I'm bound up in this Hell
I thought she wanted something real but now I can't tell
Intestines ripped out from my guts and thrown down in the well
I fell down after them but now this is where I dwell
They took my fucking skin and turned me to a fucking beast
A Great One birthed into the night so I can fucking feast
I feel the tendrils on my body and the fucking yeast
I'm yearning for your blood I'll eat every fucking piece
Mother save me
I will never be slain
I will never be slain
I will never be slain
I will never be slain

You are not the one
You are not the one
You are not the one
You are not the one

I WAS BORN AGAIN (PROD. JUSTJ3LOO)

Beige is the true color of melancholy is a multi-channel installation presented on Re.Sound a two day event in Huddersfield, UK on May 2018. The piece points out to the importance of the culinary culture in the establishment of immigrant cultures in Northern England over the past two centuries. The piece was produced with sounds recorded in the kitchen of Thai traditional cook Lag in Huddersfield, interviews made to second generation immigrants, and archive material that presents the role of cooking in the discrimination suffered by some immigrants that moved to West Yorkshire and Greater Manchester in the 1950s and 60s.

Special thanks to:
Kalim Siddiqui, Nat, Lang,
Ching-Fang Wu and Monty Adkins.

Beige is the true color of melancholy (fragment in stereo)

a synthesized goose with a so called complex oscillator which is a fancy way of saying two crossmodulated oscillators (fm or/and am) with a wavefolder circuit.
the amount of sounds one can shape out of this "single voice" is incredible. the controller here was important too, a doepfer ribbon controller.

a second try or "tone" more raspy. dpo only

let's synthesize a goose: two

from KR077 : die ANGEL - Utopien I . LP / DL out on april 24th 2020

Ilpo Väisänen : electronics & effects
Dirk Dresselhaus : electric guitar & effects
Oren Ambarchi : electric guitar & effects

die ANGEL -  Cargo Cult (feat. Oren Ambarchi)

I've Never Been Able To Wedge My Smiles And My Panic Attacks

Radiophonic work in 10 parts, duration - 30min.
Production: Radio Television Serbia - Radio Belgrade 3
Produced partly in Electronic Studio Radio Belgrade using EMS Synthi 100
Premiere: May 30, 11:10PM, Radio Belgrade 3
Artwork (sculpture): Goran Stojčetović - Art Brut Serbia
Photo: Milan Milutinovic - Black Sheep Produkcija
VIDEO: https://youtu.be/7bu6HcFKI1k
*Winner of the Serbian most prestigious composition prize "Mokranjac" for 2020

Post-excavation activities (teaser)

This short ambient piece is based on the arpeggio of Cantus Firmus combined with a field recording from watering the garden.
https://soundcloud.com/rikardlindell/cantus-firmus

Cantus Firmus Postiludium In Horto

TR095 - Nemeton / Rafael Anton Irisarri - '...spin into nothingness'

1986754

Stride

This is the third episode of the Disquietude podcast of ambient electronic music.

The goal of the Disquietude podcast is to collect adventurous work in the field of ambient electronic music. What follows is all music that captured my imagination, and I hope that it appeals to your imagination as well.

All six tracks of music are featured with the permission of the individual artists. More information at disquiet.com/podcast0003. Below is the structure of the episode with time codes for the tracks:

00:00 theme and intro

02:01 Dance Robot Dance's "Tangents"

09:43 Jeannine Schulz's "Beacon"

14:50 Orbital Patterns' "Found in the Fog"

22:15 Alan Bland's Boulder siren field recording

26:58 Heymun's "Ambient Cello & Strings on the OP-1"

29:31 Kin Sventa's "Octatrack Saxophone Drone"

35:56 track notes

40:01 outro

41:39 end

Thanks for listening.

Produced and hosted by Marc Weidenbaum. Disquietude theme music by Jimmy Kipple, with vocal by Paula Daunt. Logo by Boon Design.

Disquietude Ambient Podcast 0003

The cultural, social, economical and environmental context in which I work is not only a big influence, but it is the main raw supply for my acoustic pieces and the main source of the questions that emerge on my research. Coming from a field recordings background I am very interested in the aesthetic action of listening to everyday sounds and even more when there is not mediation or decontextualisation.

Beige is the true color of melancholy (fragment in stereo)

DavidVelezRod