Sounds and the like: Low Low Low La La La Love Love Love, Jatun, Small Sails, Sneaky Thieves, Fessenden, Glowworm, Baja, Dot Tape Dot, Dokkemand, Black Feather, João Orecchia, Lanterns, Gultskra Artikler, Hess/Tilmann, Male, Tallest Trees, Bacanal Intruder, Motèl Mari, Holly Hunt, Giulio Aldinucci, Dim Past, Givan Lötz, Fsik Huvnx, Yankee Roses, Treasure Teeth, Sicker Man, Dino Felipe, AUDIOID, dsrtdbch, SAAVIK, the divided body.

Guitarist (surprise!) and aspiring songwriter. Also a huge nerd (surprise again!). This is currently an archive of the music that's defined my life for some time, but I hope to be increasing output and staying creative. :)

'SquidSacks' is the solo musical effort of Connor Hunt. Beginning in 2015, Connor has written, performed, and produced dozens upon dozens of songs under his aforementioned stage name. Ranging to anything from abrasive anti-folk acoustic weirdness, heavy sludge grunge, or just a traditional pop tune, Connor is just as keen to construct an emotionally gripping ballad as he is to mess with the endless possibilities of sonic composition.

Many thanks to my father, Jonathan Hunt, my step mom, Michelle Hunt, and sister, Emma Hunt for their constant support and input.

Archival Feedback’s working experimental practice integrates wide-ranging field studies with art and the study of the landscape, charting the environment, and exploring place through a holistic framework.  AF contextualizes the fieldwork through sound media and mediums, using these to create experiences that encounter and immerse into the acoustic landscape, relating the human spaces to non-human spaces and relationships in ecosystems in an anthropogenic era. We work imperatively towards using sound art to facilitate a more-heightened listening.

Archival Feedback (Emile Milgrim, T. Wheeler Castillo) are artists based in Miami, FL. The duo expands their range through collaboration with artists, musicians, and scientists, working with print-making, video, and installation.

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