Något av det bästa jag hört dig gjort. Mycket njutbart. Du har också gjort en bra uppdatering av hela din profil. Den har mycket större tyngd och creed nu.

@rockenfeller Thank you, Frank! I am glad to hear you do. Alles gute! 

Some analogue tube warmth on guitar and bass | Art: Ax.W. '24

More: http://www.axelweis.bplaced.net/wordpress

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Geht II

There is a sanctuary that works with a vet in Egypt for horses wandering the gutters for food, injured and near death, some still being used to haul carts...despairing of a moment in time where life is of little value, as do the people who must live this as well

I let my fingers do the walking
give 'em a stretch to flip the screen...
and I've been transported to a digital moment
captured yet rolling free
talkin Insta babeeeeee
and my curiosity
O ooh yea
and could U offer me a word
on the why's of the absurd...
pullin ponies from the gutters
gotta slap em to stop the flutters
takin that soul to the sanctuary
O hey
young rider...on the day...
got them killa war nags...kickin all four ways
for uh...virility and war
Oh yea
train em up in the old old ways
break em down wearing reins...
Oh yea
riegn on
rein on
O yea
and I let my fingers do the walking
and I'm watchin...yea bro
got a thousand claims...
but ur nag is a drag limpin and she ain't simpin
O yea rein on rain on
take that soul to the sanctuary
let me help u take the reins
for the cart u carry
with the angels at the sanctuaryyyyy

At The Sanctuary

Saw Your Face

Gathering Wood is the 2nd section of my settings of poems by Philip Larkin, for soprano, soprano saxophone, viola and cello.

IN THE WHITE HOURS ii Gathering Wood

two three twenty five version three.WAV

ARTIFICIAL INTELLIGENCE
[Verse 1]
I see you for who you are
I see those feeding your machine
A gross machination
Of deplorable men’s dreams

[Chorus]
Artificial Intelligence
The Devil’s pie in the sky
Artificial Intelligence
Talk back to me, don’t even try

[Verse 2]
I will never look up to you
I’ll never bow down to your demands
There’s just one entity
That deserves that kind of command

[Chorus]
Artificial Intelligence
The Devil’s pie in the sky
Artificial Intelligence
Talk back to me, don’t even try


[Verse 3]
I won’t be taking a chip in my brain
Won’t be taking a chip in my hand
Not that you’re the Mark of the Beast
But you sure as hell ain’t God’s plan

[Chorus]
Artificial Intelligence
The Devil’s pie in the sky
Artificial Intelligence
Talk back to me, don’t even try
i-ee-yi-yi-yi, i-ee-yi-yi-yi
i-ee-yi-yi-yi, i-ee-yi-yi-yi

[Bridge]
Call me old-fashioned
Call me outdated
All I wanna be is human
You are overrated

[Chorus 2x]
Artificial Intelligence
The Devil’s pie in the sky
Artificial Intelligence
Talk back to me, don’t even try

Artificial Intelligence
The Devil’s pie in the sky
Artificial Intelligence
Talk back to me, don’t even try
i-ee-yi-yi-yi, i-ee-yi-yi-yi
i-ee-yi-yi-yi, i-ee-yi-yi-yi-ee-yi-yi

© 2025 Renee La Chapelle – All Rights Reserved

Artificial Intelligence

An arrangement of the orchestral suite of the same name

04 Chwedl y Llyn, deuawd piano - Ysbryd y Llyn

Spinning Thoughts

Frustrated510

This is a short piano sonata in the Classical style dedicated to my mother for her 70th birthday.
It consists of three movements in the following sequence

1. Allegro scherzando (Sonata-allegro form) 
2. Andante semplice (varied ABABA form) 
3. Presto amabile (Five part Rondo form)

The Jane Austen sonata began its life as a Lied ohne Worte (the second movement) inspired by music from the movies of Jane Austen's books, hence the title.
To this I added what was originally intended as an opening movement to a never completed violin sonata and thought that I'd call it a two movement sonatina.
But as my Mother's 70th birthday was coming up I thought that I'd give her a special gift and composed the Rondo finale based on three themes spelling out the musical cipher of her three names (Ingrid Eleonora Unger) and so the sonata was complete.
In fact the last revisions where made as late as the morning of her birthday! 

Piano Sonata No. 1 "In Jane Austen's salon" in Eb Major Op. 21 (complete)

I am a music teacher at Oskarshams Folkhögskola, where I teach classical singing, composition, music theory and chamber music. 
I am also a singer with primarily art songs on my repertoire, a hobby composer and poet and a founding member of the Mönsterås Jazz and Chamber Music Society.
I studied composition at Ingesund College of Music and Baroque counterpoint at Uppsala University and mostly write vocal music for song and piano, and/or choir but eventually compose for other instruments and ensembles as well.
I have been called "a radiant talent in finding the essentials in different musical styles" (Arvika Nyheter, December 4, 2006) and regional news paper Barometern wrote that my music shows "good insight in choice of melody and harmonic part writing" (September 25, 2012).
My music has been performed in Austria, Canada, England, Germany, Sweden and USA.

Notable works are:

"Three nocturnal Songs Op. 11", song cycle of three songs for soprano and piano. Premiered by Cecilia Alrikson and Natalja Shakova in Oskarshamn, Sweden in 2018.

"Night songs Op. 6", song cycle of five songs for baritone and piano. Premiered by Anthony Schneider and Rosemary Barnes in Vienna, Austria in 2013.

"Ave Maria - String quartet in d minor Op. 12", string quartet in three movements. Published by Gusthold Music, USA in 2020.

"Av hjärtat, sjung! Op. 22", cantata in five movements for STB soloists, SATB and childrens choir, string quartet and piano. Comissioned for the opening concert of the four day festival "L'Esprit - upplev 1700-talet" (L'Esprit - Experience the 18th century) in 2020.

"Joie de vivre - Piano sonata No. 2" Op. 23, sonata in four movements for solo piano. Composed in 2020.

"Jaktsonaten - Violin sonata No. 1 Op. 13", sonata in four movements for violin and piano. Composed in 2016.
 
I have been published by:

Gusthold Music Publisher (www.gustholdmusic.com) 
- String quartet in D minor "Ave Maria Op. 12" (May 2020)

Flauto d'Amore Editions
(www.flautodamoreproject.com)
- Danza, for Flauto d'Amore or C-flute (June 2020)

Psalmportalen (www.psalmportalen.se)
- Three congregational hymns (Herre Gud, vi lovar dig, När det känns som att allt ljus försvinner and Ett litet barn, Marias son) (Summer 2017)

I hope you will find something here to listen to that you will enjoy!

Photography for my profile image: Anna Broette

Piano Sonata No. 1 "In Jane Austen's salon" in Eb Major Op. 21 (complete)

David Unger | Composer

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