Beige is the true color of melancholy is a multi-channel installation presented on Re.Sound a two day event in Huddersfield, UK on May 2018. The piece points out to the importance of the culinary culture in the establishment of immigrant cultures in Northern England over the past two centuries. The piece was produced with sounds recorded in the kitchen of Thai traditional cook Lag in Huddersfield, interviews made to second generation immigrants, and archive material that presents the role of cooking in the discrimination suffered by some immigrants that moved to West Yorkshire and Greater Manchester in the 1950s and 60s.

Special thanks to:
Kalim Siddiqui, Nat, Lang,
Ching-Fang Wu and Monty Adkins.

Beige is the true color of melancholy (fragment in stereo)

https://twitter.com/@yano_shoko
Composer.orchestra/classical/sound scape
Play piano.All songs is original.

Recorded sounds provide a rich and extensive palette of colors and textures.  I like to glean what I can from single short samples of sound.  I particularly like squeaks and creaks.  Lately, I've become enamored with the enormous selection of vinyl records available on archive.org.

Chill out, Dub techno, Electro, Trance, Dark ambient, Space ambient, Techno, Experimental, Sound worlds and more

[EN]

Mariana Vieira (Portugal, 1997) is a composer based in Lisbon.
She studied Music Composition at the Lisbon College of Music (ESML) with composers Carlos Caires and Jaime Reis. She is currently pursuing her Master in Composition & Pedagogy in the same institution. 
Her work includes electroacoustic and instrumental music in solo, chamber, ensemble and orchestral settings, as well as collaborative multimedia pieces. 
Besides her artistic output, she is interested in developing artistic and pedagogical projects, a work that she carries out by being the production director of Festival DME and an active collaborator at Lisboa Incomum, an independent concert and artist residency venue in Lisbon. 
Her music was performed in festivals such as Young Euro Classic (Germany), L’Espace du Son (Belgium), Audio Art (Poland), Electroacoustic Music Days (Greece) Crossroads (Austria), Monaco Electroacoustique (Monaco), Aveiro_Síntese and Música Viva (Portugal). 
In 2017, her piece “Raiz”, written for the Portuguese Youth Orchestra (JOP) won the European Composer Award. 
Since 2021, she is also an Assistant Professor at Escola Superior de Artes Aplicadas (Castelo Branco, Portugal).

[PT]

Mariana Vieira (Sintra, 1997) estudou Composição na Escola Superior de Música de Lisboa com os professores Carlos Caires e Jaime Reis. Frequenta, actualmente, o Mestrado em Ensino de Música na mesma instituição. 
O seu catálogo inclui música acusmática, mista e instrumental a solo, camerística e orquestral, bem como peças colaborativas interdisciplinares.
A sua música foi apresentada em festivais como Young Euro Classic (Alemanha), L'Espace du Son (Bélgica), Audio Art (Polónia), Electroacoustic Music Days (Grécia) Crossroads (Áustria), Monaco Electroacoustique (Mónaco), Aveiro_Síntese e Música Viva (Portugal). 
Além da sua produção composicional, interessa-se por desenvolver projectos artísticos e pedagógicos que combinem música e tecnologia, atividade que concretiza enquanto diretora de produção do Festival DME, colaboradora ativa no espaço Lisboa Incomum e membro da associação EMSCAN.
Em 2017, a sua peça "Raiz", escrita para a Jovem Orquestra Portuguesa (JOP), venceu o European Composer Award.
Desde 2021, é também Professora Assistente na Escola Superior de Artes Aplicadas (Castelo Branco, Portugal).

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

The cultural, social, economical and environmental context in which I work is not only a big influence, but it is the main raw supply for my acoustic pieces and the main source of the questions that emerge on my research. Coming from a field recordings background I am very interested in the aesthetic action of listening to everyday sounds and even more when there is not mediation or decontextualisation.

Beige is the true color of melancholy (fragment in stereo)

DavidVelezRod