Our mission is to help stories come alive by composing music that captures the imagination and inspires the heart.

While most kids he knew spent their youth chasing the latest trends in pop and grunge, Seth Philpott was absorbing something different—something raw, something timeless. He wasn’t drawn to the fleeting sounds of the moment but to echoes that carried history in their bones. His music became an artistic cocktail—one part blues, one part rock, two parts pop, and one part poetry. That’s too many parts, I realize, but that’s Seth. His sound doesn’t fit neatly into a formula. It stretches wide like an open highway, deep like the roots of an old oak, and high like the lonesome wail of canyon reverbs bouncing off the walls of a desert night.
Born with an ear for the kind of storytelling that lingers, Seth found inspiration not just in melody but in the spaces between the notes—the silences that spoke just as loudly as the sound. His music and compositions carry that same ethos: a reverence for raw, unfiltered emotion, a respect for the grit of life, and a devotion to the kind of art that doesn’t just fade into the background but grabs you by the collar and makes you feel something.
Seth doesn’t just play music—he sculpts it. Now based in Los Angeles, he has carved out a name for himself not only as a singer-songwriter but as a composer and sound designer, weaving sonic landscapes that breathe life into film. His work isn’t just an afterthought—it’s an essential thread in the fabric of a story, shaping mood, setting tone, and creating an atmosphere that lingers in the mind long after the credits roll. He understands that sound isn’t just about what you hear—it’s about what you feel. It’s the hush of wind through an empty desert, the aching slide of a steel guitar, the heartbeat rhythm of footsteps in the dead of night. It’s the tension before a storm, the warmth of analog tape, the imperfect crackle of a vinyl record spinning at 2 a.m.
He carries that sensibility into everything he creates, whether it’s crafting the sonic soul of a film, building compositions that dig deep into the human experience, or telling stories through his own music. His sound design isn’t just about filling space—it’s about creating a world, a place where music doesn’t just accompany a scene but transforms it. He plays with depth, texture, and space, shaping sound the way a painter works with light and shadow. The high, lonesome echoes of canyon reverbs, the worn-in character of a tape-saturated guitar, the heavy silence that follows a single, haunting note—all of it tells a story.
And that storytelling hasn’t gone unnoticed. Seth’s ability to fuse music and cinematic emotion has earned him a Grammy nomination, along with recognition from independent film awards. But more than the accolades, it’s the process that drives him—the chase for something real, something lasting. Whether he’s writing a song, scoring a film, or shaping the sonic fingerprint of a scene, his goal is the same: to create something that feels alive, that resonates long after the sound fades.
So pour a drink, dim the lights, and let Seth’s music settle into your bones like a fifth of bourbon. Feel the weight of the world and the lift of the spirit, the tension between struggle and joy, between heartland and heaven. His sound lives in that in-between space—the past and the future, the dust and the dream, the longing and the resolve. Somewhere in the reverb, in the hush between the notes, Seth Philpott is telling stories that will stay with you long after the music stops.

A songwriter, producer, an honest lyricist, a captivating performer, Sara has a tendency of writing music that pulls you in and speaks to your depths.

lil baby boys making grunge-punk synth-pop 

if you run a record label please sign us we want to sell out so bad

I'm the frontman and songwriter for Melbourne-based band 'Canary'. This is my solo project. 

For all enquiries: mattkenneally@gmail.com

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The simplest pleasures matter the most. Whether it be the dawn breaking, pouring the first cup of coffee, or enjoying a tree as it sways in the wind, the little things distinguish one day from the next. The day derives color, personality, and even magic from these nuances. Davis John Patton most certainly treasures such details. In similar fashion, his songwriting bears the eloquence of a novelist, allowing the smallest moments to leave big impressions. On his 2020 Poetry EP [Nettwerk], the troubadour uses acoustic instrumentation and atmospheric production to translate life’s idiosyncrasies into five introspective and engaging folk anthems.

“I like to find people where they are and help them see the beauty in those moments,” he says. “I’m trying to highlight the profound things happening day-to-day. We can always use more inspiration and peace.”

Born and raised in the Midwest, Davis found himself drawn to music at a young age. Mom enrolled him in piano lessons during first grade. Three years later, he picked up guitar. In between choir at church and school, he discovered Bon Iver’s For Emma, Forever Ago and embraced acoustic folk. While in college, he independently wrote and recorded the 2018 Forest Park EP, followed by 2019’s From the Garden EP [Nettwerk], which received praise from the likes of American Songwriter, Atwood Magazine and more. Even in the midst of a prolific few years, he still found the time to recognize peace around him.

Davis John Patton is following