http://www.discogs.com/FM-Belfast-Underwear/release/2661259

FM Belfast - Underwear (Hermigervill Remix)

Nature of Sankofa

Guess Or Get The Fuck

More Info & Download: https://www.xlr8r.com/mp3/2016/06/oliver-coates-innocent-love/

@ollycoates
@prahrecordings


Download

Download: Oliver Coates - Innocent Love

album Coeur Obsédé...... https://imusiciandigital.lnk.to/i5hYE
https://youtu.be/daYYOfL9ufk

Coeur obsédé

Saouleil

Computer Jockeys - Ping Pong (Original)

From the forest floor:

"Having unearthed The Fugs CIA man some years before, we were shocked to discover a newer more sinister agency had taken over from the diatribe's protagonist so we updated Tuli Kupferberg's list of ills...

"Of course every time the song is now mentioned online, a blip of data triggers a filter that enters a file that rings a bell in a bunker deep under a mountain in Pennsylvania. So now the forest is full of agents looking for us, and we are taping up our microphones and cameras and walking backwards through our own footprints to shake them off..."

Snapped Ankles - CIA Man (NSA Man Violation)

Fontarrian - Wait For Me (Cuki Remix)

“Este es el Mundo” es una pieza sonora-poética apocalíptica, inspirada en el cambio de era y la fantasía de escaparse a raves underground durante la madrugada; y en un mundo donde las noticias nacionales e internacionales están inundadas de violencia, política, crisis sanitaria y brutalidad policíaca. 
Cuenta con la colaboración de la poeta mexicana Azul Ramos. 

Video: Pieza de sinestesia audiovisual generativa creada por Coco Robles.
https://youtu.be/wfTnna92tQs

POEMAS

I
Esta tarde he visto caer 
dos personas, diez personas,
unas cuantas que no tocan el piso
por un bache que advierto
dentro de la unidad
pero esta distancia evita que levante al anciano caído
al niño caído
como caídas están las esperanzas en esta unidad donde nos refugiamos
porque pagamos poco
sobrevivimos con poco
habitamos un espacio que es poco.

II
Lo que la enfermedad da, el hambre mata.
Y no sé
cuánto más
existiré si como una lata de atún al día.
Si me siento sucia a cada hora,
si gasto el agua, el jabón, los utensilios
y todo lo que toco.

Como el primero en el mundo
que extinguió de a poco los animales 
para su colección,
que taló árboles para hacer casas,
que agotó los recursos antes de decir:
Bienvenidos, este es el mundo.

III
¿Hace ruido el árbol que cae cuando no hay nadie para escucharlo?
¿Está durmiendo o falleciendo aquel señor de la acera cubierto de cobijas, sin rostro a la vista ni respiración que escucharse?
Y si alguien muere, y no estamos
en el momento preciso
el último respiro preciso
ver los ojos cerrándose sin un espectador.

Créditos:
Composición, producción y mezcla: Asaph Sánchez
Voz y Poemas: Azul Ramos
Master: Roberto Saldivar
Cover Art: Ilse Rodarte

Links adicionales:
https://mras9ph.bandcamp.com
https://mras9ph.tumblr.com

Azul Ramos
https://twitter.com/azulramoz
https://www.instagram.com/azulramoz/

Roberto Saldivar
https://instagram.com/robmixmastering

Este es el mundo

Este es el Mundo

Taken from the album 'Dysnomia', released worldwide on June 1, 2015 through Erased Tapes.

Order it on 2x LP, CD and Download here:
www.erasedtapes.com/store/index/ERATP068
iTunes here: snip.ftpromo.net/dawnofmidi
Bandcamp: dawnofmidi.bandcamp.com 

With Dysnomia, the Brooklyn-based group Dawn of Midi made up of double bass player Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi abandon improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”

“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

TRACKLIST / CREDITS:

1. Io 2. Sinope 3. Atlas 4. Nix 5. Moon 6. Ymir 7. Ijiraq 8. Algol 9. Dysnomia
Written by Amino Belyamani and Aakaash Israni.

NORTH AMERICAN PRESS:

“Stellar… at a loss for words” – Spin
“Something totally unprecedented” – Pitchfork
“Perverse in a good way” – The New York Times
“Brain-bending, seemingly impossible” – Rolling Stone
“Moving and addictive...a feat of innovation” – Interview Magazine
“A mysterious, vital sound with a pull all its own” – L.A. Times

MORE INFO:
www.dawnofmidi.com · www.erasedtapes.com


Follow us: @dawnofmidi on Twitter (https://twitter.com/dawnofmidi) | Dawn of Midi on Facebook (https://www.facebook.com/DawnofMidi)
Dysnomia Album trailer: https://vimeo.com/dawnofmidi/dysnomia

Dawn of Midi - Nix (Dysnomia)

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.