Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

Record collector / DJ / Broadcaster / Producer / Brownswood Recordings boss / occasional remixer

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 500 National Public Radio (NPR) stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR.

- http://www.npr.org/templates/story/story.php?storyId=5013


You are never alone. You are eternally connected with everyone. - Amit Ray,

Welcome to Deutsche Grammophon!

Recording great performances of classical music in the best audio quality has been Deutsche Grammophon's mission since it was founded in 1898. The list of artists who have collaborated with the label reads like a roll call of the greatest musicians of the past 100 years: Abbado, Argerich, Barenboim, Bernstein, Boulez, Domingo, Dudamel, Gilels, Horowitz, Karajan, Kleiber, Mutter, Netrebko, Salonen, Zimerman, and so on.

recordings of the anti-music workshop broadcasts from the studios of 91.7 FM WHUS date back to early 2003 and cover as wide a path as possible through electronic music and broadcast improvisation. AMW guests have contributed over the years in several different methods, including live internet collaboration as well as studio sessions. live performances include laptops, effects gear, scrap metal, circuit-bent objects, harmonicas, and traditional instruments. correct musical selection during the broadcast is achieved using turntables and digital sources, with an emphasis placed on exploring the damaging capacity of the specific signal path used.

special and expensive connectors allow the staff of the anti-music workshop to interface in real time with a bevy of monostable attractor units placed in varying locations worldwide to assist in the processing capacity requirements of the broadcast. periodic realignment with several key texts ensures usability.

anti-music readiness training has been employed by several local organizations to help shape incoming broadcasters' technical readiness to respond to the impossible, with very promising results charted over a 2 year period.

the staff of the AMW have experience in all aspects of signal amplification and alteration, computation, and training and are available upon request across new england.

the reader will please note the content of this webpage has little to do with the radio show mentioned above, and instead has more to do with all digital media in that it is a source of signal.

i think the music industry should focus on returning to in-kind payment for a vagrant's dinner and lodging in the hayloft.

davidtaylor is following