Mike Hilton ~ Acoustic & Electric Guitars
Alida Santandrea ~ Native American Flute
Cover photo ~ Pexels

Birds of a Feather

Simply inspired by the joy of playing guitars and producing music.
Thanks for listening.
Arranged & Produced by, Mike Hilton ©️ 29/04/2024

Instruments;
Fender Stratocaster
PRS custom 24
Takamine acoustic 6-string
Mellotron
Hammond Organ
Tama percussion
Double-bass
Vox Amps

Cover art - Acoustic Guitar Forum - Ozzy The Dog. Composite image by, Mike Hilton.

Guitar Anatomy

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Thanks for listening ❤️

Kyoma & Sora - Heiko

Forest ambiance by Emraddd
Walking on leaves by Dibko

Labyrinth

Rühler Springer

"Into the Light" written by Robyn Youlten and Josie Jason.
Vocals - Robyn Youlten,
Flutes - Chris Scheri,
12 String guitars - Robyn Youlten,
Electric Bass - Robyn Youlten,
Produced and engineered by Chris Scheri Studio7.

"Into The Light"  Wild Orchids

madrigal apasionado.
Piece of poetry by Federico Garcia Lorca spoken by Carlos Lobo in spanish and Richard van Weyden in german. 
Music :Wolfgang Zarges

Madrigal Apasionado

Madrigal Apasionado feat. C Lobo und R v. Weyden (Voice)

It is a pleasure to introduce the 2nd part of the GUITAR STRUCTURES series; a work of variations, with some core elements re-appearing multiple times, but evolved and differently combined, a gradual weaving of ideas...

The 1st Structure took only a few days to produce, whereas the 2nd required almost two years. The recordings were initiated in May 2015, with a shorter track in mind.

But that didn't happen; the nature of the new material was different. The piece seemed to have it's own will, claiming it's right to exist as a very long, complexely arranged instrumental. A bit like a classical Toccata, with many little related sections flowing into eachother.

Even the Sun has it's spots; very few pieces (if any) are totally perfect and the attentive listener might surely find unpolished details [or even dislike the whole thing!]. These spots (an occasionally raw sound, some slightly out-of-timing notes, a crude transition?) will only too well reflect the struggle I had with pressing home this beast, this mathematical monster. How to end this guitar circus with some dignity was my problem for a long time...

Endless attempts failed, one after another... "Kill your darlings" they say, and boy, I did. Very many recorded parts were excluded, deleted, slaughtered, with some considerable frustration :) Rest in piece...

No suitable final, no ending bars making justice to my vision? An unfortunate destiny for this large project, totally ruining it...

So, with the bulk of the work completed in early 2016, I kept hoping for a way out of this labyrinth ...

But one day recently, to my joy and pure luck, I strumbled across what I wanted. It seemed to stick, things came together. Releasing the tension, letting this long journey come to rest. Some new hope again, the 'Structure Project' still alive, after all... ?

When closing in to the end of this piece, sense my struggle with it... Living on the edge! ;)

Listening to the full piece now fills me with joy, and I hope some others will enjoy it too.

//DS March 2017

ps. Despite the trouble described above, it is likely that another part will follow. A shorter one... ;)

ps2. Artcover by DS, with the bottom guitar being the one played on this track. A Yamaha NTX700, wonderfully playable with its rather physical sound, the lower strings sometimes ringing as a cello...

Guitar Structure No. 2 - By David J. Svensson

Deep into the country cutting fjords with clear water, lonely high plateaus (Fjells) and a lot of wild nature emboss the landscape of Norway, the land of legends, trolls and goblins. The experience of silence in the woods and landscape of lakes make Norway a place where you can reflect your life and give it a new chance. This composition is dedicated to the beautiful landscape of Norway and its people.

Far Away

Move To A New World

Fender Telecaster 59’ style partscaster (Tokai MIJ body, 51’ Nocaster Fender CS pickups, top notch vintage Tele style wiring by Arty’s Custom Guitars)

Cobit’s nest (instrumental)

For me sovereignty means: to stand back without taking off. Having an overview, a vision, a prudence and at the same time remaining in a deep connection with what I am currently looking at;
means for me: to float, a kind of flying, like becoming an eagle and at the same moment a centipede, who feels with every touch the earth that carries me;
means for me: to know my own possibilities and limits well, like a tightrope walker balancing the antinomies of life;
means for me: to become silent, to be peacefully still, to act and express myself by simply being there....and so it comes that this song gets along without words.   
While recording this song I imagined myself sitting on a mountain; completely alone and totally connected to what surrounds me. 
I hope that some of the sovereignty, as I understand it, comes across in this purely instrumental track.

Einleitung in deutscher Sprache:

Souveränität heißt für mich: Abstand nehmen, ohne abzuheben. Einen Überblick, eine Weitsicht, eine Umsichtigkeit haben und zugleich in einer tiefen Verbundenheit mit dem bleiben, was ich gerade betrachte;
heißt für mich: schweben, eine Art fliegen, wie zu einem Adler werden und im selben Moment ein Tausendfüßler sein, der mit jeder Berührung die Erde spürt, die mich trägt;
heißt für mich: Die eigenen Möglichkeiten und Grenzen gut kennen, wie ein Seiltänzer die Antinomien des Lebens austarieren;
heißt für mich: still werden, friedvoll schweigen, durch einfaches dasein wirken und sich ausdrücken.....und so kommt es, daß dieser Song mal ganz ohne Worte auskommt.   
Bei der Aufnahme dieses Songs habe ich mir vorgestellt, auf einem Berg zu sitzen; völlig alleine und völlig verbunden mit dem, was mich umgibt. 
Ich hoffe, daß von der Souveränität, wie ich sie verstehe, ein wenig in diesem reinen Instrumental-Track rüberkommt.

Souvereignty

Sovereignty

Dissonance in music is not often accepted and yet it is part of every individual in the form of cognitive dissonance, a very interesting topic in social psychology.
In music, I have a certain pleasure in playing with this dissonance which brings, for my part, a complementary expression in the message that I construct, that I shape. This music thus delivers two opposites, the "pure" note and the "bastard" note, which when well orchestrated (if I may say so) ends up giving another dimension to the composition. I love this exercise which gives me the impression of being a cat that must constantly fall back on its paws, moreover the dissonance is a certain form of search for balance :-)
    Made with MOOG Modular / Multi-tracks
#Ambient #Chillout #Deep-Ambient #Electro #Experimental #Minimal #Space

Cognitive Dissonance

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: ZUMMER ZNOWFLAKES, a 25 minute long track and one of my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS.

OCTOBER 6, 2023: SHAMBOLIC GUITARS, possibly my best track ever.  

 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D.Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

Guitar Structure No. 2 - By David J. Svensson

DavidSvensson

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